"Orinoco Flow", also released as "Orinoco Flow (Sail Away)", is a song by Irish singer-songwriter Enya from her second studio album, Watermark (1988). The song was released on 3 October 1988 by WEA Records in the United Kingdom and by Geffen Records in the United States the following year. The song topped the UK Singles Chart for three weeks and received two Grammy Award nominations for Best Music Video and Best New Age Performance at the 32nd Annual Grammy Awards.

In 2020, The Guardian ranked "Orinoco Flow" at number 77 in its list of the 100 greatest UK number-one singles of all time.

NO COPYRIGHT INFRINGEMENT INTENDED.

ORINOCO FLOW (DJ John Culture Rework-FLAC) Enya

"Forget Me Nots" is a 1982 song co-written and performed by American R&B musician Patrice Rushen. It appears on her seventh album, Straight from the Heart. Making a radical shift in her music, Rushen would continue to harness the particular style of this record all through to her next album Now, released in 1984.

NO COPYRIGHT INFRINGEMENT INTENDED.

FORGET ME NOTS (DJ John Culture Rework-FLAC) Patrice Rushen

"The Hustle" is a disco song by songwriter/arranger Van McCoy and the Soul City Symphony. It went to No. 1 on the U.S. Billboard Hot 100 and Hot Soul Singles charts during the summer of 1975. It also peaked at No. 1 on the Canadian RPM charts, No. 9 on the Australian Singles Chart (Kent Music Report), and No. 3 in the UK. It would eventually sell over one million copies. The song won the Grammy Award for Best Pop Instrumental Performance early in 1976 for songs recorded in 1975.

This is my 3rd upload. 

NO COPYRIGHT INFRINGEMENT INTENDED.

THE HUSTLE (DJ John Culture Rework-FLAC 3RD UPLOAD)Van McCoy & The Soul City Symphony

"Like a Virgin" is a song recorded by American singer Madonna from her second album Like a Virgin (1984). Upon release, "Like a Virgin" received positive reviews from music critics, who frequently singled out Madonna's vocals. It became her first number-one in the Billboard Hot 100, and topped the charts in Australia and Canada, while reaching the top ten elsewhere; "Like a Virgin" has sold over six million copies worldwide. On November 17, 1984, "Like a Virgin" debuted at number 48 of the Billboard Hot 100, and was the week's most added song to radio stations. One week later, the single entered the Dance Club Songs chart at number 26. On December 15, following the release of the Like a Virgin album, the song reached the Dance chart's first position, giving Madonna her second number one there after the "Holiday"/"Lucky Star" release from October 1983. Additionally, it was the sixth Dance Club number one produced by Nile Rodgers. After six weeks on the chart, "Like a Virgin" reached the Hot 100's top spot on December 22, tying Prince's "When Doves Cry" as the fastest-rising number one single of the year. With this feat, Madonna became the year's fourth female artist to top the Hot 100, following Deniece Williams, Cyndi Lauper and Tina Turner; "Like a Virgin" was the second number one by an act from Sire Records ―the other being "Pop Muzik" (1979) by M.

NO COPYRIGHT INFRINGEMENT INTENDED.

LIKE A VIRGIN (DJ John Culture Rework-FLAC) Madonna

"Venus" had been a part of Bananarama's repertoire for several years before they actually recorded it. The group's three members, Sara Dallin, Siobhan Fahey and Keren Woodward, had the idea of turning the song into a dance tune, but they were met with resistance from their producers at the time, Steven Jolley and Tony Swain. The group brought the idea to the production trio of Stock Aitken Waterman, and it became Bananarama's first collaboration with them. 

Bananarama's "Venus" peaked at number one in the United States, Australia, Finland, New Zealand, Switzerland and South Africa, while reaching number two in Germany and the top-ten in Austria, Belgium, Canada, France, Netherlands, Norway, Spain, Sweden and the United Kingdom (number eight on the UK Singles Chart, matching the same peak of Shocking Blue's version). It also topped the US Dance Club Songs chart for two weeks.

