I was Virtual invited @ Benidorm Radio Live Mix Session  - By Dj.DFM

More Premieres: https://wearesoundspace.com

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Buy this track: https://terminalm.lnk.to/Kaspar

Terminal M
https://soundcloud.com/terminalm

Aither EP (Terminal M)

MORE HERE

Premiere: Kaspar - Aither [Terminal M]

Download the remix parts here:
https://bit.ly/vntm-seven-remixparts

I want to thank you for the continuous support you have given me so I decided to drop you a free track I made this week called “Seven”

For the producers out there: I have also added a link to the remix stems down below, feel free to remix and/or use them in any way you like as a sample! Send them to remixseven@vntm.live before February and we might do something cool with it!

Free Download

VNTM - Seven (Original Mix) [Free Download]

Enjoy the Track? Click the [Repost] 🔁  button so more people can hear it!

"I saw the best minds of my generation destroyed by madness" (Allen Ginsberg, Howl), a sampled quote that lends as inspiration for Carbon’s newest EP “Madness”, and his strong return to Shadow Wulf Records. 

The EP features two exceptional techno tracks that drive the listener willingly into insanity with gripping arp melodies and dark driving bass, and gives a welcome peek into the master creative mind of Carbon (aka Riewert Peterson) – whose music has been featured on heavyweight labels like Senso Sounds, Alula Tunes, Jannowitz, MoonBootique, Phobos, Soupherb and many more.  

With “Madness” featuring vocal segments of  the poem ‘Howl’, the vocals are spoken by an ethereal female voice musing on the nature of insanity, and “Ridiculous” enhancing the subject matter further with unencumbered cackling laughter – both tracks lend to an inspired concept paired with relentless dark groove and techno energy. 

To top it off, The EP features the dark techno lord himself, Maksim Dark, marking this his second release on Shadow Wulf.  He provides a riveting remix of the title track in his signature minimal style and artfully crafted to enhance the hysteria to dizzying heights. 

It’s not a stretch to say that if this is Carbon's world of Madness, we'd gladly stay here forever and welcome insanity.  
 
Follow Carbon
SoundCloud: @carbon
Facebook: www.facebook.com/Carbon.Official.Music 
Instagram: www.instagram.com/carbon.official.music 
Beatport: www.beatport.com/artist/carbon/16609 
Spotify: https://open.spotify.com/artist/5BSvQ8klrDFPpCJ3TujFoK 
Youtube:www.youtube.com/channel/UCsMNG_XBl4qY8zAuMFejdTA/playlists?view_as=subscriber 

Follow Shadow Wulf Records
SoundCloud: @shadowwulfrecords
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Beatport: www.beatport.com/label/shadow-wulf/88417 
Bandcamp: www.shadowwulf.bandcamp.com 
Youtube: www.youtube.com/channel/UCP5O1EcWRRT-niTTIPC3_5w 

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SoundCloud: @6amgroup
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Madness EP

Madness

Premiere: Carbon "Madness" - Shadow Wulf

Ratis techno crew is united for the second Various Artists. Enjoy!

Ratis, Vol 2

Richey V & Simone Zino - Vortex

Buy link: https://bit.ly/3R2W9ju

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Electronic Groove promotes the latest music, artists, brands, and worldwide festivals.
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GR310 - Bellatrix

Release info.

Premiere: Matteo Magni, MT93 - Celestial Anomalies - Gain Records

We are pleased to welcome French producer ETILYK to Mavic Music. The talented producer has carefully crafted 2 modern techno cuts with dance floor appeal with a slightly sinister touch.

Etilyk - Explosion (Original Mix)

'Kaspar, makes his grand return to Monika Kruse’s esteemed Terminal M imprint for the release of his brand-new EP, Imagination...'

