New track! Mixing Umbanda and Moombahton, Afro Brasil and Sudamerica. 
Hope you enjoy it

Tranca Rua - DJ Nirso

Gpo. Cinnalynth - Las Guitarras Arcoíris (Xclusive Prod. Balboa Exclusiva)

The São Paulo based collective, Sonido Trópico, have long been establishing themselves as a new voice to be heard within the latin-american scene.

They now take a big step forward in founding a Label. Their first official release, SONIDO TRÓPICO VOL. 1, contains 13 tracks that put into waves exactly what Sonido Trópico is all about. The Producers and DJs who's work appear on this first album have not only played at Sonido Trópico's already infamous parties, but have worked alongside Sonido's 4 Resident DJs (Spaniol, Nirso, Salvador Araguaya & El Peche) in bringing new life and energy to the Sâo Paulo scene. Together they have reinterpreted and expanded, beyond precedent, the horizons of electronic music within the ultra-creative scene in São Paulo.

>>> PORTUGUÊS

Há tempo que a Sonido Trópico vem se estabelecendo como uma das novas vozes dentro da nova cena latino-americana.

Agora tomamos um grande passo. Fundamos um Selo de música com o lançamento de nossa primeira compilação, SONIDO TRÓPICO VOL. I, com 13 músicas dedicatórias a o que é a Sonido Trópico. Os produtores que compuseram esta coletânea, não somente tocaram em nossas festas, mas moldaram a nossa construção através de suas músicas e interações com os nossos DJs. Juntos expandimos, de forma sem precedentes, os horizontes da musica eletrônica existente na cena underground paulistana.

Tem MUITO mais por vir!

Salvador Araguaya - Fumo De Cobra

novo mastering! new mastering ! nuevo mastering!
mastering x mati zundel
write me matiasmax@hotmail.com

Free Download

Os Tincoãs - Obaluaê - Lagartijeando Remix

Asidelababa é uma experiencia onomatopoetica criada a partir do encontro do bulgaro Kosta Kostov e do mexicano/catalao Miret com a brazucalia da ¡VENGA-VENGA!, um pop tropical ritmado para dança. Terceira parte do projeto "Folclore do Futuro" com produção musical de Miret.

<a href='https://theartistunion.com/tracks/54888b'>Download for free on The Artist Union</a>

Free Download on Bandcamp: http://vengavenga.bandcamp.com/track/asi-dela-baba-feat-kosta-kostov-miret

Asi Dela Baba - feat. Kosta Kostov + Miret

Tangará - Tauro Tunes

@ohxala
@leo-leobons
Support: https://ohxalarecords.bandcamp.com/track/leo-leobons-patu-de-if-ohxal-remix
free download > https://theartistunion.com/tracks/85109e


EN
Born in Rio de Janeiro, he was suspended for Xangô ogã at eight years old, which became the awakening to a life dedicated to liturgical percussion. At age of 19 he moved to the United States, where he would remain for 17 years, playing with great names of salsa, Latin jazz, and Afro-Cuban folklore. Back in Brazil, he played and recorded with several Brazilian artists, from Nando Reis to Monobloco, from Ramiro Musotto to Baby do Brazil, from Humberto Gessinger to Pavilhão 9, etc. His first solo CD, "Bá" was nominated for the Brazilian Music Prize, and is now preparing to release his second album, "RITUAL".

PT
Nascido no Rio de Janeiro, foi suspenso para ogã de Xangô aos oito anos de idade, o que se tornou o despertar para uma vida dedicada à percussão litúrgica. Aos 19 anos mudou-se para os Estados Unidos, aonde permaneceria por 17 anos, tocando com grandes nomes da salsa, do latin jazz, e do folclore afro-cubano.  De volta ao Brasil, tocou e gravou com vários artistas brasileiros, de Nando Reis a Monobloco, de Ramiro Musotto a Baby do Brasil, de Humberto Gessinger a Pavilhão 9, etc., etc.  Seu primeiro cd solo, "Bá" foi indicado ao Prémio da Musica Brasileira, e se prepara agora para lançar seu segundo álbum, "RITUAL".

<a href='https://theartistunion.com/tracks/85109e'>Download for free on The Artist Union</a>

Leo Leobons - Patuáde IFÁ (ohxalá Remix)

Edit of Elizete Cardoso's "Capoeira Três" by @DjFlavya and @Elpeche

Out on Bandcamp on Fazedores de Som Vol14b

Elizete Cardoso - Capoeira Três (ElPeche & DJ Flavya Edit)

Tribute edit to the great Pinduca!
Let´s dance :)

<a href='https://hypeddit.com/track/mhtxj8'>Download </a>

Pinduca - Carimbó Com Ciranda (Ohxalá Edit)

Yaguareté e Fortunato são dois produtores vinculados a cena do Downtempo e que buscam no cancioneiro brasileiro suas fontes de "recarga" estética e produtiva. E nos trajetos desta busca constante e criativa encontraram esta canção da cantora baiana Josyara e sua potente combinação de violão-voz que abriu as portas da intuição gerando esta parceria que sai agora. O que vem é um som em que o espaço entre a voz e o violão estimulam um beat particular, contemporâneo, para a pista que chama a canção pra dançar.

Josyara - Rota De Colisão (Yaguareté y Fortunato Remix)

Support @ www.yulee.bandcamp.com

Free @ https://hypeddit.com/track/v9qj1u?fbclid=IwAR3Xp9my7XHuR_wyP9QotqMdVVwqBXMNZ0V0WihCBqxj9RtFhQwiCiwgj1c

"Manhã de Carnaval" ("Carnival Morning") is a song by Brazilian composer Luiz Bonfá and lyricist Antônio Maria. "Manhã de Carnaval" appeared as a principal theme in the 1959 Portuguese-language film Orfeu Negro by the french director Marcel Camus. The film's soundtrack also included songs by Antônio Carlos Jobim and Vinícius de Moraes, as well as her composition by Bonfá ("Samba de Orfeu"). "Manhã de Carnaval" appear in the film, including versions sung or hummed by both the principal characters (Orfeu and Euridice), as well as an instrumental version, so that the song has been described as the main musical theme of the film. In the portion of the film in which the song is sung by the character Orfeu, portrayed by Breno Mello, the song was dubbed by Agostinho dos Santos. The song was initially rejected for inclusion in the film by Camus, but Bonfá was able to convince the director that the music for Manhã de Carnaval was superior to the song Bonfá composed as a replacement. Orfeu Negro was an international success (winning, for example, an Academy Award in 1960), and brought the song to a large audience. "Manhã de Carnaval"' became one of the first Bossa Nova compositions to gain popularity outside Brazil. Particularly in the United States, the song is considered to be one of the most important Brazilian Jazz/Bossa songs that helped establish the Bossa Nova movement in the late 1950s. "Manhã de Carnaval" has become a jazz standard in the U.S., while it is still performed regularly by a wide variety of musicians around the world in its vocalized version or just as an instrumental one. In the U.S., the song is also known as "A Day in the Life of a Fool", "Carnival", "Theme from Black Orpheus", or simply "Black Orpheus". In France, the song is also known as "La Chanson d'Orphée". All versions of foreign texts were written by lyricists other than Antônio Maria, using Bonfá's original music."

Elizeth Cardoso - Manhã de Carnaval (Yule Edit)

Rodrigo Fonseca (aka Nirso) is a producer, DJ and musician from São Paulo, Brasil. 
contact and booking :
mammastyle@gmail.com

Tranca Rua - DJ Nirso

DJ Nirso

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