NO COPYRIGHT INFRINGEMENT INTENDED,

VENUS (DJ John Culture Rework-FLAC 2ND UPLOAD) Bananarama

"Together Forever" is a song recorded by English singer-songwriter Rick Astley and released as the fourth single from his debut album, Whenever You Need Somebody (1987). It reached number two in the United Kingdom, behind Neighbours star and fellow Stock Aitken Waterman artist Kylie Minogue's debut single "I Should Be So Lucky". The song reached number one on the Billboard Hot 100 on 18 June 1988, becoming Astley's second and final US chart-topper, and also topped the charts in Canada, Ireland and Spain. It also peaked at number five in Germany and Italy and within the top 10 in Austria and Iceland. British magazine Classic Pop ranked "Together Forever" number 20 in their list of "Top 40 Stock/Aitken/Waterman songs" in 2021.

The song uses a similar chord structure and melody to Astley's debut single "Never Gonna Give You Up" (like most songs written and produced by Stock/Aitken/Waterman at the time), and has occasionally been used as an alternate Rickroll song.

NO COPYRIGHT INFRINGEMENT INTENDED.

TOGETHER FOREVER (DJ John Culture Rework-FLAC) Rick Astley

"Why" is the debut solo single of Scottish singer-songwriter Annie Lennox, released on 16 March 1992. It was taken from her debut solo album, Diva (1992), and reached number five in the United Kingdom. In the United States, "Why" peaked at number 34 on the Billboard Hot 100 and number six on the Adult Contemporary chart. It was also a big hit internationally, reaching number one in Italy and peaking within the top 10 in Belgium, Canada, Ireland and five other countries.

"Why" was successful on the charts in several countries, peaking at number one in Italy. In Europe, it reached the top 10 in Belgium, Denmark, Ireland, the Netherlands, Norway, Sweden, Switzerland, and the United Kingdom, as well as on the Eurochart Hot 100, where it peaked at number three. In the UK, the single reached number five in its third week at the UK Singles Chart, on 5 April 1992. Additionally, it was a top-20 hit in Austria, Germany and Spain.

Outside Europe, "Why" reached number seven on the RPM Top Singles chart in Canada, number 15 in New Zealand, number 17 in Australia, and number 34 on the Billboard Hot 100 in the United States. But on the Billboard Adult Contemporary, it was an even bigger hit, peaking at number six.

NO COPYRIGHT INFRIGEMENT INTENDED.

WHY (DJ John Culture Rework-FLAC) Annie Lennox

American singer Jennifer Lopez recorded her own version of the song for her debut studio album, On the 6 (1999). Ric Wake and Richie Jones produced Lopez's Hispanic house version of "Waiting for Tonight", which differs from the German-sounding Europop version that was recorded by 3rd Party. A Spanish version of the song, entitled "Una Noche Más", was adapted by Manny Benito and also recorded for the album. "Waiting for Tonight" was released on September 7, 1999, by the Work Group, as the third single from On the 6.

The music video for the song was directed by Francis Lawrence and depicts a New Years theme-party celebrating the upcoming millennium, as well as a potential Y2K problem. The song was nominated for two MTV Video Music Awards, where it received the MTV Video Music Award for Best Dance Video. Lopez has performed the song on television programs such as Dick Clark's New Year's Rockin' Eve and the 11th Billboard Music Awards.

"Waiting for Tonight" served as the third single from On the 6. The track was released on October 27, 1999, in Austria, and five days later in the United Kingdom. It peaked at number five on the UK Singles Chart, and had sold 255,000 copies there by July 2016. It debuted and peaked at number two in Spain, where it spent twelve weeks charting in the top ten. The song reached number six in Italy, and charted at number seven on the Single Top 100 chart in the Netherlands. In Belgium, the song peaked at number four in Wallonia and fifteen in Flanders. It was certified gold in Belgium for shipments of 25,000 units. In Finland, "Waiting for Tonight" charted for three weeks, peaking at number eight. The single also peaked at number ten in France, and was later certified gold in France by the Syndicat National de l'Édition Phonographique, marking shipments of 250,000 units. Elsewhere, it reached the top fifteen in Norway, Scotland, Switzerland, Ireland, and Germany (where it also reached the top of the airplay charts). The single peaked at number sixteen in Sweden, and reached the top thirty in Austria (number twenty-four).

