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If you want to order directly to the musicians :
kaizer[at]iiiha[dot]com
thomas.coquelet[at]gmail[dot]com
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Follow KOU (Thomas Coquelet & Apolline Schöser) :
Website : https://koumusik.wordpress.com/

They share there first Split with SVII on BeCoq Records in oct.2022 : 
https://becoq.bandcamp.com/album/split-3
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Gartenschläfer

Pour La Pluie

Pure (A Lazy Afternoon)

$25
Purchase Here: https://goatytapes.com/#!/record/some-visionary-music-from-california/

Lost Coast: Some Visionary Music from California assembles little-known sounds from California’s metaphysical underground. Each recording is stylistically different—dream pop, guitar soli, fourth world, avant-electronic—but they are held together by a regional ethos of the “visionary.” This is music that sees through the mind’s eye and conjures new worlds.

Some people say that California is where “the nuts stop rolling”—where those too eccentric to fit in elsewhere often find themselves. What was meant pejoratively is easily reclaimed as a celebration of the free-thinking and the freely-freaking. Until the turn of the millennium, all manner of seekers rolled westward until they hit the pacific. Stationed along this edge, music was a way to roll still further, imagining territories unencountered and wavelengths as yet unheard.

Lost Coast is a commemoration of the people who made these journeys and a resurrection of recordings they made little effort to broadcast. While some pieces were originally released with modest distribution, others were only shared among friends or never shared at all. All tracks were found on cassettes in flea markets, barn sales, rural thrift stores, and even stranger places—outside a gem and mineral shop, for example, and on the ranch of a retired mescaline dealer.

Regardless of their obscurity, these recordings are eminently listenable. California, after all, is a place where the strange and the pleasurable are frequent bedfellows.

Stephen Ross & David Mason - Untitled

Dean Blunt - cloudhopper (mix)

free (w. marc anthony figueras)

Dragon Sky

This track unfurls an expansive and enigmatic sonic tapestry, inviting listeners into a realm of deep introspection and cosmic exploration. It begins with a minimalist yet commanding presence, built on profound low-frequency hums and crystalline tones that evoke vast, unexplored spaces. As the journey progresses, intricate layers of textured synthesis emerge, evolving into a hypnotic rhythm punctuated by precise, otherworldly percussive elements. The soundscape gradually intensifies, fusing abstract sonic design with a compelling, forward-moving energy, culminating in a powerful, immersive experience. Ideal for futuristic narratives, dramatic sci-fi sequences, or any production requiring a deep, atmospheric, and highly stylized electronic score.

Interstellar Frequencies #32

for organ and electronics (Sequential Circuits Pro One, Korg PS3300, Buchla 100 and Serge modular synthesizers, Mellotron M400, processed harmonium)


Recorded 9 March 2012
Mills College Chapel
Oakland, CA, USA


welkin utilizes the mutual acoustic identities of the organ and analog synthesizer to direct the experience of coalescence.  These instruments of common timbre are made to circle about an enclosed and reverberant space, which is darkened to encourage constructed spatial projections.  As the discrepancies in frequency of the merged sound gradually swell and wane, resultant psychoacoustic effects emerge, seeming to pull the sounds apart and push them outwards.  The product is that of an atmosphere; a sensorial coating that encompasses, yet remains invariably out of reach.

welkin: Middle English, 12th century; refers to the vault of the sky, the upper air, the firmament, or the celestial sphere, i.e. the Empyrean.  In archaic cosmology, it was thought to be a set of crystal spheres that enclosed the Earth, to which the planets and stars were attached, so it would have been capable of ringing like a bell if one made enough noise.

welkin

Track A1 from Tsembla 'The Hole In The Landscape' [NNA110]
Available May 25th, 2018 on Limited Edition Vinyl & Digital formats.
http://nnatapes.com

The Hole In The Landscape

Tsembla "Gravitating Bones"

Django Novo creates music in different genres and has been presented as a solo artist at several arenas and festivals in Norway including the Oslo Jazz Festival, Hortenfestivalen, Alta Blues & Soul Festival, and byLarm. In 2022 Django Novo - together with long-time collaborator Tov Ramstad - landed a contract with NXN Records (Naxos) and released the album "The Distance" on CD/digital format in March 2023.

Reviews:
★★★★★★★★ 8/10 - Eclipsed Rock Magazin (Germany):
«Django Novo and Tov Ramstad's duo project is more intellectual art than crude pop music. Ramstad's deep cello provides a delightful contrast to Novo's clear voice.»

★★★★ 4/5 - Ivan Rod - journalist, critic, author, and editor (Denmark):
«The lyrics are well-written, and the vocals and accompaniment are clearly intended as a whole - almost a performance. For the same reason, I could easily imagine a VJ having a central role in the live performances. It is very fascinating.

Top track: Let Nothing Happen.»

Jazz-fun.de - Magazin für Jazz Musik (Germany):
"An intriguing narrative and excellent compositions make this album a listening pleasure."

UKVIBE (United Kingdom) 
«A beguiling combination of dreamy, atmospheric soundscapes and original songs are the order of the day for this latest release from Norwegian label NXN Recordings. Created by fellow countrymen Django Novo and Tov Ramstad, “The Distance” is a series of wistful compositions that combine a whole host of musical influences – from pop to blues to world to folk to jazz to cinematic to classical and back again – all wrapped up in a blanket of comforting ambience.

The thing I love about this kind of music is how easy it is to let the imagination run wild. It’s like listening to a make-believe film score, one where I can create my own characters and plot, through visual ideas and emotional input. To this end, I get the feeling that Novo and Ramstad are natural storytellers themselves, with their music incorporating all the key elements needed to let my imagination run free.

Django Novo performs vocals, guitar, piano, keyboards, and percussion, with Tov Ramstad playing cello, double bass, electric bass, piano, keyboards, and percussion.
To further expand their sound and vision, the duo invited a selection of musicians to add trumpet, keyboards, harmonica, lap steel guitar, accordion, flute, strings, piano, percussion, and even therevox custom instrument. Samples and electronic treatments also play a part in this dreamy offering. Everything is pieced together with skilful aplomb, resulting in an intriguing offering for lovers of ambient / song-writing music.

Making music such as this is an artful craft in itself. It does however sometimes detract from a necessary prerequisite; that the compositions have an innate strength to them. In the case of “The Distance”, it’s a bit of a mixed bag to be honest. There are moments of brilliance – the fiercely distinctive “The Screen You Look Upon” and “Time Travel” being two cases in point – mixed with a sometimes slightly confusing set of songs/tunes. For me personally, the vocals work well on some tracks but leave me wishing they weren’t there on others. Overall though, the combinations of instruments and ideas work well together, and I can only tip my hat in appreciation to the two eclectic musicians who have put this album together.»

Mike Gates

Lyrics on the album "The Distance" written by DN. Songs on "The Distance" composed by DN and TR, except 1,3,4 and 8 by DN. 

At the present time, DN is focusing mainly on studio work - mostly solo with the occasional collaboration - venturing into dramatic, scenographic pop, and electronic music.

Lives and works in Oslo and Mjøsa, Norway.

Oslo, March 2023.

Pure (A Lazy Afternoon)

django novo

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