Colin McBean is old school. Through and through. His stripped back brand of analogue house and techno has been emulated many times but never bettered. Heads will recognise his work from the first beat and if they don’t hear him then Mr. G will sure as hell make sure you see him coming. His flamboyant performances are in no way an attempt to mask a lack of creativity as he is still dropping bombs over 20 years after he launched his own Phoenix G record label. [continue reading at...https://trommelmusic.com/music/podcast/trommel-123-mr-g/]

Cast

Trommel.123 - Mr. G (live)

This is a re-recording of my SR set. Unfortunately, the audio recording had stopped due to a power cut earlier in the evening.

Thanks for having me Sustain Release! I'll never forget this <3

DJ Plead - Sustain Release, Year 9

THE CREEP SIDE OF DANCE MANIA // 
Mixed By Vin Sol


THE CREEP SIDE OF DANCE MANIA

GULP

Berlin-based producer, Briain, brings a nearly 3 hour Globus floor set recorded live from Tresor 31 Year anniversary celebrations. 

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Follow Briain
Facebook: https://www.facebook.com/Briain13013
Discogs: https://www.discogs.com/artist/5033939-Briain
Resident Advisor: https://ra.co/dj/briain
Soundcloud: https://soundcloud.com/briain13013

Briain | Live At Tresor - 22.07.22

A lesson in "diva house and horniness" from a modern New York darling.  

Ask Kilopatrah Jones who their favourite DJ is, and they'll give you an unequivocal answer: Junior Vasquez. And the influence is telling. Both born and raised in Queens, the two share a sense of house as a life force. Not in a new-age, spiritual sense. For Jones, it means being "sweaty, panting and free." 

The NYC DJ can play anything from techno to drum & bass, but when playing house, there's a particular sense of clarity: they understand the genre in the same lineage as Vasquez, Larry Levan and his peers, as the sound of reinvention, transgression, glamour and joy. 

Across the following two hours, RA.1013 immerses you in that world. It feels like walking into the Sound Factory at peak-time, bodies in glorious motion, fog thick in the air. The Lot Radio resident runs through familiar classics, bringing it home with a gag-inducing sweep of Donna Summer, Celine Dion, CeCe Peniston—and fittingly ends with Madonna, a wink to Jones's hero and his defining moment, "If Madonna Calls." 

Jones' RA Mix also reasserts the idea that clubs should be a place of joy. Not only for our individual needs and fulfillment, but as a political act—especially for marginalised folk. Arriving at a time when systemic regression and cultural decay feels increasingly pervasive, they is a model for what DJs and dance floors can, and arguably should be. As they put it, "I'm just so happy and grateful to be alive and in this body."

Find the tracklist and Q&A at ra.co/podcast/1032

RA.1013 Kilopatrah Jones

New SPND20 Mixtape loading: @red-eye-dallas takes the booth 📼

Hailing from Dallas and shaped by decades of underground evolution, Red Eye brings a sound forged in EBM, industrial dance, new beat, early acid house and Detroit techno. Known for his unmistakable vocal work with KiNK, FJAAK, Stefan Braatz and more, plus releases and remixes across labels like Dirtybird, Yoshitoshi, Music For Freaks and Defected, he’s been carving his own lane long before nostalgia became a trend. With his 2024 imprint CRASH PLANET, he continues to blur lines between electro, breaks, acid, EBM, techno and house - always raw, always future-minded.

For his SPANDAU20 Mixtape, Red Eye delivers the world he knows best: a moody one and a half hour sideroom trip, built on shadows, silhouettes, fog, and the occasional strobe flash. A place where EBM meets Chicago acid, industrial tension slides into punk-edged electro, and cold synthwave melts into hypnotic techno. Expect modernized-retro pressure, silky blends, dub echoes, genre left-turns, haunting atmospheres and slithery, hypnotic grooves with a few well-placed bangers.

