#aBreathing #selections - FEB2019

Solar Fields - Movements [Full Album]

Taken from his forthcoming album 'Spells' out June 10 on Erased Tapes.

Pre-order the LP/CD/DL here: www.erasedtapes.com/store/index/ERATP085
iTunes: http://snip.ftpromo.net/spells
Spotify: http://snip.ftpromo.net/goldentimes
Bandcamp: http://snip.ftpromo.net/spellsbc
or any other good record store worldwide

"It's just incredible" – Mary Anne Hobbs, BBC 6 Music
“Strangely upbeat nocturnes" – The Wire

‘Spells’ merges programmed piano pieces with live instruments, combining the controllable technical world and the often unpredictable aspects of live improvisation. In some ways it continues where his underground debut ‘Gravity’ left off, though a lot of weight is lifted, making room for a lighter and more energetic listen. Friend and fellow Erased Tapes artist Nils Frahm mixed and mastered both albums. Ben is not a master pianist like his dear friend, but his sound collages are so meticulously designed that after hearing the result an impressed Nils declared: “from now on, if anyone asks – this is a real piano”. 

His intricate, humanised programming – enhanced by drummer Achim Färber, cellist Anton Peisakhov and harpist Lara Somogyi, and a considerate selection of echoes, delays and compressors – has been used to create a hybrid sound that intends to deceive, question and challenge existing listening habits. Utilising the contrast between reduction and decoration, ‘Spells’ can be seen as a quest to find out how much or how little composition is required to constitute a song. Why the ear can and should be deceived about the authenticity of instruments. What significance these instruments have within this process, and why the personal perception of balance and sound exclude ultimate truths. 

Linking the two albums are the four movements of ‘Nocturne’, an ever-developing conversation that on occasion flirts with the grandeur of compressed rock drums. The first single, ‘Golden Times 1’, received a world premiere by BBC 6 Music’s Mary Anne Hobbs, proclaiming it as "incredible." An alternative version of ‘Sleepers Beat Theme’ – composed for the soundtrack to a short film about the Trans-Siberian Express – opened Jon Hopkins’ Late Night Tales album from 2015, who noted “I thought it was such a calming and sensitive piece that sounded to me like the beginning of something...the warmth and depth of the sound entrances me every time”. 

Though ‘Spells’ and ‘Gravity’ are his first albums recorded under his own name, as acclaimed electronic producer HECQ he’s released nine albums since 2003, exploring everything from ambient to breakcore. He has simultaneously established himself as a trusted composer and sound designer, working for a wide array of clients including Amnesty International and Marvel Comics; composing for feature films, games, art installations and convention opening titles.

After embracing this demanding line of work, in 2010 Ben felt the need to explore his roots and early education, which inspired these albums under his own name. Born in 1981 as the third child of opera singer Deirdre Boysen and actor Claus Boysen, his classical music training on piano and guitar began when he was seven years old; the works of Bruckner, Wagner and Bach laid an important foundation. Rediscovering this music shared with his parents – united with the sounds of Autechre, Cristian Vogel and Jiri.Ceiver to Pink Floyd and Godspeed You! Black Emperor – brought back an understanding of why he wanted to write music in the first place.

“Finding my views understood, reflected and welcomed by Erased Tapes was an encouraging experience, crowned by the offer to release ‘Spells’ and re-issue ‘Gravity’ with them. Through many caring conversations with Robert I felt that there’s no better home for the existing ideas and no better cradle for new ones.”  – Ben Lukas Boysen 

TRACK LISTING:  	

01. The Veil  02. Nocturne 3  03. Sleepers Beat Theme  04. Golden Times 1
05. Nocturne 4  06. Keep Watch  07. Golden Times 2  08. Selene

Spells

Keep Watch

Buy LP/CD/DL

Ben Lukas Boysen – Keep Watch

Carbon Based Lifeforms 5 hours mix

H.U.V.A network- Ephemeris

The Lost

Otto A Totland - Vates

anthéne - the company i keep

Kaziwa

Porya Hatami & Arovane - Uun

Sometimes I find great music, and sometimes music simply finds me. In this case, it was a dear friend, Luke Howard, who pointed me to a piece by Marty Hicks which completely captivated me, and now, here we are, premiering a track to a worldwide audience. I have a lot to say about this piece, but, after getting in touch with Marty to bring you “From Afar, Unhindered” he’s had a lot to say himself. So instead of my usual words, you will find the words from the composer here: hcdi.gs/MartyHicks

TRACK PREMIERE : Marty Hicks - From Afar, Unhindered

Bruno Sanfilippo​ - 'Unity' 
Label; Dronarivm 
Cat #.: DR-51
Format: CD / DL
Release date: 16 Feb 2018

Bruno Sanfilippo’s newest album, Unity, is an emotionally evocative collection that moves the listener through moments that exalt the senses. Through cyclical and minimalist sound, the composer creates visceral experiences that are both ethereal and hauntingly beautiful. 