Read More: https://whenwedip.com/2023/10/05/premiere-kaspar-imagination/

Follow: @kaspar-de / @terminalm

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Premiere: Kaspar - Imagination [Terminal M]

Seducing the Dancefloor, Vol. 13

Karakurt (Samuel Wallner Rmx) [Superordinate Music]

Stream FULL album: fanlink.to/LitAoM
Picking up where 2018's debut album left off, Pleasurekraft continue their foray into the Cosmic Techno sub-genre they ushered into the dance music lexicon, with their new LP "Love in the Age of Machines."
Arriving exclusively on Spotify initially on April 10, with other streaming platforms to follow a week later, Pleasurekraft had one of the biggest tracks last year on Drumcode with their remix for Adam Beyer's 'Space Date,' always bring forward thinking grooves embellished with astral melodies and spaced out synths that make for emotional as well as physical experiences.
"Love in the Age of Machines" is in no short supply of the sonic signatures the production duo have become known for, and there is a clear maturation at work here. The album's non-techno tracks showcase an artistry rarely seen in conventional dance music and techno in particular. From the gritty dystopian future that establishes the album's themes at the onset in "Last Sapien", to the dark, rainy, urban-lit textures that form the spine of "Nostalgic for the Future", there is a sense of impending self-wrought catastrophe, tempered with a sense of wonder of all that is, and all that could be if humanity somehow overcomes its hubris.
Things get more intense and turbulent on "Panopticon (The Patron Saint of Global Surveillance)" [ft. Thomas Gandey] before the voyage to the edges of our galaxy continues on "I Sing the Body Electric" & "Main Sequence" which keep up the enthralling techno atmospheres with increasing pressure, before the tension is released with the cinematic grandeur of "Novacene." Two more hard hitting bangers in "At the Mountains of Madness" and "Primordial" then rebuild the all consuming techno mood before you're left adrift in the cosmos with the album's swan song "Requiem For the American Dream."
As Kaveh Soroush of Pleasurekraft puts it, "Without sounding too reductionist, humans are simply a bundle of biochemical algorithms with a few holes at either end, who mistake their sensory experiences as objective, and their sense of self as something concrete, when in fact science reveals to us with each new finding that our basic intuitions about reality and the world around us have not evolved much from our first ancestors, who just wanted to make sure not to get eaten for long enough to feed and procreate on the African savannah. While there are certainly wonders about the Cosmos we have discovered given our enlarged frontal lobes, and technologies that we've invented dating back to when the first tool was built thanks to an opposable thumb, we haven't been the best custodians of the only planet that can sustain us, and history makes it abundantly clear that our wisdom lags far behind the technological advancements we develop with each new day."

Despite the overtly pessimistic tone, ultimately there is a sense of potential change on the horizon. That perhaps a species which has come up with abstract ideas of love, justice, liberty, and created works of immense artistic and scientific beauty, might just find a way to correct course before it's too late. This sense of wonder is on full display on "The Occupant" and the potential seed for our enlightenment is planted in "Corpse Reviver Number 3", a track brimming with homages to the love of philosophy and its place in navigating a more examined life.
Ultimately "Love in the Age of Machines" feels like a dystopian sci-fi soundtrack written for optimists who want to change humanity's looming fate. While still firmly rooted in the techno genre, the album evokes themes and ideas that are universal to the human experience and our place in the Cosmos, and it is this aspect of the album that makes "Love in the Age of Machines" such a rewarding musical experience. It's techno that is at once accessible and intelligent, a combination rarely heard in today's endless sea of dance music.

10 - At The Mountains of Madness

Artist: HOF
Title: The Return
Label: Fe Chrome
Release Date: 18th of Jan 2021

A*S*Y*S Presents Fe Chrome Crafted, Vol. 3

HOF - The Return

Querida familia, amigos, conocidos y amantes de la música, Les presento mis creaciones y espero les guste mucho como a mi componerlos para Ustedes.
Enjoy it!

I was Virtual invited @ Benidorm Radio Live Mix Session - By Dj.DFM

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