Untitled Playlist

Production by @yakayaka
Mastering by @cellvl

Yaka - Knowing Me

Handbag Anthem (MK Wallet) Ft Nicky

David James Drume EP

David James Drume

David James Drume - David James Drume EP (BNK-039 snippets)

As we live in a time of constant thinking and never-ending stimulations,  Plaster Drums / The Thunder are born out of impulsiveness and two producers trying to revise their usual working methods by not discussing the EP direction.

Article: https://weareinsert.com/audio/premiere-nobel-shes-drunk-the-thunder-through-my-speakers

Article

Premiere: Nobel & She’s Drunk - The Thunder [Through My Speakers]

We are proud to announce TV.OUT's debut on BANK, "Insufficient Funds"

After stellar releases on Dark Entries and L.I.E.S. TV.OUT has submitted a stripped down, heavy, techno electro club tool to follow for March 13th 2020. The tracks are live takes packed with nuanced FX dubbing and knob tweaking with emphasis on the drum kit. Delay pedals and weed smoke, baby.

Limited hand stamped white label LPs 
Produced, Written, Recorded by TV.OUT
Mastered and Cut by Dietrich Schoenemann
Pressed in Detroit
Stamps by the legend geezer John Casey
Art, Design, and labor by Jon B
comes with insert
available for pre order on bank.bandcamp.com

TV.OUT - INSUFFICIENT FUNDS (BNK-032)

Following her breakout EP, SiS, Jasmine Infiniti returns with thirteen disruptive club tracks fit for the The Infernal Ballroom. On her meticulously-crafted debut LP, she conjures occult rave incantations with sub-tectonic bass and spectral, seductive harmonies. Audaciously championing R&B, vogue and hip-hop sounds, Jasmine Infiniti’s latest collection of techno-hybrid dance tunes is bound to be the new soundtrack of NYC’s queer underground nightlife. 

Where SiS was an ode to queer solidarity, community and sisterhood, BXTCH SLÄP is as much about personal myth-building as it is about claiming individual space as a queer person. 

BXTCH SLÄP is cunt, unflinching and uncompromising, but it also boasts surprising range—moving briskly between ethereal hardcore house (“HOTT”), the anxious pounding of dark electro (“SPOOKED”), and certifiable techno bangers (“YES, SIR”, “WELLFAIR”). Meanwhile album standout “<3” hovers just above 100 BPM, a defiant statement of sensuality, calmness, and euphoria that’s no less gripping for its dramatic deceleration. Closing number “SHONUFF” clocks in at ten and half minutes; not a second of this adrenaline-rush of an acid techno tune feels wasted. BXTCH SLÄP might be most appropriate for the club, played at dangerously high volumes, but this music certainly takes on a new life after hours, in the moments we spend between the parties, alone and full of desire. 

The Queen of Hell is back and her powers are stronger than ever. 
All hail The Queen!


(Photo IG @shotbyguerilla)

Bandcamp

06 - Jasmine Infiniti - DEMONHOLE

Club Crisis

Primavera

PREMIERE : Cienfuegos - Primavera (BNK-034)

SeeKnowDevil

On ACEN 017 London producer hmurd joins the All Centre ranks following releases on TT & Cherche Encore.

Title track ‘Low Grade Plastics’ continues with the sparse landscapes and dizzying atmospheres explored in hmurds productions so far. Opening with spartan drum choices, heavy kicks and cantering hi-hats sit at the tracks core whilst heavily processed percussion and FX make fleeting appearances. With eight on beat snare drum repetitions the track descends into it’s main theme. An austere four note melody, with frenetic kicks firing off around it as a loosely anchored snare provides a woozy half time rhythm. As the track progresses further FX heighten the sense of tension building around the tracks core, with a single oscillating bass note providing a nod to the tracks dubstep influences.

B side ‘Beighton Champ’ takes a different slant to its counterpart. Rapid hi-hats and percussion signal the tracks beginning and create a rhythmic sense of security, before being dispelled as the track collapses into a series of erratic de-quantised percussion breaks. Suddenly the confusion is broken, melting away into familiar percussion patterns accompanied by an angular melody courtesy of hmurd collaborator Emile Frankel. The melody is suddenly broken by a rising granular sound which signals an abrupt switch to a straighter beat, with kicks, claps and breath sounds carrying the groove.

