Salsa 4 Practice

Kevin Davis - Yolanda

Ven Devórame Otra Vez -_- Lalo Rodriguez - 1988

Music for piano and string quartet.

Strings: leos-strings.com brookspearemusic.com

Artwork by Kalle Saarikko: https://www.kallesaarikko.com


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Expressions and Abstractions

Holly Roadfeldt - Piano

Hommage a Neil Peart (1952-2020) - One of my earliest true musical influences was the Canadian prog-rock band Rush. Considered by many to be one of the greatest rock drummers in the history of the genre, Neil Peart introduced me to many advanced musical concepts long before I stepped into the halls of a music school. These concepts included odd time signatures, mixed meters, metric modulations, thoroughly composed rhythms, and intense but metered virtuosity. I have always been captivated by his drum solo from their 1988 live tour release A Show of Hands. Neil plays a masterfully composed and executed drum solo in the middle of their legendary instrumental YYZ. In it, Neil created a simple melody on the glockenspiel in opposition and contrast to the thundering drum rhythms of the rest of the solo. It's this melody, the rhythms from the drums, and the YYZ Morse Code rhythm that I focused on in this Hommage.

Hommage à Neil Peart (Official Album Version)

Music for piano and string quartet.

Strings: leos-strings.com brookspearemusic.com

Artwork by Katja Lang: https://www.katja-lang.com


Follow:

Links: hoo.be/stevengutheinz

Spotify: open.spotify.com/artist/2pHCm7cvE0ADlPp68tScqW

Apple Music: music.apple.com/us/artist/steven-…theinz/1421925543

SoundCloud: @steven-gutheinz

Instagram: www.instagram.com/stevengutheinz

Facebook: www.facebook.com/stevengutheinzmusic/

YouTube: www.youtube.com/@stevengutheinz

Bandcamp: stevengutheinz.bandcamp.com

Musicbed: www.musicbed.com/artists/steven-gutheinz/4360

Web: www.stevengutheinz.com

The Near Side

Above the Lens

Holly Roadfeldt - Piano and Looper Pedal

Hommage a Jackson Pollock (1912-1956) – Living life as a synesthete, Pollock’s work has always fascinated me.  Looking at these huge canvases, for me, is like setting off an explosion of sound in my head.  For this work, I wanted to try to represent that aurally.  Using his painting Convergence as a model, I assigned the various colors present in that work to different musical sonorities.  Then, I literally traced a path through the painting, and translated the painting into music.  The material on the looper represents the white/gray background, with the played material representing everything else sitting on top of it.

Kevin Davis - Yolanda

Dj Sy'

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