Dark, seductive, timeless - a mix for dancers who like the corners of the club as much as the center.
Step inside Red Eye’s sideroom 🖤

This is where the future...lies. 
(RIP Douglas McCarthy)

SPND20 Mixtape by Red Eye

@yotorieee x @leftrightmusic
hey friends, here's a live recording of a late-night impromptu b2b with my friend Torie who has excellent taste in music. We played a surprise sunrise set at a secret party in NorCal.... It is chaotic, eclectic, genre fluid and unpredicatable but exactly what we wanted for 5am nonsense.

Hope you enjoy it like we did.

Torie b2b Left/Right - Live @ Undisclosed [Rugdoctor Therapy]

Mix recorded on MODEL 1 at Church Rave - Toronto, Canada 19.07.2025
Sound Mastering by Konstantinos Georgiou aka Kostas Richter

Tracklist
1. Twelve Miles High – Burger & Ink
2. Upscale – Procombo
3. Abandon Hope v3 – Casual Treatment
4. Purging Oneself (Demo) – Casual Treatment
5. Pulsewerk – Sera J
6. Corpus Obscura (Original Mix) – Alessandro Cocco
7. Mitsubishi Fuso (Original Mix) – Ikari
8. Naiv (Original Mix) – Mython
9. Tonight – Ackermann and aUtOdiDakT
10. Memento Mori (Original Mix) – Barbosa, Stephen Disario
11. Itokawa – Luca Accardi
12. She’s Calling (Original Mix) – Stephen Disario
13. Drehwerk 202 – Concept Werkstatt
14. O-Ren (Original Mix) – Klint
15. Gift From The Future (Original Mix) – DJ Dextro
16. Functional Name – Melvin Spix
17. Midnight Club – Crime Partners
18. Evolve (Original Mix) – Franz Jager
19. Drift – ValaV
20. Contact High – Agent Orange
21. Nigredo – Luca Accardi
22. Cuatro Tiempos (Original Mix) – Ikari
23. Fusion 006 – Carara
24. Dreaming – M3STR
25. Rebellion – Sera J
26. Copper – Mython
27. Modular Subline – Luca Maniaci, Carara
28. Blaze Powder – Mislaw
29. Zig Zag (Original Mix) – Len Faki
30. Bleepy & Bleep – Salbany
31. Late Night Rave (Agent Orange Remix) – Melvin Spix
32. La Bête (Master V2) – Kamen

Richie Hawtin - Church Rave - Toronto, Canada 19.07.2025

Manipura

iTunes: http://po.st/mfcit | Beatport: http://po.st/mfcbp | Traxsource: http://po.st/mfcts | Spotify: http://po.st/mfcs | Apple Music: http://po.st/mfcam | Deezer: http://po.st/mfcdz 

In February 2016 Midland made his contribution to the hugely influential BBC Essential Mix series. The end of the mix came in the shape of an unreleased track that would go on to soundtrack dance floors and festivals the world over. That track was 'Final Credits.' Since its creation in the depths of winter to its vinyl release in June, with weekly airings everywhere from Panorama Bar to DC10 to Dekmantel Festival, the record has united dance floors and become one of the most unlikely tracks of the year. As the summer disappeared, calls for a full release of 'Final Credits' have swelled, and now, thanks to The Classic Music Company we're delighted to say this is becoming a reality. 

Midland 'Final Credits' 1. Final Credits 2. Final Credits (Radio Edit) Written by Harry Agius, James Dexter Weatherly, L. Alfred, J. Lester & R. Murphy Produced by Harry Agius Published by Just Isn’t Music & Universal Polygram International Publishing, Inc. (ASCAP) ‘Final Credits’ contains a sample of Gladys Knight and the Pips ‘Neither One Of Us’, Written by James Dexter Weatherly, Published by Universal Polygram International Publishing, Inc. (ASCAP). Used by permission. ‘Final Credits’ contains a sample of Lee Alfred ‘Rockin - Poppin Full Tilting’ sample licensed courtesy of Numero Group LLC, Written by L. Alfred, J. Lester & R. Murphy, Published by Numero Group LLC d/b/a Songs Of Numero Group. P&C 2016 Classic Music Company

Manipura

Augat

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