Hide And Seek Part 100 - Techno_Dance Set Live Reworked

Welcome To Tech Hunters!

You guessed it.  We're all about Tech here.  So why the cross hairs logo background and one over djPerdición's right eye?  Because you don't always seek and find; sometimes the hunter becomes the hunted.  That is, sometimes what you're looking for finds you.   The search for music is a two way street.

I take a wide selection of music and attempt to skillfully arrange it in a way that makes sense and reflects ideas that are cohesive and solid in relation to each other.  They say a good DJ is a story teller or one who takes his crowd on a journey.  Conversely,  I believe the audience tells the story and takes the DJ on a journey for which he functions as a mirror reflecting themes back to his audience.

I select the music to be considered for use on each set, learn it well and know what each track is about lyrically and/or melodically and what it seeks to accomplish. I constantly ask myself how it seeks to make both listener and programmer feel and the impression it aims to impart from introduction to break to outro.  A programmer must first know his material impeccably and how to manipulate it.  For me, I call what other programmers call "transitioning"--mixing.  For what we do must not be aimlessly match beats from one track to another.  Mixing is my navigational tool throughout my sets and my entire evening, my way of setting and changing mood, pace and concept.

A selection of music gathered for a program-- I find pieces itself together almost by itself.  I start to see a similarity in meaning, a common thread in the selection of music I have in front of me.  I find it takes a shape, a form, a direction--and it's my job to see that shape and mold it into what my sound speaks to.  And my sound has a "techy", edgy dark sound but most people often describe it as very upbeat.  The best compliment--and I love it--that people always say about my music is, "It makes me wanna dance"!  Mission accomplished!

Don't misunderstand, I am in no way saying that DJ's are jukeboxes and that we should play "to our crowd" and "what they want".  Nor am I in any way saying DJ's should pre-program their sets and just push 'play' while they work.  We are entertainers, we are performers. 

Happy hunting,
djPerdición

Perdición: TECH HUNTERS Premiere

Perdición: TECH HUNTERS: Premiere

Time for that feel good #messiah #bandlab #newhiphip #indipendentartist #sph1nxxx #soundcloud let’s get it

Messiah

Hello to all my friends...

My name is ELIS EISBERG, and I recorded another live techno piece for you. Enjoy the listening.

The vocals are only the test here. I would like to play with the vocoder and reverb effects, and if you follow me, you can hear that in one of my following new tracks. I recorded these vocals on my smartphone because I have no budget to buy one new microphone, but the budget is not limited for me to create any new track or new sound. So, I decided that I have a fantastic smartphone and a voice recorder, so what is the limitation to playing with the voice inside my music composition. Nothing. I want to try to play with my voice in my remix tracks.

I selected the Moby because I liked the chords. I used Sylenth polyphonic, and my MC707 groovebox to get the sound.

Thanks to Brainworx Audio for their amazing plugins and the crystal clear mastering effects for the final mastering tracks. Still, play with their plugins, but one beautiful day I got the sound that is in my head and mind to bring that to you.

Enjoy listening, and have a nice party around :-)
Follow me or write me comments or feedback.

The new techno clear progressive future sound is coming here, and I share the new ideas with you in a couple of days.

Best regards,
ELIS EISBERG

Massive 11 - Moby Go Techno (Extended Remix)

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Dangerous Recipe

"Say My Peace" by Rick E Suave (feat. Ryder Die) is out now! 🔥
Download // Stream: bit.ly/saymypeace

✓ Follow Timeless Music Records
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» @timeless-music-records

✓ Follow Rick E Suave
» open.spotify.com/artist/18PiWqY4RYzmaOHLKbUQO1
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Say My Peace

Rick E Suave - Say My Peace (feat. Ryder Die)

