The Perdición Library Audit Sessions 
-- Join me on a non programmed alphabetical mixing assessment of unknown tacks in my music library. 

*Listening Notes:  These are not entertainment "sets." They are work "sessions." --Aesthetic segues are frequent but not assured as I am using headphones and not booth monitoring --Do not be alarmed at times to hear on these session recordings the following: 1)multiple cueing attempts, 2)equing experimentation, 3)mixing errors and retries, 4)cold endings, 5) dead air. --Once I know the track I move on to the next one which takes about 2-3 minutes.  Unless I'm enjoying it or became otherwise occupied.  As alluded to, if the next track will not distort by BPM adjustment in order to properly present, I will do so.  If it will, I will do quick fade out of current track and start next track.  If I don't like current track, there will be a cold ending before next track.  If I delete current track from the library, there may be up to 10 seconds of dead air before music resumes so please be patient.

Note: There are occasionally periods of dead air for longer than 10 seconds as I take notes following a track.  Be aware that on playback on SoundCloud, I have noticed the system can be triggered to end the track if the period of dead air is long enough.  Simply scrub a few seconds ahead until the music resumes. I have noticed as well that when listening at a high volume level on my iPhone I will get a warning message that the volume should be turned down and sometimes but not all the time the phone will end the recording after this warning message.  Simply go to SoundCloud and restart the recording.

Perdición Library Audit (17): 'Go Through Harry' Findings/Notes Update

Disattachments (Prod.Nokija)

Trying your hardest to be something special, to be anything but yourself.

You'll Never Know(Grunge Style Rock Ballad)

Track list:   
       TRACK 01 
		TITLE "Dance With Me (Original Mix)"
		PERFORMER "Kevin de Vries"
		00:00:06

	TRACK 02
		TITLE "Other Side (Extended)"
		PERFORMER "Azzecca"
		00:02:29

	TRACK 03
		TITLE "Dance With Me (Original Mix)"
		PERFORMER "Kevin de Vries"
		00:03:05

	TRACK 04
		TITLE "Other Side (Extended)"
		PERFORMER "Azzecca"
		00:05:28

	TRACK 05
		TITLE "Prodotto Astratto (Original Tube Vox On)"
		PERFORMER "Toto Chiavetta"
		00:07:13

	TRACK 06
		TITLE "Other Side (Extended)"
		PERFORMER "Azzecca"
	       00:07:49

	TRACK 07
		TITLE "Everything Is Energy (Original Mix)"
		PERFORMER "Bigfett"
		00:10:21

	TRACK 08
		TITLE "Automagic (Original Mix)"
		PERFORMER "Denes Toth"
		00:12:57

	TRACK 09
		TITLE "Everything Is Energy (Original Mix)"
		PERFORMER "Bigfett"
		00:13:58

	TRACK 10
		TITLE "Biohazard (Original Mix)"
		PERFORMER "Kevin de Vries"
		00:17:24

	TRACK 11
		TITLE "Clairvoyant (Original Mix)"
		PERFORMER "ALTEON"
		00:21:45

	TRACK 12
		TITLE "Biohazard (Original Mix)"
		PERFORMER "Kevin de Vries"
		00:22:33

	TRACK 13
		TITLE "Fractions (Extended Mix)"
		PERFORMER "Vintage Culture"
		00:24:22

	TRACK 14
		TITLE "Controlled Demolition (Original Mix)"
		00:26:34

	TRACK 15
		TITLE "Raver (Original Mix)"
		PERFORMER "Stylo, Space Motion"
		00:30:46

	TRACK 16
		TITLE "Controlled Demolition (Original Mix)"
		PERFORMER "HIGHLITE"
		00:31:10

	TRACK 17
		TITLE "Raver (Original Mix)"
		PERFORMER "Stylo, Space Motion"
		00:33:18

	TRACK 18
		TITLE "Estera (Original Mix)"
		PERFORMER "Joone"
		00:33:25

	TRACK 19
		TITLE "Home (Boys Noize Remix)"
		PERFORMER "Solomun"
		I00:37:01

	TRACK 20
		TITLE "Estera (Original Mix)"
		PERFORMER "Joone"
		00:37:26

	TRACK 21
		TITLE "Insomnia (Original Mix)"
		PERFORMER "Vlad Jet"
		00:40:36

	TRACK 22
		TITLE "Next To Me feat. Kelo (Tape Proc. Mix)"
		PERFORMER "Toto Chiavetta, Kelo"
	        00:43:32

