Always a reliable source of good music and tunes

The Perdición Library Audit Sessions 
-- Join me on a non programmed alphabetical mixing assessment of unknown tacks in my music library. 

*Listening Notes:  These are not entertainment "sets." They are work "sessions." --Aesthetic segues are frequent but not assured as I am using headphones and not booth monitoring --Do not be alarmed at times to hear on these session recordings the following: 1)multiple cueing attempts, 2)equing experimentation, 3)mixing errors and retries, 4)cold endings, 5) dead air. --Once I know the track I move on to the next one which takes about 2-3 minutes.  Unless I'm enjoying it or became otherwise occupied.  As alluded to, if the next track will not distort by BPM adjustment in order to properly present, I will do so.  If it will, I will do quick fade out of current track and start next track.  If I don't like current track, there will be a cold ending before next track.  If I delete current track from the library, there may be up to 10 seconds of dead air before music resumes so please be patient.

Note: There are occasionally periods of dead air for longer than 10 seconds as I take notes following a track.  Be aware that on playback on SoundCloud, I have noticed the system can be triggered to end the track if the period of dead air is long enough.  Simply scrub a few seconds ahead until the music resumes. I have noticed as well that when listening at a high volume level on my iPhone I will get a warning message that the volume should be turned down and sometimes but not all the time the phone will end the recording after this warning message.  Simply go to SoundCloud and restart the recording.

Perdición Library Audit (16): 'Flex Through Go' Findings/Notes Update

Disattachments (Prod.Nokija)

This track is based on Chopin's "Marche Funèbre" written in the 1830s.  I think it sounds wicked with electric guitars, drums and a four string bass.  The idea behind the lyrics was to take the perspective of an undertaker, and let him express his concerns about the reasons that people are dying.  This one was fun.  Haven't had a reason to do a real lead guitar solo in a while.

Lyrics:

I am an ordinary man
With an extraordinary job.
And like a cop I’ll see you all
On your worst day.

You have no secrets you can keep
Someday I’ll know them all
When you’re upon the stainless slab 
Beneath these halls.

You need not be afraid
I will take them to my grave.
I am a man of principle
Your secrets I won’t say.

Except the truths that I have seen
That I’ll convey to you today
I’ll tell a tale to boil your blood
Of cold foul play.

Just let me lead the way.

On slab four lies a little man
Who just arrived today.
He was only forty-eight.
He should have lived three more decades.

But he had diabetes,
And his meds were too much to pay.
Then a coma took him down
And in two weeks he had passed away.

A girl of fifty-three
Is over chilling in the bay
Came down with Covid
And her lungs couldn’t take the fray.

Her insurance company
Decided not to pay.
They pulled the plug;
she couldn’t breathe though her children prayed.

Businessmen and doctors kill
When they collaborate.
If you can’t pay you may as well
Blow yourself away.

Extortion is their favorite game.

My daughter was just twenty-five.
The single mom of two little guys.
She couldn’t afford to replace her tires.
She died in a fire.

Half of the people who I see
Met their end because of greed.
On I toil to meet family’s needs.
Through endless suffering.

And no one’s doing anything!

Undertaker

Around Us  „New Dawn“ (Original Mix) - Manual Music -
Lio Q, Anhauser & Nicolas Leonelli  „Sands of Time“ (Original Mix) - Clubsonica Records -	
Sasha & Franky Wah  „Mark One“ (Original Mix) - Last Night On Earth -
Solid Sessions  „Janeiro“ (Stan Kolev Remix) - Outta Limits -
Atsushi Asada, Hiroyuki Kajino   „Utopia“ (Original Mix) - All Day I Dream -
Sasha & Franky Wah  „Haunted“ (Original Mix) - Late Night On Earth -
Gustavo Cerati  „Pulsar“ (Maximo Gambini Rework) - free download SoundCloud -
Leon Lobato  „Far Blue“ (St.Ego Remix) - 3rd Avenue -
Parallel Universe  „Galaxy“ (Original Mix) - Clubsonica Records -
Trilucid  „Kasamansa“ (Extended Mix) - UV -
Arina Mur  „Sea View“ (Original Mix) - Amulanga -
Maricha  „If“ (Dream Version) - Songuara -
Kebin Van Reeken, Jelly For The Babies  „No Way Home“ (Andre Moret Deep Mix) - Balkan Connection -
deeinagi  „The Light“ (Original Mix) - Univack -
Whirl, Monarke  „Footprints“ (Original Mix) - When We Dip XYZ -
Eurythmics  „17 Again“ (Peter Rauhofer Dub) - Arista -
Monojoke  „Fireflies“ (Mass Digital Remix) - For Senses Records -
K Loveski, Ewan Rill  „Old Zeeland“ (Original Mix) - Manual Music -
Semitone feat. Joliza  „Sekulungile“ (Original Mix) - Inward Records -
Minnado  „Una Nei“ (Original Mix) - Amulanga -
MAXI MERAKI feat. Starving Yet Full  „Home“ (Original Mix) - My Other Side of the Moon -
Sleeping At Last  „Chasing Cars“ (Milko Mancuso Rework) - Homework Studio -

