super chill, lovin it for my night. diggin' it.

nice old skhool garage got that champus mid 90s vibes

Eucalyptus is a beat tape produced by T.O. HUXTABLE in Koala Sampler, processed through the SP-202.
Stream, download, connect: linktr.ee/tohuxtable

She May Be

Oliver Night - Slated

EXIT

EXIT (Machinedrum Remix Instrumental)

Paradise Lost - Inka

Better Days

✨🚲Happy bicycle day!🚲✨

A pretty minimal track with a lofi/electronic feel to it 📻🍄



Thank you for listening 🫶

torn (free download)

Welcome back @thundaklap. This tune is dancefloor tested, killer!

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Thundaklap - Time To Get Busy (FREE DL)

http://bigupmag.com/2015/12/premiere-otik-ember/

London’s independent record label Push & Run rounding up the year nicely with the new 2-track release from Otik. Backed by Keysound camp, Swamp81 family and a resident of Radar Radio the Bristol-born producer have been making lots of noise with his timely take on dubstep, garage and 2-step influences.

Otik’s textural approach is apparent in both “Ember” and “Central Nerve”, as well as his love for the chopped up vocal samples and groove above all. Listen to the first track of the release exclusively, ahead of the release on December 11th.

Premiere: Otik - "Ember"

It's fairly safe to say genre titles are at an all-time low in terms of value. Cross-pollination is so rife now that such tags are almost meaningless. Case in point: Murder He Wrote's latest EP, Stopwatch (out Feb. 26 via Roska Kicks & Snares), bridging the gaps between house, bass music, and funky. Title track "Stopwatch" brings together that infectious funky percussion, a classic house synth melody and a wobbly bassline, all tied together with Maddie Ellerby's smoky, late-night vocals. "I've got kind of a magpie approach to producing," says Murder He Wrote, "in that I'm always on the lookout for ways of recombining sounds and production approaches from different genres into hopefully something more fresh." From what MHW tells us, the B-side, "Lights Up", continues in that vein with "a contrasting but still complimentary vibe of club music, with plenty of light and shade."


Premiere: Murder He Wrote - Stopwatch f/ Maddie Ellerby

http://itunes.apple.com/us/album/girly-crash-single/id435995348 
http://beatport.com/s/r1xAit

Surkin and Bobmo are originally from Southern France, respectively Avignon and Bordeaux, and they were still living there when they decided to launch their duo project High Powered Boys about 5 or 6 years ago. They both followed successful solo careers, spinning all over the world, in underground Japanese clubs as well as huge Euro festivals, and have been mostly releasing their material on Institubes so far, and dozens of remixes over the years. Oh and a Surkin LP is to be released on Marble in september. 

The boys have been settled in Paris for some years now and still pursue their collaboration, as shown on recent Sound Pellegrino release « Udon/Work », and right now on the third Marble installment, called « Girly/Crash ». Pushing further the riddim-based freakish bipolarity of « Udon », those two tracks are sure gonna cause mayhem on dancefloors, but in an alien, psychoactive way. 

« Girly » is a juke-influenced beat led by insane bleepy hi-toms and a start-stop groove that claps and shakes like nothing else before except that lady with the Louise Brooks haircut in the video for Sean Paul’s Get Busy. Synthhorns breaks and digi-whistles make this monster track even more vicious and angular-grooved, yet totally overwhelming. This is mental body music at its best, straightly aimed towards the future but not really making a whole thing about it – this is actually pretty sparse, minimalistic music. This is not even recommended : this is necessary listening. 

« Crash » begins with E’d-up, old school UK style bleepy melody and washes, plus some equally hazy-eyed vocal bits, then breaks into a rushing, stiff Funky riddim without all the flowing, easy vibe usually heard within the genre – instead, this is kevlar-plated bass stabs and psychic-ward arpeggios all around, both giving the tune a strong dystopian flavour. Then it goes back to the defunct utopia, but then goes back again to the dark side, setting a mechanically hypersyncopated feeling to the beat. Distinct bipolarity here, most definitely.

Boys Noize 5/5 : "Girly is a bomb" 
Annie Mac 5/5 : "Sublime. Love this" 
Drop The Lime 5/5 : " Girly is BULLET IN A CLUB GUN!" 
Bok Bok 4/5 : "This is totally crazy, i'm definitely on this Girly track" 
Teki Latex 5/5 : "A blacker and fatter Errorsmith yet still white and skinny" 
Crookers 5/5 : "Both tracks are amazing" 
Trevor Jackson 5/5 : "Totally retarded, and dumb as fuck but for some strange reason i like it?!..."

Illustration by Jonathan Zawada : http://zawada.com.au/ 
Identity by Museum studio : http://www.museumstudio.se/ 
Text by Etienne Menu.


Better Days

Sandi

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Rickydee

Gray Sky Records

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