	TRACK 23
		TITLE "Tibet (Original Mix)"
		PERFORMER "Argy, ARTBAT, Zafrir"
		00:45:42

	TRACK 24
		TITLE "Transmission (Joris Voorn Extended Remix)"
		PERFORMER "Eelke Kleijn"
		00:48:23

	TRACK 25
		TITLE "Tibet (Original Mix)"
		PERFORMER "Argy, ARTBAT, Zafrir"
		00:49:05

	TRACK 26
		TITLE "Solar Drone (Original Mix)"
		PERFORMER "Dahu"
		00:51:04

	TRACK 27
		TITLE "Transmission (Joris Voorn Extended Remix)"
		PERFORMER "Eelke Kleijn"
		00:51:30

	TRACK 28
		TITLE "Soul Connection (Original Mix)"
		PERFORMER "Silver Panda"
		00:53:28

	TRACK 29
		TITLE "Revision (Original Mix)"
		PERFORMER "Stereo Express"
		00:55:36

	TRACK 30
		TITLE "Translucent Ground (Original Mix)"
		PERFORMER "Gonlez"
		00:58:21

	TRACK 31
		TITLE "We Call This Acid (Original Mix)"
		PERFORMER "Silver Panda"
		01:01:39

	TRACK 32
		TITLE "Take Me High (Extended Mix Beatport Exclusive)"
		PERFORMER "Kaskade, deadmau5, Kx5"
		01:03:53

	TRACK 33
		TITLE "We Call This Acid (Original Mix)"
		PERFORMER "Silver Panda"
		01:04:14

Did Someone Turn The Temperature Up

Event horizon: (noun) a theoretical boundary around a black hole beyond which no light or other radiation can escape, a point of no return.

As the tide turns, paul and the warriors of the light fight valiantly to overtake and overcome the darkness.  Many decisive battles have been won revealing an enemy that is driven by true evil, motivated by the darkest of occult energies and behaviors.  There will not be any mercy afforded to the darkness, this decision is firm and final.  

paul has pledged, and is fully committed to, the complete destruction of his adversary who has caused undue, unnecessary and unwarranted harm to himself and those who were unable to defend themselves being trapped within the third dimensional matrix.  There is no quarter to be had, no peace offering, no mutual agreements, no olive branch extended.  paul, and his cohorts, are dedicated to the full eradication of this evil that lies, cheats, steals and destroys all that is holy, good and sacred.

There has been a shift, an awakening, an awareness and a victory that has provided a new opportunity for safety and security.  Patience, vision, and divine guidance have proven to be an effective strategy as the darkness does not have the ability to contain itself and has made repeated errors in judgement, action and decision.  Let it be known that the light will always prevail for those who act with virtue and honor as they are protected and led by a higher power.  paul sincerely and wholehearted appreciates your support as he continues to travel further beyond The Event Horizon – Volume 42

paul wishes to enlighten you with Universal truth and wisdom that has been imparted upon him and passed down from generation to generation of light warriors and truth speakers.  He wants you to be aware that there are no coincidences within your reality, everything that has transpired has happened for a reason under divine orchestration.  

As you continue down your life path you will encounter people, places and things that have been designed specifically to help challenge you and allow for growth and healing, at times under rather adverse conditions.  Divine orchestration is one of the most amazing facets of this reality, the knowingness that your life has been configured specifically for you, and only you, to prosper and incrementally raise your level of consciousness.  

Onwards and upwards brothers and sisters of the light as you are the warriors, explorers, seekers and speakers of truth, justice, virtue and honor.  Praise be. 