I Am Here... (2023) 🎧

Tides

Gravity	5:40	SUB_MODU	Gravity (Renegades Of Jazz & V.B. Kuhl Remixes)	2022
Maps	2:56	C37	Maps	2022
Jeffa (Ron Basejam remix)	6:30	Retromigration	Jeffa/Reingelaxed	2022
We Know	5:28	Crackazat	Demucha EP	2022
More Than Grateful	5:57	Felipe Gordon	Natural Born Climber	2022
I Never Learn	5:30	Jan Janssen	DOBRO Tape 003	2022
Friends	3:10	LEER FEAT FIO	Friends	2022
Another Way (extended mix)	4:48	Newik	Another Way	2022
My Heart Still Leans On You	4:47	Laurence Guy/Miller Blue	My Heart Still Leans On You	2022
I Bet You're Wond'rin	7:35	Bress Underground	70024 Beats Roots, Vol 1	2022
These Changes	5:17	Black Loops & Cody Currie	These Changes	2022

Happy Hour House Friends Mix

#430 / HOUSE / Happy Hour Friends Mix

radio love is the 2023 summer jam! With its smooth dance production and its positive message it definitely gets you dancing and feeling good

RadioLove

RadioLove ft Marquise Fair

Devil Shogun	5:42	AxH	Devil Shogun EP	2016
Oops	5:50	Quasar & Haze0	Soundsystem Addict	2019
Eyes Down	4:34	AKI	Eyes Down	2018
Stay Low	3:15	DE-TU	Speak Numbers	2020
Walking In The Madhouse	3:40	MILD ADDICTION PROJECT	Walking In The Madhouse	2016
Reciting The Grimoire	5:29	Sectra & Deep Dark & Dangerous	Trilogy Pt 2: Dark	2020
Been This Way	5:08	DRONE	Sapphire	2018
Miners	5:05	TAIKO	Miners	2019
High Fidelity	5:31	JACK SPARROW	#000000365 (Dark365)	2019
You Said	3:40	COLTCUTS	DUPPLATES Vol 5	2020
Monkey See...	5:47	AARDVARCK	Monkey See...	2019
Verify Me (VIP)	5:07	TERNION SOUND	DUPPLATES Vol 2	2019
Verify Me	4:36	TERNION SOUND	DUPLOC021	2018
Kage Onna	6:29	Trisicloplox	Bat Blood	2019
Young Skeleton	4:08	BENGAL SOUND	Young Skeleton	2019
Tonight	8:37	ELGATO	Tonight	2010
Hot Sauce	5:15	ESHONE	Petroglyphs EP	2014
Spry Sinister	5:21	GANTZ	Sinister Rising	2014

DUBSTEP ALLSTARS in The MADHOUSE  Mix

#431 / DUBSTEP ALLSTARS N° 06-10 / The Madhouse Mix

Hi this is Nicholas Kyasima.

If you're reading this, you have access to #dnb tracks that I enjoy. I hope you enjoy them as much as me.

With kind regards,

Nicholas Kyasima.

#dnb #drumandbass #drum-&-bass #nicholaskyasima

NK MUSIC

NK MUSIC 11

Connection Records

CON080 Burak Yeter Ft. Danelle Sandoval - Tuesday (Le Shuuk Remix / Radio Edit)

After hitting 3.5 billion streams and breaking all the records, the mega-hit of Burak Yeter “Tuesday” is remixed by Le Shuuk
Available now on all stores.