80's ThunderBird

Alex's Intro (feat AlexSeth)	0:46	Creflo J/Freckled Hun	Optic High (Explicit)	2023
Power Grid	3:12	Creflo J/Freckled Hun	Optic High (Explicit)	2023
Alquimia (vocal mix)	2:20	Owner of Chill	Alquimia	2023
How Would It Feel	5:10	Lyves	How Would It Feel	2022
Juice Of Mandarins	2:26	Ibeyi	Juice Of Mandarins	2023
Indigo (Potatohead People remix)	3:36	Yoh/CARRTOONS feat NDO	Indigo	2023
Them	5:37	Hanna	Them / I See The Butterfly As It Flutters By	2023
Kete (Max Essa dub remix)	5:38	TIGERBALM FEAT JOY TYSON	Kete	2022
Sugar Dive (feat Dean)	3:14	Wesley Joseph	GLOW	2023
Taboo (Vanyfox remix)	3:06	Karen Nyame KG	Taboo (Vanyfox Remix)	2023
It Girl (Warner Case remix)	3:39	ASSOCIANU/KARMA FIELDS/KAH-LO	It Girl (Warner Case Remix)	2023
I See The Butterfly As It Flutters By	5:56	Hanna	Them / I See The Butterfly As It Flutters By	2023
Don't Think Twice	2:57	Sam Ruffillo	Brooklyn Tapes EP	2023

Happy Hour Indigo Mix

#434 / HAPPY HOUR / The Indigo Mix

Fael - Entity Of Space 1

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Asura

Ring On

~An Interview with djPerdición~

Intense while replete with musical craft and guile, one of a kind djPerdición, nicknamed "The Villain", is a man's man DJ who hits the bullseye every time, utilizing music as concept.  Perdición continues to gain momentum, knocking off the competition, wielding tech beats to cut through nonsense and stimulate your senses by way of tact and a huge musical toolbox.  You'll have the time of your life and be moved by the hands of a true master. 

Perdición later commented, "Look–at the end of the day we DJ's are performing a service and collecting a paycheck not doing brain surgery.  We are both technician and artist so don't get tangled up in your tinsel," he smirked.

It was hard to maneuver my way through the Rites Ball 2024 NYC pre party mayhem.  I cornered a cute, curvy blond who had the following to say, "This DJ takes you on an awesome sonic ride and fucks with your head...and it feels so good.  And it's like pure adrenaline, scary and beautiful.  I like a guy with a point of view."

Then she ran off.

Afterward in the ensuing crowd, I made my way to an empty lounge.  I saw small billows of smoke leading me to the DJ.

"Sorry, I couldn't find you," I said out of breath.

"Never say you're sorry unless you do something wrong", he admonished. "Get to know me, then you'll really be sorry," he chuckled and then said as he stubbed his cigarette: "I'm really very gentle–with gentle people, that is." 

"What's your secret?" I asked Perdición.

"First, I spend a lot of time proofreading beatgrids.  Can't get your mix to match?  Check your beatgrids.  I use phase-shifting flange mixing techniques I learned on quartz modified turntables.  I'm judicious with sync, it can cause train wrecks and fuck up the sound.  Although some say it's primitive, I use Serato because of its analog behavior, glitches and all.  Most importantly, I always "program" music while performing.  Occasionally I'm spontaneous but never random.  A DJ must program, not be apathetic to the myriad of factors constantly unfolding and presenting.  There must be flow, fluidity, and sensibility.  Think of driving.  You must be skilled at recognizing the routes, detours, terrain and taking the appropriate action at the right time. You can be taught the skill of observation but not the instinct and knowingness to program good music."

With his classically trained pianist's ear, Perdición's musical sensibility has the power to demolish the competition.  "Listen to the words," admonishes the DJ.  "They're there for a reason."

"Tell me about your name and how it came about?"

"I've suffered and lost a lot."

"What about your nickname, 'The Villain'?"

"I think it's because I make other DJ's look bad," he said flatly.

"What does that mean?" I asked.

"I'm very good at what I do.  Few really are."

"A columnist in DJ magazine once wrote, and I quote, 'Friends, there's no easy way to put it- djPerdición is a trouble-maker, a nuisance of the highest sort, relentless and clever.'  