The Event Horizon Vol. 42 track list:
[1] 0:00 – 02:30 - Horsepower (Original Mix) - Bart Skils
[2] 02:31 – 08:33 - Challenge (Original Mix) - Sept
[3] 08:34 – 14:18 - Love Disorder (Gaston Zani Remix) - Ignacio Arfeli
[4] 14:19 – 19:35 - Mindset Of Mercy (Original Mix) - Shaun Moses
[5] 19:36 – 24:11 - We Move (Original Mix) - Arkan
[6] 24:12 – 30:05 - D Back (Original Mix) - Some Me
[7] 30:06 – 35:39 - Like Everybody Wants Now (Original Mix) - William Arist
[8] 36:00 – 40:13 - Grain Shifter (Original Mix) - Atze Ton
[9] 40:14 – 46:10 - Can't Stop Me (Original Mix) - Some Me
[10] 46:11 – 50:53 - Front Row (Adriana Lopez Remix) - Grindvik
[11] 50:54 – 57:10 - Invisible (Original Mix) - Bolster
[12] 57:11 – 1:03:59 - Basalt (Original Mix) - Bolster
[13] 1:04:00 – 1:09:51 - Theme (Original Mix) - Mark Reeve

https://www.iampaulkay.com
https://soundcloud.com/iampaulkay/

Album artwork by Nancy Chrisovergi
http://nancych.com

<paul kay> The Event Horizon - Vol. 42

Bothered(Electronic Ballad)

This track is based on Chopin's "Marche Funèbre" written in the 1830s.  I think it sounds wicked with electric guitars, drums and a four string bass.  The idea behind the lyrics was to take the perspective of an undertaker, and let him express his concerns about the reasons that people are dying.  This one was fun.  Haven't had a reason to do a real lead guitar solo in a while.

Lyrics:

I am an ordinary man
With an extraordinary job.
And like a cop I’ll see you all
On your worst day.

You have no secrets you can keep
Someday I’ll know them all
When you’re upon the stainless slab 
Beneath these halls.

You need not be afraid
I will take them to my grave.
I am a man of principle
Your secrets I won’t say.

Except the truths that I have seen
That I’ll convey to you today
I’ll tell a tale to boil your blood
Of cold foul play.

Just let me lead the way.

On slab four lies a little man
Who just arrived today.
He was only forty-eight.
He should have lived three more decades.

But he had diabetes,
And his meds were too much to pay.
Then a coma took him down
And in two weeks he had passed away.

A girl of fifty-three
Is over chilling in the bay
Came down with Covid
And her lungs couldn’t take the fray.

Her insurance company
Decided not to pay.
They pulled the plug;
she couldn’t breathe though her children prayed.

Businessmen and doctors kill
When they collaborate.
If you can’t pay you may as well
Blow yourself away.

Extortion is their favorite game.

My daughter was just twenty-five.
The single mom of two little guys.
She couldn’t afford to replace her tires.
She died in a fire.

Half of the people who I see
Met their end because of greed.
On I toil to meet family’s needs.
Through endless suffering.

And no one’s doing anything!

Undertaker

No Moment Wasted

Saints Of Green

Devil Shogun	5:42	AxH	Devil Shogun EP	2016
Oops	5:50	Quasar & Haze0	Soundsystem Addict	2019
Eyes Down	4:34	AKI	Eyes Down	2018
Stay Low	3:15	DE-TU	Speak Numbers	2020
Walking In The Madhouse	3:40	MILD ADDICTION PROJECT	Walking In The Madhouse	2016
Reciting The Grimoire	5:29	Sectra & Deep Dark & Dangerous	Trilogy Pt 2: Dark	2020
Been This Way	5:08	DRONE	Sapphire	2018
Miners	5:05	TAIKO	Miners	2019
High Fidelity	5:31	JACK SPARROW	#000000365 (Dark365)	2019
You Said	3:40	COLTCUTS	DUPPLATES Vol 5	2020
Monkey See...	5:47	AARDVARCK	Monkey See...	2019
Verify Me (VIP)	5:07	TERNION SOUND	DUPPLATES Vol 2	2019
Verify Me	4:36	TERNION SOUND	DUPLOC021	2018
Kage Onna	6:29	Trisicloplox	Bat Blood	2019
Young Skeleton	4:08	BENGAL SOUND	Young Skeleton	2019
Tonight	8:37	ELGATO	Tonight	2010
Hot Sauce	5:15	ESHONE	Petroglyphs EP	2014
Spry Sinister	5:21	GANTZ	Sinister Rising	2014

DUBSTEP ALLSTARS in The MADHOUSE  Mix

#431 / DUBSTEP ALLSTARS N° 06-10 / The Madhouse Mix

Mad Girl

[An Interview with djPerdición]

[Brilliant yet of questionable moral repute, djPerdición, nicknamed "The Villain", is a wild card, a DJ on the loose.  Perdición continues to gain momentum, wielding tech beats like knives to cut through nonsense.   Despite the DJ's nightly gambits and other plotting, you'll have the time of your life and be "beat-en" by the hands of a true master who only wants you to have fun.