"Waiting for Tonight" debuted on the Australian Singles Chart at number 35 on October 31, 1999. In its eleventh week on the chart, it reached a peak of number four. Overall, it spent six weeks in the top ten and was certified platinum by the Australian Recording Industry Association for shipments of 70,000 units. After entering the Official New Zealand Music Chart at number 42 for the week ending October 31, 1999, the song peaked at number five one month later, and was later certified gold by the Recording Industry Association of New Zealand for shipment of 7,500 units.

For the week ending October 16, 1999, "Waiting for Tonight" entered the US Billboard Hot 100 at number 56 as the "Hot Shot Debut of the Week." Airplay increased, with the song steadily rising to number 37 in its second week, garnering the "Greatest Gainer in Airplay" title.In its third week, it jumped to number 25 on the Hot 100, while topping the Billboard Hot Dance Club Play chart. "Waiting for Tonight" entered the top ten of the Hot 100 on the week ending November 27, 1999, reaching number nine. The following week, the song peaked at number eight on the Hot 100, on the chart dated December 4, 1999. It also peaked at number five on the US Hot 100 Airplay Chart. It is her ninth most successful song on Billboard charts. "Waiting for Tonight" was one of four songs that reached the top ten of the Billboard Hot 100 in 1999 based solely on radio play. The song was, however, released to retail on a limited basis and sold 10,000 copies in the United States by January 2000. In August 2002, the song received a BDS Certified Spin Award for receiving 200,000 radio spins in the United States. In Canada, "Waiting for Tonight" entered at number 4 before reaching number two for the week of November 29, 1999.

NO COPYRIGHT INFRINGEMENT INTENDED.

WAITING FOR TONIGHT (DJ John Culture Rework-FLAC) Jennifer Lopez

"Daddy Cool" is a song recorded by Boney M. and included on their debut album Take the Heat off Me. It was a 1976 hit and a staple of disco music and became Boney M.'s first hit in the United Kingdom. The song was produced and co-written by the group's founder Frank Farian, who also provided the male voice parts on the record.

The second Boney M. single, it was released in 1976 and made no major impact at first. After a presentation on the Musikladen TV show in September that year, the single became a hit, topping several European charts. It reached number six in the UK charts and number 65 in the United States Billboard Hot 100. The single also topped the German charts and reached the Top 20 in Canada. It proved to be the band's major European breakthrough.

NO COPYRIGHT INFRINGEMENT INTENDED.

DADDY COOL (DJ John Culture Rework-FLAC 2ND UPLOAD) Boney M.

"I'm Coming Out" is a song recorded by American singer Diana Ross. It was written and produced by Chic members Bernard Edwards and Nile Rodgers, and released on August 22, 1980, as the second single from Ross' self-titled tenth album Diana (1980). The song was another hit from the album, peaking at number 5 on the U.S. Billboard Hot 100 chart for three weeks in November 1980. It is also notable for being the first song usually performed at Ross' performances and concerts since 1980. In 2021, it was ranked at No. 385 on Rolling Stone's "Top 500 Greatest Songs of All Time".

NO COPYRIGHT INFRINGEMENT INTENDED.

I'M COMING OUT (DJ John Culture Rework-FLAC) Diana Ross

"Dancing Queen" is a Europop and disco song by the Swedish group ABBA, released as the lead single from their fourth studio album, Arrival (1976). It was written by Benny Andersson, Björn Ulvaeus and Stig Anderson. Andersson and Ulvaeus also produced the song. "Dancing Queen" was released as a single in Sweden on 15 August 1976, followed by a UK release and the rest of Europe a few days later. It was a worldwide hit. It became ABBA's only number one hit in the United States, and topped the charts in Australia, Canada, Denmark, the Netherlands, Belgium, Czechoslovakia, Ireland, Mexico, New Zealand, Norway, South Africa, Spain, Sweden, the United Kingdom, West Germany and the Soviet Union. "Dancing Queen" also reached the top five in many other countries.

