A journey through acid house soundscape jams . None of the typical anthem bashing. for a more open minded crowd and not the middle aged anthem bashing lovers.

Choci christmas Lockdown 2022

Banging acid techno for the music for Palestine project with Stay up forever  - VCF and Chocis Chewns . profits will go to Palestinian charities

LETHAL ONE - I'M IN L.A. BITCH - Digi Master

WHAT A JAM.....WOOOOOOOO.message me for download

HI GLOSS WILL NEVER KNOW HOW MUCH CHOCI LOVES THIS JAM

IS MY IMAGINATION JUST AN ILLUSION ROCSTAR EDIT

Brass Construction was an American funk group formed in Brooklyn, New York in 1968. They were originally known as Dynamic Soul,[1] and went on to record a string of hit singles and albums through to 1985.
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BRASS CONSTRUCTION MOVIN CHOCI ROC FURY EDIT

Barbara Mason (born 9 August 1947, Philadelphia, Pennsylvania) is an American R&B/soul singer best known for her 1965 hit song, "Yes, I'm Ready".A soul singer, Mason initially focused on songwriting when she entered the music industry in her teens. As a performer, though, she had a hit single in 1965 with her self-penned Top 10 hit, "Yes, I'm Ready" (number five pop, number two R&B), a fetching soul-pop confection that spotlighted her high, girlish vocals. One of the first examples of the sweet, lush sound that came to be called Philly soul, she had modest success throughout the rest of the decade on the small Arctic label, reaching the Billboard Hot 100 Top 40 again in 1965 with "Sad, Sad Girl", and "Oh How It Hurts" in 1967-68.
 
In the early and mid-1970s, Mason toughened her persona considerably, singing about sexual love and infidelity with a frankness that was uncommon for a female soul singer in songs like "Bed and Board," "From His Woman to You," and "Shackin' Up." Sweet soul continued to be her groove, and she continued to write some of her material. But the production, as it was throughout soul in the '70s, was more funk-oriented, and at times Mason would interrupt her singing to deliver some straight-talkin' raps about romance. Curtis Mayfield produced her on a cover version of Mayfield's "Give Me Your Love," which restored her to the pop Top 40 and R&B Top Ten in 1973; "From His Woman to You" (the response to Shirley Brown's single "Woman to Woman") and "Shackin' Up" were also solid soul sellers in the mid-1970s. After leaving Buddah Records in 1975, she only dented the charts periodically, with "I Am Your Woman, She Is Your Wife" (1978), "Another Man" (1984) on West End Records, and a couple of other singles.
 
Mason released a new CD, Feeling Blue, on 18 September 2007.
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BARBARA MASON ANOTHER MAN CHOCIS EDIT

Yellow Magic Orchestra (YMO) is a Japanese electronic music band consisting of principal members Haruomi Hosono (bass and keyboards and vocals), Yukihiro Takahashi (drums and lead vocals) and Ryuichi Sakamoto (keyboards and vocals). The band's former "fourth member" was music programmer Hideki Matsutake.Prior to the group's formation, Sakamoto had been experimenting with electronic music equipment at the Tokyo National University of Fine Arts and Music, which he entered in 1970, including synthesizers such as the Buchla, Moog, and ARP.[14] Hosono, following the break-up of his band Happy End in 1972, became involved in the recording of several early electronic rock records, including Yōsui Inoue's folk pop rock album Kōri no Sekai (1973) and Osamu Kitajima's progressive psychedelic rock album Benzaiten (1974), both of which utilized synthesizers, electric guitars, electric bass, and in the latter, electronic drums and rhythm machines.[15][16]

Also around the same time, the band's future "fourth member" Hideki Matsutake was the assistant for the internationally successful electronic musician Isao Tomita. Much of the methods and techniques developed by both Tomita and Matsutake during the early 1970s would later be employed by Yellow Magic Orchestra.[2][17] Other early influences on the band included Kraftwerk and Giorgio Moroder.[1] The former was particularly an influence on Sakamoto, who heard the band in the mid-1970s and later introduced them to his fellow band members.[18] They were impressed with Kraftwerk's "very formalized" style but wanted to avoid imitating their "very German" approach. According to Sakamoto, they were "tired" of Japanese musicians imitating Western and American music at the time and so they wanted to "make something very original from Japan."[18] He described Kraftwerk's music as "theoretical, very focused, simple and minimal and strong," contrasting it with YMO's "very Japanese" approach of fusing many different styles of music like a "bento box."[14] Their alternative template for electronic pop was less minimalistic, made more varying use of synthesizer lines, introduced "fun-loving and breezy" sounds,[19] and placed a strong emphasis on melody.
	
