Name: Don't Quit Instrumental (Prod. By DJ Double A) by DJDoubleA954 in interviews
Duration: 2 min
Description: Beat I did for CYPHER's Flip The Script weekly beat competition. Get at me for leasing.

interviews

Week 90 C.Y.P.H.E.R. Flip the Script Submission

C.Y.P.H.E.R. Flip The Script Week 90

Sample based beat I produced, did some cuts on, and mixed for CYPHER's Flip The Script Beat Battle.

For Leasing or Exclusive rights contact djdoubleaproductions@gmail.com 

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fuck what they say i'm doin me.
spotify http://bit.ly/2muBjhv
apple http://bit.ly/2nemOgf

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from Dollar Menu, released April 28, 2017

(O. George-Perreira, M. Lane, I. Islam, S. Cox)
Produced by Marcell "Drum Fu" Lane
Engineered by Odelle "Öde" George-Perreira
Recorded at Sandbox Studios, Arverne, NY
Scratches by Nick "DJ Double A" Sproul
Additional vocals by NIcholas "Neo Huxtable" Gouede Jr.
Special appearances by Ishmael "Ish" Islam & Shaqueena Cox
Mixed by Odelle "Öde" George-Perreira at Sandbox Studios, Arverne, NY

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Ebonic Economics [prod. by Drum Fu]

I participate in a weekly production competition on Facebook. A sample is put up every week and producers flip it and vote on the best flip. This week was to flip Barry White's "Hard To Believe". Also in the intro there is a clip from Melvin Van Peebles cult classic "Sweet Sweetback's Baadasssss Song"

Sweet Back

Remix of "Kilimangiaro" by Alberto Baldanbembo (1974) done for CYPHER Flip The Script 
by Bobby Gemz | Platinum Pushers (2012)

NO GRAVY (Remix for CYPHER) by Bobby Gemz | Platinum Pushers

Cambatta lyrically paints a picture combining the theologies of several religions into a mural thorough bars

Cambatta - Lawdamercy

Beat I did for CYPHER's Flip The Script weekly beat competition. Get at me for leasing.

Link Up With Double A

Don't Quit Instrumental (Prod. By DJ Double A)

Music has been an integral part of Double A’s life since his early elementary years when he first picked up a pair of drumsticks. Having watched his Father bounce from band to band, simultaneously singing and playing drums, he developed a love for being engulfed in the tremor of hard-hitting drum beats. Rhythm had always been coursing through his hands, and no matter whether in class or at the dinner table, he found it impossible to stop these rhythmic patterns from emerging on any surface in site. At age thirteen he acquired the easy-to-learn Fruity Loops program and discovered that he could sequence and record these patterns that were in his head. Double A would stay up all hours of the night honing his craft and teaching himself the basics of sequencing rhythms and melodies. He also found himself very much interested in the music of his parents and grandparents and soon began sampling and chopping up classic rock and soul. At age fourteen, he joined his high school’s drumline, taught himself to read music, and quickly climbed to the position of drum captain. His promotion to captain of the drumline and his dissatisfaction with their current performance led him to compose hours of drum cadence on his own, which would eventually help grow the line to an undefeated position in both competition and battle. The hundreds of hours put towards coming up with original drum compositions can be easily heard in the beats he still produces. Throughout high school he continued to write cadences, but found a real love in producing Hip Hop instrumentals, which he began selling to local artists in his sophomore year. Double A then began experimenting with other programs and creating remixes and blends to some of his favorite instrumentals and acapellas. This is what led the young producer to understand the beauty behind a clean blend and sparked his interest in DJing. At this point it became obvious to Double A that he needed to start learning what he thought of as the “manual” action to what he had already been emulating digitally. At eighteen he got his first dual CD player rack, amp, and speakers and found something else to dedicate sleepless hours towards. Not long after, he was able to upgrade to his first pair of turntables, a pair of Technic 1210’s. This is when Double A truly began to understand the art of turntablism and the skill involved in controlling a piece of vinyl. Four years later, after having rocked a few shows, going undefeated in a few DJ battles, and dropping a few mixtapes, Double A graduated from Florida State University as a more business-minded DJ and producer. It was in 2013 that he enrolled in Full Sail University as a full-time recording arts student, where he is currently dedicating all hours to the crafts that he loves as a DJ, producer, and remixer. DJ Double A’s dream is to one day be a Grammy-award winning, platinum-selling producer and mix engineer.

Facebook.com/DJDoubleA954
For beat leasing or private booking contact: DJDoubleAProductions@gmail.com or 954-304-5186

Don't Quit Instrumental (Prod. By DJ Double A)

DJDoubleA954

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