Just practicing synchronizing an Arpitecht into an STO/Optomix with a S/H into a Harmonaig (7th chord quantizer)into a Saich (4 oscillator) and a Keystep running a bassline on the Pulsar 23. Drums are wmd and Pulsar 23 ran with the metron. An effects send to the Mimeophon (delay effects) and the Q pass (Filter SP). Out the WMD mixer to a V76 then BA6A limiter to Ampex 350 pre amps for 1/2 2 track 15 ips tape on a 440 with Flux heads to match the 350 impedance.

Harmonic Dub Step

Rhodes went through an Op6 to a BA6A. 
Wurlitzer 140b went through Neve Shelford with Eq, compression and Red silk then to an LA2A for gentler compression.
Yamaha CP70D had a send to a Mutron Biphase and Tremolo effect on and went through Neve Shelford with Eq and Compression as well as the ADL670 for gentler compression.
This is just the mix out of ableton but I'll probably send this out to a Fat Bustard Summing Mixer then Pultec Eqs to Ampex 350 tape and back and post an alternate take to see if analog mixing has much of an impact on the sound.

In The Waiting Line CP70 Jam

Root Down Riff 
Rhoders, D6 Clav going through a Fender 59' Tweed Bassman into a SM2 stereo mic thru a V76 pre amp and Ba5A limiter. 
Mastered through Pultec Meq5 and Eqp1a3, and BA6A on to 1/2 in tape on an Ampex 440 with 350 pre amps. The drums and Bass really boom and come to life with the Analog mixing.

Root Down Rhodes Jam Tape

Gu Zheng and Tanpura both recorded with C24 through v76 and Ba6a D6 Clavinet thru a mutron on drone
Cp70 piano through Neve 1084 and Fairchild 670
Yamaha Cs60 through Ampex 350 to Ba6a
Eurorack
Make Noise Sto, XPO, Mimeophon, Qpas, WMD drums through Rachel Ring modulator
Strymon starlab on mix and Magneto on drums

Colossus of Pangea

This is a freeform jam I built up over 20 minutes and then went into exploring the CS60 and Matriarch 

EMS Synthi into 1084 pre, Pultec Eq, ADL670 compressor on Bass sequenced by keystep pro
WMD drums sequenced by Metron and Voltera
Make Noise STO and XPO (into QPass then Mimeophon) sequenced by Rene
Instruo Taigh S&H driving Harmonaig quantizer sequencing Saich (Quad oscillator) into 1047
Strymon starlab reverb on the Eurorack mix 
Cs60 into Ampex 350 into Ba6A compressor 
Matriarch into V74, LA2A

EMS47

Started off working on a cover of Ain’t Nobody but landed somewhere else and went with it. 
Linn Drum 
Make Noise Rene sequencing STO to Optomix and XPO to Qpas to Mimeophon 
Colossus on Bass
Minimoog Model D (1973) on Bass a few minutes in 
Schmidt- main synth 
Memorymoog- Sci-Fi effects around 4:40
Polymoog-back up synth theme 
Cp70 Piano

Aint Nobody

Moog Model 15 Bass
ARP 2600 Tonus lead
Make Noise and Instruo modular synth 
WMD modular drums 
Teenage Engineering Choir captured with CM-15 into Tx6 to Euro rack through strymon Starlab
Moog Vocoder with Model 15 as carrier

Teenage Engineering Wasteland

Serum and Rhodes Mk8 - Chords
Moog Model 15- Bass
Polymoog- backup Chords
Oberheim Four Voice- Synth Solo
Sub37- Synth Solo
Euro Rack-
WMD drums
Make Noise Rene, XPO, Dxg, Qpas, Mimeophon
Instruo Taigh, Harmonaig sequencing 
STO, Optomix and Saich, I-047, ceis, vinca
Vocals- AKG C24, Ampex 350 preamp, Lexicon 440L, Melodyne (formant transposition on the intro)

Mixing and Mastering 
Neve 5059, Fat Bustard into Neve 5060, ADL670, and Neve MBT

I Cant Do Without You REMIX

Drums- Cr78 into Space Echo 201 to 59 Tweed Fender Bassman mic’d with Akg C24 into Ampex 350 and Bauer 920 and Coles 4038 into Neve Shelford

Bass- Moog Model 15 into RCA BC6B into RCA BA6A 

Mk8 Fender Rhodes with Compression and Chorus 

PPG into Roland 100 mixer with Spring reverb

Polymoog into Roland 100 mixer with Spring Reverb and Space Echo 501 

D6 Clavinet with Wah (vintage vibe amp) 

Mixed and Mastered 
Drums, Bass and Clav into Fat Bustard Summing Mixer with Eq and Stereo Spread 

Rhodes, PPG and Polymoog into Neve 5059 

Neve 5060 with ADL670 and Red Silk on master 
RND Master Bus Transformer

I Cant Go For That (No Can Do)

A cover of Marco Benevento’s Atari from his 2008 breakout album Invisible Baby. Inspired by doing some sound design on the Moog Muse to get close to the synth sound he used in this song. Sounded close to presets usually described as Swarm of Bees or something like that. Lots of modulation and high end fizz and sizzle.

Moog Muse- Synth sound

    Into RND Shelford 
CP70- piano 
    Into RCA BC6B and ADL670 compressor

R.A. Moog Model 15- Bass 
    Into RCA BC6B and BA6A compressor

WMD euro rack drums and Rachel Ringmod on high hat thru Strymon magneto and Starlab into V76, Ua175b compressor

Mastered 
Drums and Bass to Fat Bustard into Neve 5060
Synth and Piano to RND 5059 satellite into 5060

5060 with ADL670 on master and Red Silk into RND Master Buss Transformer

Atari

Daft Punk Something About Us cover 
Moog iip and model 15 on bass
Oberheim 8 voice on lead and pads
Korg Ps3300 rhythm and vocals going into make noise Mimeophon then qpas being sequenced by Instruo Harmonaig
Panoptigan voices
Roland Tr1000 drums
Wurlitzer 140b going into Rhodes Mk8 for chorus and compression 
Mk8 Rhodes

Something about us

Do you really believe in Magic? Ch Ch Ch Chinese Bl-Bl-Black Magic   Magic

Chinese Black Magic

One of my favorite Radiohead Songs. The time structure is 5/4, which adds a dynamic to the music that makes it unique.

Everything in its Right Place (Instrumental)

This is inspired by the Bhairavi scale from Indian Classical Music. I've been studying Tabla, Sarod, Santoor, and Harmonium over the past few years and have been working on bringing these instruments together with Fender Rhodes, the Moog One and modern electronic music to create a new Genre of Indofusion Jazztronica.

Greenstaff

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