Bruno Sanfilippo is a classically trained musician and composer. His focus alternates between the exploration of minimalist piano concepts and electroacoustic music. He is obsessed with the search for new and unique qualities in music - the amazing, the magical and the deep. In dreams, there's no imagined thing that's too absurd, too strange, and Bruno Sanfilippo's music comes from that inexhaustible and shameless source.

Buy CD / DL

BRUNO SANFILIPPO - Cyclical

Track taken from the upcoming album 'A Score for Darling' released through Sonic Pieces on Mar 23, 2018 (Worldwide)...

A Score for Darling is both the sound track for the Danish film "Darling" (2017) as well as a collection of outakes from it.

Raúl Pastor Medall (Rauelsson) and Erik K Skodvin (Svarte Greiner & 1/2 of Deaf Center) were paired together to work on the accompanying music after the director, Birgitte Stærmose wanted to try a new direction. Both together and individually they have created a highly affecting collection of pieces to a film that is not afraid of pushing the emotional content to the max, centered around the story of a dancer on the rollercoster ride of her life. This is also the first time either of them have made a full lenght sound track, making it their debut on the big screen.

The music and instrumentation heard on the album is brimming with dynamics and diversity, featuring violin by Christoph Berg, cello by Anne Müller as well as a mass of other sounds like church organs, synths, guitar amp violation, electro-acoustics, piano and more, all layered together into 15 beautiful and devastating fragments of mood. The final piece of the album "Breathe" - featuring Otto A Totland on piano and Katinka Fogh Vindelev (We like We) on voice - can be seen as their own lamenting end title to a longer period of work with this album, finally finished.

www.sonicpieces.com

A Score for Darling

Pre-Order

Erik K. Skodvin & Rauelsson - Breathe

Track taken from the upcoming album 'And His Many Seas' by Moss Covered Technology...

Audio: Moss Covered Technology
Mastering: James Plotkin
Design: Daniel Crossley
Label: Fluid Audio
Release date: 30.04.18

www.fluidaudio.bigcartel.com

And His Many Seas

Moss Covered Technology - Sea #4

An excerpt from "Lighting The Shadows" a piece for piano + magnetic tape.  the full 9min version can be heard and downloaded at: https://marcus-fischer.bandcamp.com/track/lighting-the-shadows

Lighting The Shadows (edit)

Map 165 is a collaboration between Martin A Smith and Tim Hooper exploring disorganised sound, atonality, beauty and evocation. Following on from 2014’s The Fatigue of Sunlight and Wine (Voxxov) and their collection of live recordings A Foreign Country, we are pleased to announce the release of their latest album Of Adam Sleeping in the Lap of God. 

An ambient work in four movements inspired by the north portico of Chartres cathedral Of Adam Sleeping in the Lap of God melts stone into music using a series of field recordings, synths and guitars. 

Of Heaven and earth: 
The formless becomes formed. A swirling coalescence of themes and sounds. Through repetition a pattern appears. Order is created. Across a slow shimmering, four notes call out bridging the void. 

The deepest midnight blue 
The sound from the lowest point of the lake 
The silence of the space above the Earth 
The beat of the heart 

Of the firmament: 
A blissful disorientation. Shimmering, confusing, a wrapping inwards of time and rhythm with multiple refraction of the same themes overlaid but still apparent. 

It is the clangour of bells reflected off stone walls in an old town 
It is the beat of wings over a lake 
It is the confusion of walking in to a dark interior out of the brilliant sunshine 
It is the clamour of foreign languages in the market place 

Of the Sun and the Moon: 
Reflective and contemplative, with a receding sadness. Watching the last sun of Summer set knowing that Winter will be coming. 

Wind between the fingers of trees 
Dust settling in corners until Spring 
Hands resting upon the table 
Valleys filled with fine rain 

Of Eden: 
Neither afraid of night or morning. Each day welcomed; each day passing as easily as water in a river. The security of knowing what you like and trusting your judgement. Equal with all, afraid of none. Night comes blissfully again. 