"Dancing Queen" was a worldwide No. 1 hit, topping the charts in more than a dozen countries including ABBA's native Sweden (where it spent 14 weeks at the top), Australia, Belgium, Brazil, Canada, West Germany, the United Kingdom, Ireland, Mexico,[citation needed] the Netherlands, New Zealand, Norway (where it charted for 32 weeks (VG-lista Top 10), making it the 11th best-performing single in that country), South Africa and Rhodesia. "Dancing Queen" also topped the charts in the United States, ABBA's only No. 1 on the Billboard Hot 100, and was a Top 5 hit in Austria, Finland, France and Switzerland. The song sold over three million copies. The track was the fourth biggest single of 1976 in the UK.

NO COPYRIGHT INFRINGEMENT INTENDED.

DANCING QUEEN (DJ John Culture Rework-FLAC 2ND UPLOAD) ABBA

"She Drives Me Crazy" is a song by English group Fine Young Cannibals, released in 1988 as the first single from their second and final album, The Raw & the Cooked (1989). Peaking at No. 5 on the British singles chart in January 1989, it is the band's highest charting single in their native UK.[2] The single proved an even bigger hit in the US, topping the Billboard Hot 100 on 15 April 1989 for one week and becoming the first of two chart-topping singles for the band on that chart. "She Drives Me Crazy" also reached No.1 on the Billboard Hot Dance Music/Club Play Singles chart,[3] as well as in countries including Australia, Austria, Canada, New Zealand and Spain. It reached the top 3 on several European charts including Belgium, West Germany, Iceland, Ireland and Switzerland.

In 2018, Time Out magazine listed "She Drives Me Crazy" at No. 28 in their countdown of The 50 best '80s songs.

NO COPYRIGHT INFRINGEMENT INTENDED.

SHE DRIVES ME CRAZY (DJ John Culture Rework-FLAC 2ND UPLOAD) Fine Young Cannibals

"Caribbean Queen (No More Love on the Run)" is a 1984 song by Trinidadian-British singer Billy Ocean. Co-written and produced by Keith Diamond, it climbed to number one on both the US Billboard Hot 100 chart and the Billboard Black Singles chart, and number six in the UK Singles Chart. The song won Ocean the 1985 Grammy Award for Best Male R&B Vocal Performance, making him the first British artist to win in that category.

In the US, the song was released under the title "Caribbean Queen (No More Love on the Run)". It entered the Billboard Hot 100 at number 85 on the chart dated 11 August 1984. It hit number one ten weeks later and stayed at the top of the chart for two consecutive weeks. The song charted for 26 weeks.

NO COPYRIGHT INFRINGEMENT INTENDED.

CARIBBEAN QUEEN  (DJ John Culture Rework-FLAC) Billy Ocean

"Theme from S-Express" is an acid house song by British electronic dance music group S'Express, from their debut studio album, Original Soundtrack (1989), written and produced by Mark Moore and Pascal Gabriel. One of the landmarks of early acid house and late 1980s sampling culture, the single was released by Rhythm King and Capitol, and became an instant hit upon its release in April 1988, peaking at number one on the UK Singles Chart for two weeks. It fared less well in the United States, only reaching number 91 on the Billboard Hot 100, but reaching number one on the Billboard Hot Dance Club Play chart. It peaked at number 11 in Australia and number two in West Germany, France and the Netherlands.

NO COPYRIGHT INFRINGEMENT INTENDED.