Tuesday

Burak Yeter Ft. Danelle Sandoval - Tuesday (Le Shuuk Remix / Radio Edit)

Mad Girl

[An Interview with djPerdición]

[Brilliant yet of questionable moral repute, djPerdición, nicknamed "The Villain" is a wild card, a DJ on the loose.  Perdición continues to gain momentum–like a tumbling avalanche or frightening tornado.  Despite the DJ's nightly gambits and other plotting, you'll have the time of your life and be "beaten" to within inches of it.

It was hard to maneuver my way through the Rites Ball 2021 NYC pre party mayhem.  I held out a fifty and cornered a cute, curvy blond who had the following to say,

"This DJ has a mean streak as wide as the Grand Canyon.  He takes you on a sonic ride and fucks with your head...and it feels so good.  And it's like pure adrenaline, scary and beautiful.  I like a guy who makes good on his threats."

"What?" I asked.  Then she ran off.

Afterward in the ensuing crowd, I made my way to an empty lounge.  I saw small billows of smoke leading me to the DJ.

"Sorry, I couldn't find you," I said out of breath.

"Never say you're sorry unless you do something wrong.  Get to know me, then you'll really be sorry," he chuckled and then said innocently,

"I'm really very gentle–with gentle people, that is." 

"What's your secret?" I asked Perdición.

"I use a phase-shifting flange mixing technique I learned on quartz modified turntables.  I rarely use sync, it fucks up the sound.  I program music while performing-- I'm spontaneous but never random. Think of driving.  You can be taught a skill but not the instinct and knowingness."

With his classically trained pianist's ear, Perdición's musical sensibility has the power to demolish the competition.  "Listen to the words," admonishes the DJ.  "They're there for a reason."

"Tell me about your name and how it came about?"

"I was hanging out with a friend from Columbia, brainstorming.  I (Perdición) am like a vessel with no origin and no destination.  I ever move but am not really there.  My dance floor is a means to the only place one can go.  That is within.  And the name sounded cool at the moment," he smiled.  Max and I had a good laugh about it.

David's ability to people watch and deliver musically is unmatched.  He follows his instincts with skill befitting a reputation for luring his audiences into an altered state and uncertain fate.  His counterintuitive style has emerged as one of the foremost in tech music with intelligent conceptual execution and a keen attention to people.  Says Perdición, "The crowd should take the DJ on a journey." 

"A lot of the job is people watching, not jumping up and down, dancing in the booth like some of my dubious contemporaries.  Have good posture at all times while working", admonishes Perdición.

His first residency was at the notoriously named Club 9-11 in Chelsea, MA, followed by a 3 year residency at the late leather man's dance club- The Yukon Trading Company in Providence, RI.  It was there that Marshall found his footing and began to rise.  There, the DJ wowed crowds in this sleepy college town, promos in hand of Nu NRG, Trance, Techno, and Progressive house.  The young Perdición created a new dance floor for forward thinking elders and snatched curious young men from the grip of local clubland mediocrity.

"Tell me about the Yukon", I asked.

"It closed years ago, probably the last of the leather clubs with a dance floor.  I loved it of course but I don't have a shred of evidence I ever worked there because they never billed the DJ."  Everybody said my bosses were assholes but funny, I was the one with the gig.  In retrospect, I think they all really just wanted me to fail and get my job.

Perdición was invited to New York City by then longtime friends Steven Hanson and NYC Eagle's former manager, Richard Smith, partner of the late lighting legend Richard Sabala.  In NYC venues include: The Eagle (old and new), Splash, 10th Ave Lounge, Hangar, LGBTQ Center, Recovery NYC, and Harry Winston.  However, these define a past in need of movement forward.

After years of hard work in the big apple, Marshall caught the attention of world renowned DJ-producer-record label owner Georgios Pallikaris (G.Pal) of Utopia Music Concept, Best Radio, (Greece) and Swift records.  Marshall continues to work on production with the musical legend.


[Seeking PR/Social Media management and bookings at club/lounge/private events in New York City and internationally]
Email: djdavidmarshall@gmail.com
Cell: (929) 401-6685]

Perdición Library Audit (16): 'Flex Through Go' Findings/Notes Update

djPerdición

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