Perdición later commented, "Look–at the end of the day we DJ's are doing a  service, not brain surgery.  We should be both technician and artist– but don't get tangled up in your tinsel," he smiled wisely.

It was hard to maneuver my way through the Rites Ball 2021 NYC pre party mayhem.  I cornered a cute, curvy blond who had the following to say, "This takes you on an awesome sonic ride and fucks with your head...and it feels so good.  And it's like pure adrenaline, scary and beautiful.  I like a guy with a point of view."

Then she ran off.

Afterward in the ensuing crowd, I made my way to an empty lounge.  I saw small billows of smoke leading me to the DJ.

"Sorry, I couldn't find you," I said out of breath.

"Never say you're sorry unless you do something wrong.  Get to know me, then you'll really be sorry," he chuckled and then said innocently,

"I'm really very gentle–with gentle people, that is." 

"What's your secret?" I asked Perdición.

"I use a phase-shifting flange mixing technique I learned on quartz modified turntables.  I'm judicious with sync, it can cause train wrecks and fuck up the sound.  Although some say it's primitive, I use Serato because of its analog behavior, glitches and all.  I program music while performing-- I'm spontaneous but never random.  Now hear me on this: A DJ must program not be apathetic to the myriad of factors constantly unfolding and presenting. Think of driving.  You can be taught the skill but not the instinct and knowingness to do it right."

With his classically trained pianist's ear, Perdición's musical sensibility has the power to demolish the competition.  "Listen to the words," admonishes the DJ.  "They're there for a reason."

"Tell me about your name and how it came about?"

"I was hanging out with a friend from Columbia, brainstorming.  I (Perdición) am like a vessel with no origin and no destination.  I ever move but am not really there.  My dance floor is a means to the only place one can go.  That is within.  And the name sounded cool at the moment, he smiled.  Max and I had a good laugh about it."

Perdición's ability to people watch and deliver musically is unmatched.  He follows his instincts with skill befitting a reputation for luring his audiences into an altered state and uncertain fate.  His counterintuitive style has emerged as one of the foremost in tech music with intelligent conceptual execution and a keen attention to people.  Says Perdición, "The crowd takes the DJ on a journey not the other way around." 

"A lot of the job is people watching, not jumping up and down, dancing in the booth like some of my dubious contemporaries.  Have good posture at all times while working", admonishes Perdición.

His first residency was at the notoriously named Club 9-11 in Chelsea, MA, followed by a 3 year residency at the late leather man's dance club- The Yukon Trading Company in Providence, RI.  It was there that Marshall found his footing and began to rise.  In Providence, the DJ wowed crowds in this sleepy college town, promos in hand of Nu NRG, Trance, Techno, and Progressive house.  The young Perdición created a new dance floor for forward thinking elders and snatched curious young men from the grip of local clubland mediocrity.

"Tell me about the Yukon", I asked.

"It closed years ago, probably the last of the leather clubs with a dance floor. It was my first dance floor and longest residency to date but I don't have a shred of evidence I ever worked there because they never billed the DJ.  They wanted men to come for each other not the DJ which led to problems ahead for me.  Everybody said my bosses were assholes but funny, I was the one with the gig.  In retrospect, although my superiors weren't perfect-and none are-, they liked my music enough to keep me around for almost three years."

Perdición was invited to New York City by then longtime friends Steven Hanson and NYC Eagle's former manager, Richard Smith, partner of the late lighting legend Richard Sabala.  In NYC venues include: The Eagle (old and new), Splash, 10th Ave Lounge, Hangar, LGBTQ Center, Recovery NYC, and Harry Winston.  However, these define a past in need of movement forward.

After years of hard work in the big apple, Marshall caught the attention of world renowned DJ-producer-record label owner Georgios Pallikaris (G.Pal) of Utopia Music Concept, Best Radio, (Greece) and Swift records.  Marshall continues to work on production with the musical legend.]


[Seeking PR/Social Media management and bookings at club/lounge/private events in New York City and internationally]
Email: djdavidmarshall@gmail.com
Cell: (929) 401-6685]

Perdición Library Audit (17): 'Go Through Harry' Findings/Notes Update

djPerdición

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