THEME FROM S-EXPRESS (DJ John Culture Rework-FLAC) S-Express

"Born to Be Alive" is a song written by French singer Patrick Hernandez. It became a worldwide hit and reached #1 on the US Disco chart in spring 1979. It was first conceived as a hard rock song. In early 1979, the album reached the US market with a release on the A-Tom-Mik label and later Columbia Records. The US release contained a remixed version of "Born to Be Alive" and found great success, peaking in the US Billboard Hot Dance Club Play chart at #1 and on the Billboard Hot 100 at #16. It sold over one million copies in the US. The song achieved gold status in the USA.

NO COPYRIGHT INFRINGEMENT INTENDED.

BORN TO BE ALIVE 2023 (DJ John Culture Rework-FLAC) Patrick Hernandez

"Funkytown" is a song by the Minneapolis-based disco group Lipps Inc. Written and produced Steven Greenberg, the song was released by Casablanca Records in March 1980 as the second single from the group's debut studio album, Mouth to Mouth (1979).

"Funkytown" was an immediate smash hit, reaching the top spot of the record charts in countries including Australia, Belgium, Canada, France, Israel, New Zealand, Spain, the United States and West Germany. It ultimately became the group's biggest hit single, selling over eight million copies worldwide.

In the United States, "Funkytown" entered the Billboard Hot 100 on March 29, 1980 and spent four weeks at number one, from May 31 to June 21, 1980. It also topped the Disco Top 60 chart for four non-consecutive weeks[7] and peaked at number two on the Hot Soul Singles chart for four weeks also, from May 24 to June 21, 1980.

"Funkytown" was first certified Gold by the Recording Industry Association of America (RIAA) on May 23, 1980 and later Platinum on July 17, 1980. Billboard magazine ranked the song as the eighth most popular single of 1980. It is Lipps Inc.'s only US Top 40 hit single.

Elsewhere, "Funkytown" was a number-one hit in countries including Australia, Austria, Belgium, Canada, France, Israel, the Netherlands, New Zealand, Norway, Spain, Switzerland and West Germany, and peaked at number two in Finland, Sweden and the United Kingdom.

NO COPYRIGHT INFRINGEMENT INTENDED.

FUNKYTOWN 2023 (DJ John Culture Rework-FLAC) Lipps Inc.

"Gypsy Woman (She's Homeless)" (also released as "Gypsy Woman (La da dee la da da)") is a song by American singer-songwriter Crystal Waters from her debut studio album, Surprise (1991). Written by Neal Conway and Waters, the song was released on April 3, 1991, as the lead single from the album. It is famous for its "la da dee, la dee da" refrain and its often-sampled keyboard riff, and is now widely regarded as one of the biggest classics of house music, being remixed several times since its release.

"Gypsy Woman" peaked at number eight on the US Billboard Hot 100 and topped the charts in Belgium, Italy, the Netherlands, Spain, Switzerland, as well as on the Eurochart Hot 100. The song also peaked within the top 10 of the charts in at least eight countries, including Germany, Ireland, and the United Kingdom, and entered the top 20 in Australia and France. In 2020, Slant Magazine ranked "Gypsy Woman" number 10 in their list of "The 100 Best Dance Songs of All Time". And in 2022, Pitchfork and Rolling Stone featured it in their list of "The 250 Best Songs of the 1990s" and "200 Greatest Dance Songs of All Time".

NO COPYRIGHT INFRINGEMENT INTENDED.

GYPSY WOMAN 2023 (DJ John Culture Rework-FLAC) Crystal Waters

"We Got a Love Thang" is a song by American singer-songwriter CeCe Peniston, originally released in January 1992 as the second single from her debut album, Finally (1992). The song was co-written by Chantay Savage, and became the second number one hit for the artist, remaining on the top of the Billboard Hot Dance Music/Club Play chart for two weeks. In the United Kingdom, the title scored number six, while on the Billboard Hot 100, it reached number twenty.
"We Got a Love Thang" peaked at #1 on the U.S. Billboard Hot Dance Club Play Chart in the Winter of 1992.

NO COPYRIGHT INFRINGEMENT INTENDED.