The comfort of time passing 
The first moment of sleep 
Closing the door once home 
A friend’s voice 

Written and recorded by Martin A. Smith and Tim Hooper 
Assembled and Produced by Martin A. Smith 
Choir at Chartres Cathedral recorded by Helen Smith 
Recorded at Flying Boat Studio, Cambridge, UK 
Sleeve artwork by Katie English 
This is Rural Colours 84

Map165 / Of Adam sleeping in the lap of God (Snippets)

"Means of Knowing" is an exchange with the world, an effort to know it and ourselves more deeply. Like a long walk on a favorite path and the introspection and observation that such a journey inspires, it is an album full of constantly evolving interplay between natural and imagined sound sources. Tactile sounds from the physical world combine with textured, processed synthesis to evoke the depth of experience available to us every day.

All music written and recorded by Hotel Neon 
Additional mixing by Matt Kidd 
Mastering by Rafael Anton Irisarri 
Vocals in 'Referent' & 'Unseen Landscapes' by Lacey Tasselmyer 
Artwork by Steven Kemner 
CD Photography by Alexander Kopatz

HN-ARCH01 - 2018 
ARCHIVES

Means Of Knowing

Buy Vinyl/Dig

Hotel Neon - Essential Nature

As thrilled as I was to be invited to support American pianist Harold Budd in London in April 2018, for his first show there in 17 years, I was equally dispirited by the cancellation of the event suddenly last week.

In the absence of this live show then here's a version of a piece I intended to perform on the night itself as a little tribute to Budd, and for the audience. I hope you will enjoy it and imagine sitting in a Church in London, only the creaking of the wooden benches and occasional shoe shuffles and coughs as your only other sonic distraction.

It's a version of his tune Late October, originally heard on The Pearl (1984), in collaboration with Brian Eno and produced by Daniel Lanois.

For Harold

Late October

woops!  the main image of the offtheskynew19 accidentally points to this page.  buuut... the new ENFOLDING album is available here - https://hiddenvibes.bandcamp.com/album/enfolding

also i'm excited to announce 'offthesky - coma communion'. 
side a : passunder
side b: the last upper

 -this will be a VERY limited edition ep: lathe cut 8" coming out on rural colours.   made to order! the pre pre order is open: please private message me here or send a message through any of the follow sites: 
https://hibernate.bandcamp.com/
https://ruralcolours.bandcamp.com/ https://www.facebook.com/hibernaterecs/
https://www.facebook.com/Rural-Colours-132311296786757/

notes from the rural colours newsletter about this release:

"These will be made available to order for 7 days only and they will never be released on this format again. There will only be as many copies as there are pre-ordered plus a few additional copies for the artist. Each release will come in a hand printed sleeve on recycled card with original artwork by Katie English who has been doing all the recent Rural Colours sleeve. The cost for each EP is £20 including shipping.  The cost is that way since we are doing an extremely special,  limited run."

coma communion [excerpts from side A and B]

https://ftmots.bandcamp.com/album/sleep-stations

From the Mouth of the Sun (aka Aaron Martin & Dag Rosenqvist) return with ‘Sleep Stations,’ an EP of six new songs, out May 18th, 2018 on Lost Tribe Sound. ’Sleep Stations’ rests comfortably alongside 2017’s ‘Hymn Binding’ their third full-length album and their original score for Joshua Z. Weinstein’s feature film, ‘Menashe.’ With ‘Sleep Stations’ the duo assures us that their exquisite palette of classical leaning, electro-acoustics reaped from their previous albums still leaves much to be explored.

In fact, the pieces of ‘Sleep Stations’ were composed during many of the same sessions as ‘Hymn Binding’ and ‘Menashe,’ yet they feel like a natural continuation of From the Mouth of the Sun’s sound, a stepping stone towards the next chapter, if you will. The core sound will be instantly recognizable for those who’ve followed their previous endeavors, comprised of cello, piano, acoustic guitars, lap steel, banjo, ukulele, pump organ, soft humming electronics and warm layer of static.

The title track ‘Sleep Stations’ was originally meant to be included on the album ‘Hymn Binding.’ It acted as a centerpiece and starting point for the music that From the Mouth of the Sun recorded later during the process of scoring the ‘Menashe’ film. The film ended up requiring an extremely spare palette, thus the ‘Sleep Stations’ EP represents a longing for a fuller and more controlled sound that exhibits the dynamic range that From the Mouth of the Sun strive for with their work.

There is a softness and detachment to ‘Sleep Stations’ more so, that seems to give the album an of aerial view of the landscape below. Where ‘Hymn Binding’ felt more grounded in the earth and soil, ‘Sleep Stations’ floats high above, feeling weightless, suspended in slow motion flight.

