A mind-melting opening set from Ike Release on August 4, 2023. A staple at the club as one of our sound engineers, Ike made his Good Room DJ debut in the main room, dropping no less than 42 tracks in two hours featuring loopy electronics and hard-hitting house and techno.

Ike Release - Live At Good Room - 8.4.23

forgot i recorded this. 

HS all night long at Sub Club last year. nice groovy crowd all night. slow build.

6hrs live at Sub Club Melbourne, Sep 10 '22

Janet Jackson Funny How Time Flies RobJamWeb House Bump Mix 2024

Hailing from Philadelphia, Shawn, Alex, and Brian have been consistently putting out some of the most wonderful mixes out there. With an incredible ear for all sort of genres and a pallet that is deeper than the Mariana trench, they only went and smashed our expectations with this mix for 5918mins. Get ready for soothing soft rock,  slow jams, sleazy funk, and upbeat disco amongst many other things. (If you are in luck you might even get some of those juicy IDs, but there already is a line for that :))  
Thank you Universal Cave !

Universal Cave

For our second installment of Corridor Radio, we are treated to a groovy mix courtesy of Planet B. A DJ and producer in the NYC and Philly scene for the last decade, Planet B effortlessly navigates a myriad of genres. Find him regularly playing at Good Room, Gabriela, and Jupiter Disco, to name a few.

PLANET B

Juanita's Mix 100 with Ciel @ciel_dj

Q. How would you describe yourself?
A. a music maker with too much sincerity and a passion for sampling, film, and leftist politics

Q. What drew you to the music scene in the beginning and where do you hope to see it in the future?
A. Looking back at my life, I think everything from my birth led me on this path towards music. It was my first love. But as an only child, my experience with music growing up was always very solitary. I yearned to be part of a community radio station with Iikeminded music nerds, and it was working for a radio station eventually during my undergraduate that brought me toward DJing and rave culture. Back then I never thought I could do this full time, but once I got the chance to make a living doing this, I realized the scene was far from perfect, in fact it's very exploitative. I hope in the future we can find a way to fairly compensate music makers for the incredible gift of music they bestow upon the world, without becoming beholden to corrupt corporate & military interests. Artists can be hyper individualistic and self-interested, and I hope we can get better at looking out for each other instead of just our own paycheques.

Q. Tell us a little bit about this mix.
A. I wanted to present a different side of myself to international audiences on such a wonderful mix platform. Perhaps people outside of my home city of Toronto are less familiar with my downtempo sets, but it's been a significant part of my wheelhouse for years, and have gained even wider affection from me since I started doing a downtempo party in Toronto last year. Like I always say, 80-100bpm is the most natural tempo for extended human body movements. I also liked the idea of doing a mix that doesn't build in a predictable way, instead it waxes and wanes like the natural rhythm of life. So many of my favourite mixes build and release tension in a way that's very satisfying to listen to, the sounds intensify to a frenzy before disintegrating into nothingness. I wanted to play with that rise and fall and mix downtempo and dub with double time d&b in a non-linear way that is evocative of our most precious memories and tells stories we've only seen in dreams. Downtempo and dub also seemed like the perfect genres to play in the 100th mix for Juanita's, and in the lead up to my fav April holiday. :) I hope the listeners enjoy it.

Juanita's Mix 100: Ciel

Rules Don't Apply & RealMusicEvents presents:
Dances Live at Concourse 3/22/24

Dances Live at Concourse 3/22/24

Some people say "DJaying" is an art form, but for WILLIAM ROBBINS, TOMMY CASTRO and PLANET B it is more like a spiritual exercise. Their sets which are inherently something ephemeral, but through the manipulation of knobs and buttons, create unforgettable timeless masterpieces. These are their stories. Executive Producer Dick Wolf.

www.instagram.com/clublonely
www.instagram.com/onewilliam
www.instagram.com/tommy_castro

grandstreetsounds.org

GRAND STREET SOUNDS @ The Lot Radio 04-02-2024

Up next in our Good Room Podcast series is @jexopolis ahead of his main room appearance on May 25th at our Good Room Members Party.

Jex says: "If I ever get to play like, an 8 hour set, this would prob be either the third hour or maybe the 7th hour. Lots of loopy house, some samples and a hidden hip hop drop!”

Good Room Podcast 165 - Jex Opolis

Something (Underwater Dub)
from 'Something In The Water' single release

Drums: Graeme Pogson
Bass: Luke Hodgson
Keyboards: Harvey Sutherland

Written, recorded, produced and arranged by Harvey Sutherland.
Mixed by Haima Marriott
Mastered by Wouter Brandenburg
Illustration and design by Nicko Phillips

A Clarity Recordings release.
Distribution through Republic of Music and Caroline Australia/Universal Music Group

Harvey Sutherland works and lives on country belonging to the Wurundjeri people of the Kulin Nation. Respect is paid to First People and their elders past, present and emerging. Sovereignty has never been ceded.

This single will be released on digital formats only.

Something In The Water

Something In The Water (Underwater Dub)

number 4, y'all. eat it. 
8 songs. 
diary date april 18 2020.
I will be 31 in three days.

watching footage from ibiza in the 90s. remembering why we do this.

soundscapes for expensive furniture ™ Nº4

PLANET B

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