You are deep in the forest, deep in your mind.
Your fingers gently tie up the symbols, binding them one by one. You see how the rope intertwines their togetherness, and sound spawns from the constellation. Big rhythmic machines, huge biological patterns, together they form the sound of an ode. Until you unwind them, and leave.

Infinite time may pass, you forget their purpose.

But it's okay, they will wait for you here, until you decide to return

♥ @aeoi ♥ GRATTIS !!!

A&R @fannuze
Master @ytem
Artwork Maxime Huot

Aeoi - Easy To Forget

It​’​s Pulling My Strings

Evangel

HTRK Fa5in8tor chopped x slowed 2021

Selected demos 2021-2024
:) but also :(
now but also never

look down from the bridge

The newest release from 29 Speedway, UltraBody, is a compilation record featuring the music of Jake Muir, Pent & Dylan Kerr, Nexcyia & mu tate, James K, Flora Yin-Wong, Ex Wiish & Dorothy Carlos, Kamran Sadeghi, Tati au Miel, James Hoff, Eric Frye, qwqwqwqwa & sop.io, Muein, & Maxwell Sterling. The record is emblematic of the artists who have performed at 29 Speedway shows in New York and Europe during the past two years, and is the third in a series released by the label.

The record investigates how the self, spirituality, and language are intertwined with the intervention of subjectivity by new technologies. With increasingly sophisticated tech, and the supposed ability to remake the world and ourselves, what differentiates our individual discretion from the will imposed upon us by software? Quoting Walter Chaw, “Decades of rampant, unregulated and ill-considered technological leaps have begun to evolve, to mutate, humans at a biological level”. This haphazard acceleration towards a techno-utopic transformation of humanity has faulted, and as William Gibson put it, is leading us to live in a “half assed singularity”. In this reality, artistic processes are influenced by excessive access to computational tools and assistance, but not utterly controlled.

This in-between state of dominion is explored on UltraBody. “Incoherences” samples the utterances of Dylan Kerr’s voice processed between Pent’s percolated glazes, muddying the gulf between vaporous ambient and reflexive sound design. The voice on James Hoff’s “A... ...Cha.... A... I feel l” was created by trying to get voice cloning technology to sing a gps data stream, the music an extrapolation from an earworm he got stuck in his head while shopping in Kyoto. On “Plogue Chain”, Eric Frye’s most speculative sci-fi observations spiral into a glazed pool of digital cacophony, while Kamran Sadeghi’s “Formula Fiction” is an experiment in (un)controlled generativity. Incorporating minimal pings from a 3D simulation scene based on gravitational interaction, cello bits evolve on “Assimilation”, a collaboration between Ex Wiish & Dorothy Carlos.

On UltraBody, sound has no separate existence from space.

Tati au Miel - House Of Gold

lower your eyelid and see me again 2 a - 25/09/2024

Type: EP
Format: Digital
Releasedate: November 11th 2024
Cat. number: SLA23
Artwork: Maria Chiara Moro

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Money Lang — 'Ice White'

Xafya - godspeed

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you should be able to do that

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look down from the bridge

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