‘Low Grade Plastics’ is available across all platforms from the 5th of June.

Low Grade Plastics

hmurd - Beighton Champ

Fake Rolex founder Mucho Sueño brings angular club structures to a compilation raising money for Brixton Soup Kitchen.

'Victim of the System' is out July 18th on Twin System.

Pre-order: bit.ly/3992HIW

@muchosueno
@twinsystem

Premiere: Mucho Sueño - Progressive Sword  [Twin System]

Mix 10 from producer and DJ @sel6 🔥 🔥 🔥 🔥 🔥 !!!!!!!!!!!

ig: sel.6
sel6.bandcamp.com/releases







#footwork #techno #160

SEL.6

Known for creating hybrid club tracks and mixes with a blend of French hip-hop, hardcore, and reggaeton, Marseille-based DJ and producer @moesha13officiel connects the dots between different contexts, moods and sound textures. 

In the new Tightmix, Moesha 13 leaps between reggaeton, bass-heavy tunes and progressive experimental sounds with the tracks by Kablam, Jay Mitta, Crystallmess, Sarah Davachi and more.

Tracklist:
https://en.tight.media/mixes/moesha-13

tight.media

Tightmix 8 — Moesha 13

U Got 2

Hontos - Subway Series Vol.3 - A2 (BNK-033)

A mix by Ans M for our WiP show 2021
Go see the online show at : https://wip2021.rca.ac.uk/

WiP 2021 mix by ANS M

Artist: @laughingears
Catalogue Number: IM086
Album: Blood
Release Date: February 26th, 2021
Format: Digital

Laughing Ears is poised to release her second LP this January via club music vanguards, Infinite Machine. Her lengthiest offering to date, Blood consists of 10 tracks that highlight Laughing Ears’s knack for building otherworldly atmospherics within club-ready, dance music structures. Taking the tale of Fenrir as it’s starting point, (a giant wolf in Norse mythology who spent much of his life bound and chained to a rock in captivity), the album conceptually deals with family ties and the melancholic beauty that can be found in the darkness of loss.

Blood opens with the airy, gliding synths and heavy drumwork of Flickering Shadows. The track has a unique sense of space due its wide stereo-imaging as well as Laughing Ears’ haunting melodies and driving rhythms. A 100bpm creeper fit for exploring uncharted virtual lands. On the following track, Loki, things are stripped back to their functional essentials. Tabla hits, bass pluses and strange whistles brush up against each other in a head-spinning assemblage before surging towards a climactic resolution.

The serene Untouched Places showcases Laughing Ears’ unique approach to melody and harmony. With a background in singing herself, her synths lines here seem to tonally intertwine, like vocal DNA, veering from harmonious and dissonant phases. Compared to the tranquility of Untouched Places, LP title-track, Blood, moves the record in a more intense direction. A brick wall of compressed percussion and humanoid-sung samples seem to battle it out for the listener’s attention in an enthralling sonic confrontation.

On Blood’s mid-point, Night Whisps, the producer’s love for the thrilling soundtracks of Satoshi Kon’s anime movies definitely comes through clearly. Bass drones claustrophobically reverberate around the mix - acting as a musical backbone that a wide array of staccato samples are stitched onto. Next up, Murderous Means, as its blood-thirsty title suggests, is a brutal and hard-hitting club track that’ll keep listeners guessing as the composition twists and turns. The song’s furious, ever-evolving drum patterns create mesmerizing rhythms you can’t help but bob your head to.

The polyrhythms continue on the following piece, Buona Fortuna. Like footwork, a genre she looks to for inspiration, on Buona Fortuna, the main groove is built out of a disparate family of drum samples which work in tandem - much like how individual dots of an Impressionist painting cooperate to form a single, concrete image. Laughing Ears then slows things down slightly with Glimmer, which sees the producer mix the low end stylings of UK Funky with strung out horns and gong hits.

On Potcheen, the longest of the record, Laughing Ears ambitiously constructs a track that starts from curious, ambient beginnings before morphing into a ferocious footwork-infused banger. Rounding off the release, Warm as A Lizard is a groove-laided drum freakout, crammed full of dense textures which build into a tonal fever pitch.

Artwork by Nic Symbios
Mastered by Fausto Mercier

U Got 2

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