WE GOT A LOVE THANG 2023 (DJ John Culture Rework-FLAC) CeCe Peniston

"Love Come Down" is a song written by American musician Kashif. It was recorded by American singer Evelyn King for her fifth album Get Loose (1982). "Love Come Down" was released in July 1982 by RCA Records as the lead single from Get Loose. In the United States, it reached number one on the Billboard Black Singles and Hot Dance/Disco charts and number 17 on the Billboard Hot 100. It also cracked the top 20 on the charts in several other countries as well.

NO COPYRIGHT INFRINGEMENT INTENDED,

LOVE COME DOWN (DJ John Culture Rework-FLAC) Evelyn Champagne King

"Hang On to Your Love" is a song by English band Sade from their debut studio album, Diamond Life (1984). It was released in November 1984 as the album's first North American single and fourth single overall.

NO COPYRIGHT INFRINGEMENT INTENDED.

HANG ON TO YOUR LOVE 2023 (DJ John Culture Rework-FLAC) Sade

"Can You Feel It" is a song by American group the Jacksons, recorded in March 1980 and released as the third single from their album Triumph in February 1981.

Written by brothers Michael and Jackie, the song featured solo leads by Randy and Michael. Released as a single in 1981, the song reached No. 77 on the pop charts and No. 30 on the R&B charts in the United States, but reached No. 6 in the UK and No. 2 in the Netherlands in 1981.

NO COPYRIGHT INFRINGEMENT INTENDED.

CAN YOU FEEL IT 2023 (DJ John Culture Rework-FLAC) The Jacksons

"Strike It Up" is a song by Italian music group Black Box. It was the fifth single from their debut studio album, Dreamland (1990), and was released on 6 February 1991 in many countries worldwide. The single was a success on many charts, including the Billboard Hot 100 in the United States, where it peaked at number eight. It also topped the Billboard Dance Club Songs chart in June 1991 for one week. In the United Kingdom, it peaked at number 16 on the UK Singles Chart. "Strike It Up" also was a top-10 hit in Denmark, Greece, Ireland, and the Netherlands. And on the Eurochart Hot 100, the track reached number 38.

The single was a success on many charts, including the Billboard Hot 100 in the United States, where it peaked at number eight. It also topped the Billboard Dance Club Songs chart in June 1991 for one week. In the United Kingdom, it peaked at number 16 on the UK Singles Chart.

In 2020, Slant Magazine ranked the song number 35 in its list of "The 100 Best Dance Songs of All Time".

NO COPYRIGHT INFRINGEMENT INTENDED.

STRIKE IT UP (DJ John Culture Rework-FLAC) Black Box

"I'm Every Woman" is a song by American singer Chaka Khan, released as her debut solo single from her first album, Chaka (1978). It was Khan's first hit outside her recordings with the funk band Rufus. "I'm Every Woman" was produced by Arif Mardin and written by the successful songwriting team Nickolas Ashford and Valerie Simpson. The single established Chaka's career outside the group Rufus, whom she would leave after their eighth studio album Masterjam was released in late 1979.

The track was remixed and re-released in 1989 for Khan's remix album Life Is a Dance: The Remix Project; this mix reached number eight in the United Kingdom. American singer Whitney Houston covered the song in 1992 with production by David Cole and Robert Clivillés and vocals produced by Narada Michael Walden. It was a major hit, peaking at number four on both the Billboard Hot 100 and the UK Singles Chart.

In the United States, "I'm Every Woman" reached number twenty-one on the Billboard Hot 100, number one on the Hot Soul Singles, and number thirty on the disco chart. In the United Kingdom, it peaked at number eleven.

NO COPYRIGHT INFRINGEMENT INTENDED.

I'M EVERY WOMAN 2023 (DJ John Culture Rework-FLAC) Chaka Khan

"Pride (In the Name of Love)" is a song by Irish rock band U2. It is the second track on the band's 1984 album, The Unforgettable Fire, and was released as its lead single in September 1984. The song was produced by Brian Eno and Daniel Lanois. Written about the American civil rights leader Martin Luther King Jr., "Pride" received mixed critical reviews at the time, but it was a major commercial success for U2 and has since become one of their most popular songs, as well as been re-evaluated positively by many as one of the greatest songs of all time. It appeared on the band's compilation albums The Best of 1980–1990 and U218 Singles and was reworked and re-recorded for Songs of Surrender (2023).