"Firecracker" (1978)
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A sample of "Firecracker" from the 1978 album Yellow Magic Orchestra. It was combined with the "Computer Game" track into a hit single called "Computer Game". It was later sampled by artists such as Afrika Bambaata and Jennifer Lopez.
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Sakamoto first worked with Hosono as a member of his live band in 1976, while Takahashi recruited Sakamoto to produce his debut solo recording in 1977 following the split of the Sadistic Mika Band. Hosono invited both to work on his exotica-flavoured album Paraiso, which included electronic songs produced using various electronic equipment such as the Yamaha CS-80 polyphonic synthesizer, Roland and ARP Odyssey synthesizers, the Yamaha CP-30 and Rhodes electric pianos, and electric guitar. The band was named "Harry Hosono and the Yellow Magic Band" and in late 1977 they began recording Paraiso, which was released in 1978.[20] The three worked together again for the 1978 electronic album Pacific, which included an early version of the song "Cosmic Surfin".[21] Hosono and Sakamoto also worked together alongside Hideki Matsutake in early 1978 for Hosono's experimental "electro-exotica" fusion album Cochin Moon, which fused electronic music with Indian music (reminiscent of Ravi Shankar and Bollywood music), including an early "synth raga" song "Hum Ghar Sajan".[22] The same year, Sakamoto released his own solo album, The Thousand Knives of Ryuichi Sakamoto, experimenting with a similar fusion between electronic music and traditional Japanese music in early 1978. Hosono also contributed to one of Sakamoto's songs, "Thousand Knives", in the album.[23] Thousand Knives was also notable for its early use of the microprocessor-based Roland MC-8 Microcomposer music sequencer, with Matsutake as its music programmer for the album.[24] Hosono, Sakamoto and Takahashi eventually collaborated again to form the Yellow Magic Orchestra and they began recording their self-titled album at a Shibaura studio in July 1978.[25]

The band was initially conceived as a one-off studio project by Hosono, the other two members being recruited session musicians—the idea was to produce an album fusing orientalist exotica with modern electronics, as a subversion of Orientalism and exoticization, while exploring similar themes such as Asianness. The album would eventually be called Yellow Magic Orchestra, as a satire of Japan's obsession with black magic at the time. The album featured the use of computer technology (along with synthesizers) which, according to Billboard, allowed the group to create a new sound that was not possible until then

YELLOW MAGIC ORCHESTRA FIRECRACKER CHOCIS KYOTO EDIT

Kenneth M. Burke (born September 28, 1953), better known as Keni Burke, is an American R&B, soul, funk, and jazz singer, songwriter, record producer, and multi-instrumentalist who began his career as a member of the 1970s soul outfit, the Five Stairsteps.As a member of the Five Stairsteps, Burke wrote the group's first minor hit "You Waited Too Long" in 1966, but the group would see their biggest success with the million-selling song "O-o-h Child" in 1970. The group went on to sign with George Harrison's Dark Horse Records in 1975, and had their next hit with the Burke-penned "From Us to You", from their 1976 album 2nd Resurrection. The group disbanded soon after.Skilled as a guitarist and bassist, Burke continued to work for the Dark Horse label as a session musician, while burgeoning a solo career of his own. In 1977, he released his self-titled debut album, which featured the songs "Keep on Singing", "Shuffle", and "From Me to You".
During this period he contributed instrumentation to songs by a diverse range of artists such as Sly & the Family Stone, Natalie Cole, Billy Preston, Terry Callier, Curtis Mayfield, Bill Withers, Dusty Springfield, Diana Ross, and Gladys Knight.
In 1981, Changes, Burke's best-selling album to date, was released, containing the singles "Hang Tight" and his signature hit "Rising to the Top"—a big success in Chicago. The song has become a popular sampling choice for hip hop artists, having been borrowed by artists such as Doug E Fresh ("Keep Risin To The Top"), Big Daddy Kane ("Smooth Operator"), LL Cool J ("Around the Way Girl"), Pete Rock & CL Smooth ("Take You There"), Mary J. Blige ("Love No Limit"), O.C. ("Born 2 Live"), Sean Price ("Sabado Gigante") and once again by LL Cool J for the song "Paradise", with Amerie, though a lot of these songs have been mistakenly thought to use the bass line from the 1983 song "All Night Long" by the Mary Jane Girls. In 2006, "Rising to The Top" appeared in the soundtrack for the popular video game Grand Theft Auto: Vice City Stories, on fictional Quiet Storm station Vice City For Lovers. Burke's next release was the 1982 self-produced You're the Best.
Throughout the '80s and into the '90s, Burke continued his session and production work for artists such as Peabo Bryson, The O'Jays, The Jones Girls and Keith Sweat, and in 1998 released his last album to date Nothin' but Love, containing the hit "Indigenous Love", which was popular in the United Kingdom via the Expansion Records Label.
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KENI RISING TO THE TOP BURKE CHOCIS SECRET GARDEN EDIT

International dj from London town,has toured/played in America,South America,Japan,Europe,Scandinavia,Australia,all over Britain,released around 150 vinyl productions,released 5 albums,licensed tracks worldwide including a million copy selling German album....Was the first non new york writer to paint the trains in new york with the legendary Rocstars crew,is part of the legendary Tonka hifi dance system and a founding member of the Team Robbo/WRH writing/graffiti collective.....PS You will find lots more edits here...   https://www.facebook.com/groups/433460040042105/

Dj Choci----Roc

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