NEW MUSIC - Part 1

Over the last few years, Guim has been at the forefront of the Garage movement in Barcelona after residing in London and finding inspiration there to share a type of sound that is rarely found in Spain. He’s part of the Mainline collective, a troupe of DJs and producers known for their humorous, irreverent and overall unique style that breaks both rules and dancefloors at the same time across the Iberian Peninsula.

Today we release his newest EP, “Late Night Jams” on our new label, Discos Marcianos, a stunning recollection of tracks in which Guim shows his mastery and skills at curating drum breaks, sculpting synthesizer sounds and crafting powerful and deep basslines.

This track is the dub version of the EP's main single featuring Canarian rapper Highkili.

Follow Guim:
https://www.instagram.com/__guim/
https://soundcloud.com/guim-house

Late Night Jams

3AM (Dub Mix)

Bandcamp

Guim - 3AM (Dub)

A1. Alone Dancing In The Shoegaze Temple
A2. Chinese Takeover
A3. Strobe Sword
B1. Dorsal feat. DJ Disappointed
B2. TAI1 EDiTTT

Argentinian DJ, artist, and label head DJ これからの緊急災害 also known as Wachita China (@lawachitachina)
makes his debut on Fides Records with the EP T.A.K.E.O.V.E.R, marking the 16th release for the label. 
Five energetic tracks showcase Wachita China's scholarly knowledge of influenced Ghetto and Electro Music.
With his driven 808 beats, fierce basslines, extraterrestrial vocals with a metallic edge, and a blend of sci-fi melodies, the artist proves once again his ability to create timeless dancefloor weapons. The EP also include an electro-infused upbeat track featuring DJ Disappointed, injecting a energy burst into the release.

DJ これからの緊急災害 | T.A.K.E.O.V.E.R EP | FIDES016

DJ Spielberg is one of the monikers of Hugo Barão, a DJ and producer from Lisbon who has carved out his own place in the landscape of electronic music.
Defined by a multidisciplinar approach to the production, art and
presentation of his work on No She Doesn’t label, his records might
bring forth the unexpected, such as in his second EP, when he
engineered and designed a first person game emulating a Lisbon venue ‘Desterro’, blurring the distinction between physical and digital worlds on an immersive rave experience, while releasing Carregada/Calibrada EP.
His third release on NSD called TORQUE will happen in April 2023 and
features an artwork collaboration with the argentinian 3d video artist
Narf Alvarez.

TORQUE

BUY on BANDCAMP

PREMIERE : DJ Spielberg -Torque

Celebrate 808 Day all year long with TR-808 Egyptian Lover, a must-have patch collection for Roland’s ACB recreation of the TR-808 drum machine.

Electro and hip-hop pioneer Egyptian Lover comes out swinging with this bombastic collection of TR-808 kits and patterns. Backed by over 40 years of beatmaking wisdom, this indispensable encyclopedia of sound delivers a genre-spanning library of powerful percussion. Use the sharp, powerful kicks and snares to bring urgency to your backbeats, and experiment with tonal bass drums and toms to add depth and dimension.

Download TR-808 Egyptian Lover today—available with Roland Cloud Ultimate and Pro memberships or a Lifetime Key purchase.

TR-808 Egyptian Lover - Demo Song

Trippy Dips! #2  ·̩̩̥͙＊*✩ Radio Relativa ✩ *ੈ✩‧

'Faith In Strangers' is the title track from Andy Stott's forthcoming album, due for release via Modern Love on November 17th/18th.

Andy Stott - Faith In Strangers

TRACKLIST

Illektrolab - Intro (The Fight Against The Mundane)
Crystal Distorsion - Eat Dem Droids
The Orb - U.F. Orb
X-Coast - Narcotic Influence
85酸 - Duplo Sentido
Sedgwick - Belief System
Medora - For Pleasure (De Con Version)
Romplex - Basstroyer
69DB & MC Tablloyd - Mega Head

Tamarindo X Paralelo3

Made with Max/Msp, Logic

Samples used from:
Junior Senior
The Weekend
Joni Mitchell
Frou Frou
Stereolab
Nelly
Steve Miller Band
YG Feat. Tory Lanez
Drake
The Beach Boys
Aaliyah
The Doobie Brothers

Cybele's Reverie, Stereolab (DJ Recut)

Andy Stott - New Romantic

Ex-Aquarium

Cut It Upwards

Two Armadillos - Theme (Oriol Mubu Edit)

For more information visit: http://www.klassikakzente.de/recomposed/home 

Some works are so familiar that it is almost impossible to hear them afresh, but that is what Max Richter has achieved with Vivaldi “Recomposed”. This is no mere arrangement; instead Richter has absorbed Vivaldi’s The Four Seasons into his own musical bloodstream. At first Richter followed the example of other works in the “Recomposed” series, which re-mix existing recordings, but, he says, “I wanted to open up the score on a note-by-note level, and working with an existing recording was like digging a mineshaft through an incredibly rich seam, discovering diamonds and not being able to pull them out. That became frustrating. I wanted to get inside the score at the level of the notes and in essence re-write it, re-composing it in a literal way.”Richter calculates that, in the process, he has discarded around three-quarters of Vivaldi’s original. He opens with what he describes as “a dubby cloud which I’ve called Spring 0. It functions as a sort of prelude, setting up an electronic, ambient space for the first Spring movement to step into. I’ve used electronics in several movements, subtle, almost inaudible things to do withthe bass, but I wanted certain moments to connect to the whole electronic universe that is so much part of our musical language today.” Other resonances are no less unexpected: Richter describes part of the first movement of his Summer as “heavy music for the orchestra. It’s relentless pulsed music, which is a quality that contemporary dance music has; and perhaps I was also thinking about John Bonham’s drumming. Then, in the second movement of Autumn I asked the harpsichordist Raphael Alpermann to play in what is a rather old-fashioned way, very regularly, rather like a ticking clock. That was partly because I didn’t want the harpsichord part to be attention-seeking, but also because that style connects to various pop records from the 1970s where the harpsichord or Clavinet was featured, including various Beach Boys albums and the Beatles’ Abbey Road.” Clearly, Richter has brought his own frame of reference to the project. As he says, “Vivaldi’s music is made of regular patterns, and that connects with post-minimalism, which is one strand in the music that I write. That felt like a natural link, but even so it was surprisingly difficult to navigate my way through it. At every point I had to work out how much is Vivaldi and how much is me. It was difficult but also rewarding because the raw material is so fascinating.”Just as Richter’s Seasons plays tricks with the way we hear Vivaldi’s original, so it also asks questions of the soloist, Daniel Hope. “Violinists have Vivaldi’s The Four Seasons hardwired in their brain. Daniel is likely to play the original I don’t know how many times in a year, and for him to have my parallel text going on in another part of his brain is a challenge. I think he did a wonderful job. He brought to it a deep engagement with the original, but he was fully prepared to cut this new swathe through the text.”


Spring One - Vivaldi Recomposed - The Four Seasons

Spring 1 (2012)

Download

Booking or Contact: djdisappointed.data@gmail.com

Two Armadillos - Theme (Oriol Mubu Edit)

DJ DISAPPOINTED

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