Super Freak is a funky house bootleg with deep roots — born from reggae, shaped by club energy, and flipped with a nod to Rick James. Originally written as a reggae-inspired groove while digging through old-school dub records, the track evolved into a bouncy, peak-hour house roller with a fat 124 BPM pocket, wah-wah guitars, and a full dubstep breakdown to close it out.

This is a trimmed-down version of the full track — no intro or outro, just the essentials. Perfect for quick drops and playlists.

Made for the floor, but works just fine in your headphones too.

You can watch the Music Vizualizer here: https://youtu.be/GEMd00SvvTM

Super Freak (Radio Edit)

Super Freak is a funky house bootleg with deep roots — born from reggae, shaped by club energy, and flipped with a nod to Rick James. Originally written as a reggae-inspired groove while digging through old-school dub records, the track evolved into a bouncy, peak-hour house roller with a fat 124 BPM pocket, wah-wah guitars, and a full dubstep breakdown to close it out.

This is the full version of the song.

Made for the floor, but works just fine in your headphones too.

You can watch the Music Vizualizer for the Radio Edit here: https://youtu.be/GEMd00SvvTM

Super Freak

Super Freak is a funky house bootleg with deep roots — born from reggae, shaped by club energy, and flipped with a nod to Rick James. Originally written as a reggae-inspired groove while digging through old-school dub records, the track evolved into a bouncy, peak-hour house roller with a fat 124 BPM pocket, wah-wah guitars, and a full dubstep breakdown to close it out.

This is a stripped-back version with no vocals — bassline, guitar, and groove front and center. Built for DJs who like to ride the rhythm.

Made for the floor, but works just fine in your headphones too.

You can watch the Music Vizualizer for the Radio Edit here: https://youtu.be/GEMd00SvvTM

Super Freak (Dub)

Peak-hour disco house built for the dancefloor.

Funky live bass, filtered guitars, 303 stabs, and a vocal that brings the energy.

This is a tight, radio-friendly version of the track, perfect for DJs looking to drop a high-energy vocal cut. It strips the song down to the essentials while keeping the disco bounce and vocal hooks front and center.

Best For: Visualizers, streaming, quick DJ drops
Length: Shortened for quick impact and focused groove

Inspired by the groove-driven sound of classic disco and early Daft Punk, this one’s been in the works for a year — refined, reshaped, and finally ready.

Dance the Night Away (Radio Edit)

Peak-hour disco house built for the dancefloor.

Funky live bass, filtered guitars, 303 stabs, and a vocal that brings the energy.

This is the extended mix of the song. It lets the groove evolve with longer builds, more instrumental interplay, and a full club-ready structure. Ideal for late-night sets.

Best For: Club play, full DJ sets, extended listening
Length: Full arrangement with full breakdowns and transitions

Inspired by the groove-driven sound of classic disco and early Daft Punk, this one’s been in the works for a year — refined, reshaped, and finally ready.

Dance the Night Away

Peak-hour disco house built for the dancefloor.

Funky live bass, filtered guitars, 303 stabs, and a vocal that brings the energy.

This version uses a different chopped vocal phrase for a different vibe. This will be the official release version (since I probably can't clear the original vocal) — slightly more understated, but still dancefloor-ready.

Best For: DJs who want a more subtle or underground take
Tone: Warmer and a bit deeper than the main vocal version

Inspired by the groove-driven sound of classic disco and early Daft Punk, this one’s been in the works for a year — refined, reshaped, and finally ready.

Dance the Night Away (Alt. Vocal)

Raw and relentless Chicago-style hard house.

Heavy kicks. Screaming 303s. Chopped vocal drops.

This is a modern take on the Underground Construction vibe — think Angel Alanis, DJ Irene, peak-hour warehouse chaos.

I started writing this when I first got back into production. It sat for a while until I was confident enough to finish it properly. A throwback in spirit — but made to hit hard today.

