goawayforeal

Rising Sun

Música por Glue Trip.

Voz, arranjos e clima viajoso por Lucas Moura e Gouveia Phill
gravada, mixada e masterizada por Glue Trip

Participação especial de Sergio Aires na flauta transversal. 

Ilustração por Daniel Vincent ( http://www.dvincent.com/ )
Letra / Lyrics:

I´ve been calling you but I don´t know
Is it true that we will let it go

I´ve been calling you but I don´t know
Is it true that we will let it go

Remember the time I had to be there
I was so sure. That I didn´t mind

Remember the time I had to be there
I was so sure. That I didn´t mind

Remember the time I had to be there
I was so sure. That I didn´t mind

Remember the time I had to be there
I was so sure. That I didn´t look in your eyes

I wil never gonna give up your soul
Now I can see so straight ahead
baby my hands are full of old blood
I know that it came from her

I wil never gonna give up your soul
Now I can see so straight ahead
baby my hands are full of old blood
I know that it came from her

For long I saw you sleeping soundly
Now it´s time to wake again

Baby my hands are full of old blood.



Old Blood

From the forthcoming 12" by Joel Graham 2015 © Music From Memory

"An obscure tape release discovery by Red Light Radio founder and close friend of the label, Orpheu de Jong, led to Music From Memory’s latest release. This two track 12” highlights the work of electronic music pioneer Joel Graham, a San Francisco based artist who self released two cassettes in 1984/85.  

Originally recorded and performed live on pre-MIDI analogue equipment in 1982 as an outline for a live performance, these visionary tracks provoke much of the same sensibilities found in both contemporary dance music as well as in works of more established vanguard artists of the time. Slowly unravelling and deeply hypnotic, Joel Graham’s music seems to manifest a doorway to a profound new world and can be seen as a forerunner of what was to come in electronic music."

Joel Graham - Night (15:11)

Bambi Davidson - Brunswick

A tribute to this visionary. RIP.

Zenmai
Blue Sky And Yellow Sunflower
I Am Flying
Love Bird
Form An Idea
Plateau On Plateau
Yokota - River Side
Painted Room Key
Black Sea
Uchu Tanjyo
Prism - 4°C
Circular
Sea Blue

Susumu Yokota: 1961 - 2015

JSLIXN- Calmish Clarity

Bliss Voice

Relaxing Instrumental house music

Follow me:
Soundcloud: @tuomasdata
Spotify: open.spotify.com/artist/12NjG2NhuKYBq6qfN5jE0S

Sunshine

02 - Susumu Yokota - Tobiume

PREMIERE > http://inverted-audio.com/premiere-liquid-city-motors-untitled-2/

On 'Untitled 2', which we're glad to present you in full stream form, @liquidcitymotors veers off on much more of a UK sound tangent, melding old-school jungle tropes with a slight US house feel and a pinch of footstep-inflected rhythms.


Untitled 2 EP

Liquid City Motors - Cirrostratus (Iridescent Mix)

Vocals performed by https://soundcloud.com/odilemyrtil
co produced by Victor Bongiovanni soundcloud.com/rosewatercutz 
released October 20, 2017
Additional Mixing and Mastered by Sebastian Navarro 
Artwork & Design by Eli Horn
https://bohamusic.bandcamp.com/album/burning-up

Blankness Feat. Odile Myrtil

Available to download now from https://kelpe.bandcamp.com/album/polymar-one

POLYMAR ONE

Polymarb

2) Yes! Come Parade With Us
"I remember leaning right off the slipway in Sheringham to record the waves that I used in this track. I had to get really close to the surface of the water to be able to hear the pebbles moving around. It was early in the morning and the sound was so alive that It made me want to make some very positive and uplifting music."

Watch John's hand-animated video here>> https://www.youtube.com/watch?v=XaCOvylhxks&

-----------------------

On the auspicious occasion of the release of his mystical seventh artist album, technological force-of-nature Leafcutter John teams up with fellow stalwarts of idiosyncratic electronica Border Community to gift unto the world the small-yet-perfectly-formed joyously utopian artefact Yes! Come Parade With Us. Weaving field recordings from the Norfolk coastline together with layers of lyrical modular synth, these seven bright-eyed folk anthems sing with positivity and a sense of place, and feel right at home amongst the British label’s unparalleled ever-pastoral and often-organic electronic legacy.

During the summer of 2017 exiled Yorkshireman Leafcutter John returned to his one-time home of Norfolk (having graduated in Painting from Norwich’s School of Art and Design back in 1998) and set out on foot along the sixty mile section of Norfolk Coast Path which runs from Hunstanton to Overstrand, trusty audio recording device in his pocket. “And very soon the physical act of walking began to make me think about music,” he explains. “My footsteps dictated the tempo and imagined melodies accompanied me as I slowly moved along the increasingly wild and magical stretch of coastline. Stresses of the city were replaced by the fall and rise of the North Sea and endless salt flats. Sounds from the environment filtered in and I would stop often to record what I was hearing around me.”

Back home in London, the hours of amassed field recordings would form the backbone and inspiration for a whole album worth of outpourings from John’s six-years-in-the-making modular synth. From the evocative sound of sea birds on Pillar and Stepper Motor to the colourful conversation from a country pub in This Way Out, the apposite selection of samples which made the final edit provide the perfect jumping-off point for John’s synths to soar with abandon, at times uplifting, frenetic, haunting, hypnotic or meditative, but always atmospheric and with unstoppable propulsion.

“Above all else, I wanted the album to exude a sense of constant forward motion but at a very human scale,” says John. Thus drummer friends Tom Skinner (Hello Skinny) and Sebastian Rochford (long-time collaborator in the twice Mercury Prize-nominated band Polar Bear) were roped in to lend their suitably clattering human momentum, on Doing The Beeston Bump and Dunes respectively. Working in tempos to match his walking speed throughout - “whether trudging along a rainy shingle beach or running up wildflowering clifftop paths” - Yes! Come Parade With Us is perfect traveling music, and once unleashed upon the world is sure to provide the soundtrack to plenty more journeys to come. 

Beginning his own musical journey back in 1999 on Mike Paradinas’ Planet Mu Records and with a widely-varied twenty year career in electronic music already under his belt, the release of his masterful seventh album sees Leafcutter John on career-defining form. An intensely personal project, John has also hand-drawn the labyrinthine album art and animated his own suitably exuberant rainbow-hued video to accompany the boundless enthusiasm of restorative title track Yes! Come Parade With Us. The resultant album gem is both assuredly successful in his stated aim of capturing “both the rugged beauty of the environment and the positivity I felt walking through it” and incredibly infectious, with a harmonious utopian outlook which cannot help but rub off on the listener.

Yes! Come Parade With Us

Leafcutter John - Yes! Come Parade With Us

http://www.susumuyokota.org
http://www.myspace.com/yokotasusumu

Origine du Groupe : Japan
Style : Electro Ambiant , Electro Acoustic , Downtempo , Experimental
Sortie : 2005

MORE INFO :
http://bbpiratesradio.over-blog.com/article-35672866.html

Susumu Yokota & Rothko - Path fades into forest

DJDemonAngel1

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