"What is your response?"

"I like the guy already," he smiled.
 
"Let's talk about your philosophy of "'concept'", I queried.

"Music is always conceptual regardless of the kind.  Music tells a story, whether by words, lyrics or libretto.  Let the music tell the story in all its aspects and let the DJ be the purveyor of it, not the author."

Perdición's ability to people watch and deliver musically is unmatched.  He follows his instincts with skill befitting a reputation for luring his audiences into an altered state and uncertain fate.  His counterintuitive style has emerged as one of the foremost in tech music with intelligent conceptual execution and a keen attention to people.  Says Perdición, "The crowd also takes the DJ on a journey." 

"The DJ's job consists largely of people watching, not jumping up and down, twiddling with knobs or dancing, waving your hands in the air like a fool.  Have good posture at all times with eyes on the audience while working", admonishes Perdición.

His first residency was at the notoriously named Club 9-11 in Chelsea, MA, followed by a 3 year residency at the late leather man's dance club- The Yukon Trading Company in Providence, RI.  It was there that the young Perdición found his footing and began to rise.  In Providence, he wowed crowds in this sleepy college town with Boston Record Pool promos, little known Nu NRG imports and DJ only remixes.  Perdición created a new dance floor for forward thinking elders and snatched curious young men from the grip of local clubland mediocrity.

"Tell me about the Yukon", I asked.

"It closed years ago, probably the last of the leather clubs with a dance floor. It was my first dance floor and longest residency to date but I don't have a shred of evidence I ever worked there because they never billed me.  They didn't want to advertise the DJ which led to problems ahead.  Everybody said my bosses were assholes but funny, I was the one with the gig.  In retrospect, although my superiors weren't perfect–and none are–they liked my music enough to keep me around for almost three years and I'm grateful."

Perdición was invited to New York City by then longtime friends Steven Hanson and NYC Eagle's former manager, Richard Smith, partner of the late lighting legend Richard Sabala.  In NYC venues include: The Eagle (old and new), Splash, 10th Ave Lounge, Hangar, LGBTQ Center, Recovery NYC, and Harry Winston.  However, these define a past in need of movement forward.

After years of hard work in the big apple. Perdición caught the attention of world renowned DJ-producer-record label owner Georgios Pallikaris (G.Pal) of Utopia Music Concept, Best Radio, (Greece) and Swift records.  Perdición studied music production with Pallikaris.

"What is your advice to aspiring DJ's?"

"At first your audience may balk at the unfamiliar but stick to your guns because they will come to love you for showing them the way to greater heights and the new.  However, spoon feed your crowd and give them what you think they want and they'll end up hating you for doubting them.  Don't forget to check your beat grids and remember to give a listen to those other genres.  You'll be surprised what you may find."



~Venues~

Iris Records, Jersey City NJ

The Eagle NYC (New)

Harry Winston Jewelers NYC

19th Street Gym, Chelsea NYC

LGBTQ Center Dances NYC

Recovery/Sobriety Dance Parties NYC

The Hangar Bar NYC

Splash Bar NYC

Void, Soho NYC

American Fitness, Chelsea NYC

New Year’s Eve Events, 1999 NYC

The Eagle NYC (Former)

Tenth Avenue Lounge, Hell’s Kitchen NYC (Residency)

Mikes Bar, Hell’s Kitchen NYC

The Club, Ogunquit, ME

Commitment Ceremonies, Boston

The Brigg, New Bedford, MA

The Yukon Trading Company, Providence, RI (Residency)

The 119 Merrimac, Boston (Residency)

Marriott International, Cambridge, Boston

The Club Nine-Eleven, Boston (Residency)


[Seeking PR/Social Media management and bookings at club/lounge/private events in New York City and internationally]
Email: djdavidmarshall@gmail.com
Cell: (929) 401-6685]

Perdición: TECH HUNTERS: Premiere

djPerdición

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