This is the full experience. Builds more gradually, but still delivers that classic hard house chaos. Ideal for long sets and extended mixing.

🎬 Music video (Visualizer) coming soon.

Bring the House Down

Raw and relentless Chicago-style hard house.

Heavy kicks. Screaming 303s. Chopped vocal drops.

This is a modern take on the Underground Construction vibe — think Angel Alanis, DJ Irene, peak-hour warehouse chaos.

I started writing this when I first got back into production. It sat for a while until I was confident enough to finish it properly. A throwback in spirit — but made to hit hard today.

This is a slightly shorter version of the song. It's tight and punchy for peak-hour sets — this version hits fast and doesn’t let go. Made for the mix.

🎬 Music video (Visualizer) coming soon.

Bring the House Down (Radio Edit)

Better Days – DJ DoubleOh45

Genre: Breakbeat / Acid House / 303 / Vocal House
BPM: 128
Energy: High-energy connector for peak hour sets

About this track:
Blending distorted 303s, layered breakbeats, and gritty live bass, "Better Days" is a high-octane hybrid of acid house and breakbeat styles. A chopped female vocal ("Why can't we just go back to the better days?") gives the track its name and emotional core, while a hyped male vocal amps up the energy. Think somewhere between throwback big beat and modern underground club tool — heavy, rhythmic, and raw.

Version info: A punchy shortened cut with full vocals and an optimized structure for radio and streaming. Ideal for DJs looking to drop something with impact and feeling, without the extended intros.

Track credits:
Production, mix, guitar, and bass by DJ DoubleOh45
Mastered by DJ DoubleOh45

Visualizer & lyric video: coming soon to YouTube

Tags:
breakbeat, acid house, 303, vocal house, original track, electronic, club music, djdoubleoh45, bass music, better days, radio edit, lyric video, short version

Better Days (Radio Edit)

Better Days – DJ DoubleOh45

Genre: Breakbeat / Acid House / 303 / Vocal House
BPM: 128
Energy: High-energy connector for peak hour sets

About this track:
Blending distorted 303s, layered breakbeats, and gritty live bass, "Better Days" is a high-octane hybrid of acid house and breakbeat styles. A chopped female vocal ("Why can't we just go back to the better days?") gives the track its name and emotional core, while a hyped male vocal amps up the energy. Think somewhere between throwback big beat and modern underground club tool — heavy, rhythmic, and raw.

Version info: The uncut version with full intro, outro, and raw transitions. Built for the club, with extra breathing room for mixing, EQing, and letting the 303s burn.

Track credits:
Production, mix, guitar, and bass by DJ DoubleOh45
Mastered by DJ DoubleOh45

Visualizer & lyric video: coming soon to YouTube

Tags:
breakbeat, acid house, 303, vocal house, original track, electronic, club music, djdoubleoh45, bass music, better days, extended mix, dj tools, long version

Better Days

San Francisco–born, Houston-based producer/DJ making house and breaks with live-leaning parts: 303s, 909/808/707 drums, bass and guitar that feel played. Range: disco/funky/tribal/deep house, UK/speed garage, acid/breaks. Radio edits + full mixes; visualizers and shorts each release week. New music monthly (usually more frequently).

Came up in Houston’s late-’90s rave scene—Dance Junkies main DJ, Afterdark Productions promoter; rapid, clinical vinyl sets for crowds in the thousands.

2008–2013 (DJ 0045 / 0045): releases on Special Recordings, Uniform Recordings, Peak Hour Music, PitchBend; notable bootleg with TDBZ I Got 5 On It / Ready or Not released by 6Blocc (limited vinyl).

Influences: Wolfgang Gartner, The Freemasons, Armand Van Helden, Charles Feelgood, Angel Alanis, deadmau5, Todd Terry (speed garage), Bob Sinclar, Felix da Housecat (DJ sets), Paul Johnson.

Label: Raison Danse.