In 2004, Rolling Stone ranked it 378th on its list of "The 500 Greatest Songs of All Time". The song was included on The Rock and Roll Hall of Fame's 500 Songs That Shaped Rock and Roll list.

NO COPYRIGHT INFRINGEMENT INTENDED.

PRIDE (IN THE NAME OF LOVE) (DJ John Culture Rework-FLAC) U2

In 1987, the Pet Shop Boys performed a synth-pop version of "Always on My Mind" on Love Me Tender, a television special on ITV in the United Kingdom. Commemorating the tenth anniversary of Presley's death, the programme featured various popular acts of the time performing cover versions of his songs. The Pet Shop Boys' performance was so well-received that the duo decided to record the song and release it as a single.

This hi-NRG and dance-pop version became the UK's Christmas number-one single that year – edging out "Fairytale of New York" by the Pogues – spending four weeks atop the chart. It also reached number four on the US Billboard Hot 100, becoming their fifth and last top ten hit on that chart.

NO COPYRIGHT INFRINGEMENT INTENDED.

ALWAYS ON MY MIND (DJ John Culture Rework-FLAC) Pet Shop Boys

"Tell It to My Heart" is a song performed by American singer, songwriter and actress Taylor Dayne, released in October 1987 as her first single from her first album of the same name (1988). The single was Dayne's first major exposure, and she soon became known for her up-tempo, dance-oriented music. The song was written by Chappell Music staff songwriter Seth Swirsky and Ernie Gold. Swirsky almost did not deliver the song to his publisher after he and his girlfriend decided it was not good enough.

The song debuted on the US Billboard Hot 100 during the week of October 10, 1987, at position number 92, and entered the top 40 of the chart the week of November 14, 1987, rising to number 39 from number 43. Ten weeks later, during the week of January 23, 1988, the single peaked in the number seven spot. The song was present on the Hot 100 for 25 weeks. In the UK, "Tell It To My Heart" reached number three. It was ranked as the 23rd best-selling single of 1988 in the UK. In 1995, "Tell It to My Heart'" was remixed and re-released to promote Dayne's Greatest Hits package. This version climbed to number 23 on the UK Singles Chart.

NO COPYRIGHT INFRINGEMENT INTENDED.

TELL IT TO MY HEART 2023 (DJ John Culture Rework-FLAC) Taylor Dayne

"Holding Back the Years" is a song by the British soul and pop band Simply Red, released as the third single from their debut studio album, Picture Book (1985). T"Holding Back the Years" had initially been released in the UK the year before, reaching number 51. The song was nominated in the category of Best Pop Performance by a Duo or Group with Vocals at the 29th Annual Grammy Awards.  

he ballad reached number one on the US Billboard Hot 100 and number two on the UK Singles Chart. 

NO COPYRIGHT INFRINGEMENT INTENDED.

HOLDING BACK THE YEARS (DJ John Culture Rework-FLAC) Simply Red

"Yellow" is a song by the British rock band Coldplay. The band wrote the song and co-produced it with British record producer Ken Nelson for their debut album, Parachutes (2000). The song was released on 26 June 2000 as the second UK single from Parachutes, following "Shiver", and as the lead single in the United States.

"Yellow" reached number four on the UK Singles Chart, giving Coldplay their first top-five hit in the United Kingdom. It was Coldplay's breakthrough hit internationally, reaching number one in Iceland, number five in Australia, number nine in Ireland and number 48 in the United States. Helped by radio rotation and usage in television and movies, the song thrust the band into popularity.