Arranging ‘Sleep Stations’ as an EP, has allowed Aaron and Dag to tell a shorter story, one that doesn’t have to be such a grand gesture, which is something they’ve wanted to explore for a while now. It’s a beautiful reminder, that a collection of music can still be simple yet deeply affecting, without being overwrought and excessive.
___________________________________________

CASSETTE DETAILS
‘Sleep Stations,’ our 3rd installment in the Dead West Tape Series, arrives on a limited pro-dubbed hi-bias tape cassette, housed in a reverse printed 300gsm heavy stock outer case. The edition (limited to 100) also comes with a download card offering a choice of formats including FLAC, 320K MP3, etc. Mastering was performed by Matthew Collings (aka one half of the duo Graveyard Tapes).
___________________________________________

DEAD WEST TAPE SERIES
Dead West is a series of limited cassette tape releases from the Lost Tribe Sound record label, inspired by the relocation of the LTS headquarters from the dry desert of Arizona to the lowland plains of Wisconsin’s farm country. The Dead West focuses on music built for exploring and soundtracking your environment, whether you're deep in the middle of lush woodlands, or just laying back at home with rested eyes. ‘Sleep Stations’ is the third release in the series. The first two releases in the series come from the composer William Ryan Fritch (Ill Tides) and experimental guitarist Seabuckthorn (I Could See The Smoke).
___________________________________________ 
credits
releases May 18, 2018

Music & Arrangements by Dag Rosenqvist & Aaron Martin
Mastering by Matthew Collings
Cover Image: NASA/JPL/U of Arizona
Layout & Design by Ryan Keane
© Dag Rosenqvist / Aaron Martin / Lost Tribe Sound LLC
Published by Settled Scores LLC (ASCAP) 2018

About the Death of Stars

'Peaks' it's our first compilation, with fifteen pieces going from ambient to techno. Including some new and familiar faces on Faint, like Mykja, Araceae, Powlos, Data Domain or SVLBRD.

Mastered by Emanuele Pertoldi.
Faint008 // FaintCD008
Faint / 201

Faru - Ella

Some raw heartfelt Illuvia dub to complement Goran Geto's sonorous exploration of five rivers around his native country: https://tehnofonika.bandcamp.com/album/goran-geto-a-j

The release also includes a killer version by the one and only https://soundcloud.com/coppice-halifax

Aтмосфера Jедан

Goran Geto - Atmosfera Jedan [part 4 - Morava] (Illuvia Inversion)

Originally aired 9th November 2008 on Fluid Radio.
Only Solar Fields music in this mix.

Solar Fields - Jupiter Sessions Part 1 (Originally aired 9th November 2008)

Hi, I am Anders Abrahamsson, a k a DJ Anders!

Welcome to my World of Sound and Music! Born 1966, I fell in love with music when I was a five year old, where the summer of 1971 was plagued with the infectious synth lead of Pop Corn by the French cover group Hot Butter, and their interpretation of Gershon Kingsley's original from 1969. I've been DJing and arranging parties since 1979. 

Affiliated with NEMCOM [Norrköping Electronic Music Community, Est. 2002, Reg. 2003], for 16 years, as an artist firstly, then arranging numerous of events with two-figure number of event concepts/formats, and three-figure number guest artists through the years. Development of local DJs and artists is also a core activity in our community and association, taking place in our local #NKPGLearnSpace by NEMCOM.

I am relovetheworld [see http://relovetheworld.start.page for an overview] all over the place, but I am living with five artist aliases residing here on this SoundCloud account - #aBreathing, #aFlow, #aPulsation, Papa Abbie and @DJAnders. Check curated playlists for the styles! 

Intentions for 2023? 

To make that composer and producer I carry within, latently since that moment of a five-year-old in Torremolinos, Spain, on vacation, with that captivating synth melody of Popcorns flying all around in our minds ...

... justice! 

Flourishing, it will!

Inventor of #ThePomodoroMix—for Focus, Work, Exercise, Meditation, and Well-Being! 25m / 45m Mixes to support your being and doing!

Researching #Music4Health, and how it is researched. Intended Senior PhD in the prep's - contributing to the research field of Institutional Entrepreneurship, focusing on academic institutions and their formal Music For Health research.

Enjoy my music compiled for your pleasure and health!

Peace & Love,
Anders

PS. Subscribe to my Substack for Updates! There I share a 2m Daily Flash, including the Daily Disco - Music, Music, Music ... ! DS.