My Name Is The Lord

DJ Rashad – Freakin Me On The Flo

More via COMPLEX : https://www.complex.com/music/2019/07/premiere-amadeezy-this-is-4-ya-playa-hataz

@amadeezybeats

taken from "Street Bangers Factory 12"

(PS: this version is different than the one originally released because the sample gods weren't happy... If you have the 1st version it's collector now lol)

Download

AMADEEZY - This Is 4 Ya Playa Hataz (edit)

Baby Daddy

Turk Turkelton - Sugar

1905 - SOFT THANG

GHETTOBOOM VOL. 1 12 Inch Vinyl @ https://formercity.bandcamp.com/album/ghettoboom-vol-1

or Clone NL , OYE RECORDS in Berlin , Fat Fenders in Dresden , Vary Leipzig, etc.

Ghettoboom Vol.1

CARS FO WOMEN

ON VINYL

CARS FO WOMEN (12" Vinyl at Bandcamp)

@formercity
@real1905
The closer track of the Former City Records vinyl Ghettoboom Vol. 1 EP is a real special cut bringing back producer 1905 to give one of the best tunes of th entire release. Sometimes Sweet, Sometimes Salty brings a pulsating premiere, taking listeners through a journey of seamlessly blended footwork, techno, and lo-fi house influences.

https://formercity.bandcamp.com/album/ghettoboom-vol-1
https://clone.nl/item61170.html

*Premiere* 1905 - Sometimes Sweet, Sometimes Salty

Bass Boss

Pick Me Up

@raiders_records has presented something really special here.  While we absolutely love this track by @jpeglove, we must emphasize that this entire 2-volume release is a top notch pivotal endeavor highlighting a nascent shift toward club culture being ruled more firmly under the female sphere.  

'Queens of Club' pays tribute to 'Queens of Baltimore', an early Bmore Club 12” from 2001 featuring recorded vocals by: Mz. Thang, Kotton the Cutie and Lady Shaunda.  (Side note:  Posse Up tried to contact these artists recently, if anyone knows how to reach them please let us know!).  

While 'Queens of Baltimore' put the women at the forefront, it was still distributed and produced by men.  Raider’s' 'Queens of Club' pays tribute to this early achievement while simultaneously 1UP’ing it as a project that is completely produced and managed by women.  The stereotype that producing is a man’s domain can be put to feckin rest as is a testament of the quality of this endeavor.      

While this follows the tradition of pioneering female producers – least we forget about Kemistry and Storm who co-founded Metalheadz, not to mention DJ Rap – it also serves as a reminder – since the very fact that such a project remains a rarity in 2020 mans that there is still werk 2 do.  

Posse Up salutes and welcomes female producers, label owners, deejays, and emcees.  We feel strongly that music is multi-dimensional, and that added depth is desperately needed, whether that's grounded in gender, sex, ethnicity, culture, social status or entire MF’ing species (yo shouts out to the extraterrestrial transgendered).  The more depth the better, especially in club genres that exhibit raw sexuality, such as: bmore / jersey club, miami bass, ghetto tech, ghetto house, vogue, etc., or music inspired by these genres.

My Name Is The Lord

DJ Omega

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