In the United Kingdom, its midweek sales suggested that the single would reach the Top 10 of the chart. Although the band supposed "Yellow" would decline inside the Top 20, they would have considered its performance a triumph since the album's lead single, "Shiver", had only reached the 35th position. "Yellow"'s second-week sales were stronger than the first week, and the song eventually reached number four, giving the band their first Top 10 single in the United Kingdom. The popularity of the song in British clubs, pubs and sporting events bolstered the album to debut at number one on the UK Albums Chart. As of February 2015, the song has sold 530,000 copies in the UK.

NO COPYRIGHT INFRINGEMENT INTENDED.

YELLOW 2024 (DJ John Culture Rework-FLAC) Coldplay

"Rumors" is a song by San Francisco Bay Area-based music group Timex Social Club, from their debut album Vicious Rumors. It was a top-10 hit in the United States, Canada, Ireland, the Netherlands, and New Zealand, reaching No. 8 on the US Billboard Hot 100. It also topped the US R&B and dance charts.

NO COPYRIGHT INFRINGEMENT INTENDED.

RUMORS 2024 (DJ John Culture Rework-FLAC) Timex Social Club

"In the End" is a song by American rock band Linkin Park. It is the eighth track on their debut album, Hybrid Theory (2000), and was released as the album's fourth and final single.

"In the End" received positive reviews by music critics, with most reviewers complimenting the song's signature piano riff, as well as noting rapper Mike Shinoda's vocal prominence in the song. "In the End" also achieved mainstream popularity, and was a commercial success upon release. The song reached the top ten on numerous worldwide music charts and reached number two on the US Billboard Hot 100, the band's highest peak on the chart, as well as their first song that peaked within the top 40 in early 2002, making it a sleeper hit. It also reached number one on the Z100 top 100 songs of 2002 countdown. "In the End" received positive reviews from contemporary rock music critics. VH1 ranked it number 84 on its list of the 100 Greatest Songs of the '00s. The song was also ranked number two by Loudwire on its list of "Top 21st century Hard Rock songs".

NO COPYRIGHT INFRINGEMENT INTENDED.

IN THE END 2024 (DJ John Culture Rework-FLAC) Linkin Park

"Last Dance" is a song by American singer Donna Summer. The song appeared on the Thank God It's Friday movie soundtrack. It was written by Paul Jabara "Paul Frederick Jabara", co-produced by Summer's regular collaborator Giorgio Moroder, along with Bob Esty, and mixed by the Grammy Award winning record producer, Stephen Short, whose backing vocals are featured in the song.

NO COPYRIGHT INFRINGEMENT INTENDED.

"Last Dance" won an Academy Award, and a Golden Globe for Best Original Song that same year. It won Favourite Disco Single at the American Music Awards and Donna won Favourite Female Disco Artist. She would also win the Grammy Awards for Best R & B Vocal Performance Female for the song. With a #3 peak on the Hot 100 in Billboard magazine in August of 1978, "Last Dance" became Summer's third US Top Ten hit after "Love to Love You Baby" and "I Feel Love" and almost matched the #2 hit "Love to Love You Baby" as Summer's best-charting single (at that time). "Last Dance" also afforded Summer a #5 Hot Soul Singles chart hit and was #1 on Billboard's Hot Disco Action Chart for six weeks eventually being ranked as the #1 Disco hit for the year 1978. Certified gold for sales of a million units in the US,"Last Dance" marked a downturn in Summer's chart fortunes in the UK where she'd previously had more chart impact than in the US with "Last Dance"'s UK chart peak being at #51; Summer would return to the UK Top Ten - at #5 - with her follow-up single "MacArthur Park" a single which afforded Summer her first US #1.

LAST DANCE (DJ John Culture Rework) Donna Summer

John began his career in the mid 90's and has been working as a turntable DJ for various clubs and events in Manila. His passion for dance music led him to collect and remix different genres from the 70's up to the present. He's greatly inspired by the bliss of discovering quality music. His concepts aim to share his deep musical experience to the people, continuously experimenting on sound selection to find and connect to his like-minded audience.

DJ JOHN CULTURE

Popular tracks