@francisv-repostpage:   Thank you Francesco and the gang at Timeless!  You guys rock!  Beat those drums!!

Redemption 3

Redemption 4

All credits go to The Hiker
Recorded and Mixed by The Hiker on 8 track
Additional Backing Vocals performed by:
Ali Robson and Nikita Davy
Thank you for adding something special

Mr Mena

Reflections

Free Download

Get the plugin / Try free demo: https://www.waproduction.com/plugins/view/chords?utm_source=soundcloud&utm_medium=button&utm_campaign=SC-Description

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CHORDS - Magic Circle

When you first sit down at a blank project sometimes you need a fresh hit of motivation and creativity. That’s why CHORDS is here for you. Originally designed for EDM productions, but useful for a variety of genres, this clever workstation will conjure chords of all shapes and sizes with just a couple of clicks. Try out new ideas for your tracks within the intuitive interface and let this plugin take the strain, from suggesting single 4-note chords to producing entire 8-chord riffs.

Place this MIDI effect ahead of any MIDI-triggered audio generating plugin and hit play in your DAW. The innovate software will generate looped options for up to 8 chords with full control over chord shape, inversions, velocity and more. Then just drag the MIDI straight from the plugin to your project, letting your creativity flow freely, guided by the suggestions from CHORDS.

Global or Granular

Use the global controls to adjust inversions, length, speed and root key of the entire playback, making on-the-fly adjustments to your entire riff a simple process. To get into the detail, click a segment for more granular control over chord shapes (including major / minor variations), individual inversions and velocity. 

Simple Segments

With up to 8 segments, each containing a different chord type, you can choose to trigger between one and four notes per chord. The playback of these segments syncs to the host BPM of your DAW, always remaining locked in time. You can add and subtract segments with ease and change a range of parameters, independently for each segment. 

Essential Parameters 

Each segment can be programmed with inversions from -6 to +6, transforming chord shapes and placing the root note inside of the chord itself. Experiment by pushing the lowest notes up an octave, or highest notes down an octave, turning your chords inside out.

Just The Tonic

With your chords loaded and a segment chosen, use the 18 buttons in the centre of the interface to choose Tonic, Subdominant or Dominant chord shapes. From simple triads, right through to more complex shapes, let CHORDS find the right notes for any related chord. Fancy a G7sus4 or a Bm7b5? Just let this plugin find the correct notes and work out the difficult stuff for you.

Export MIDI

To get the chord progressions into your own projects, simply drag and drop from the plugin to your DAW. Then you can edit to your heart’s content, chopping up the MIDI, transposing and twisting the CHORDS suggestions to suit your own style of music.

Features

- Chord-creating MIDI effect
- Connects to any sequencer
- Global and per-segment control
- Intelligent harmonic progressions
- Preview mode for in-plugin playback
- Export MIDI
- Factory presets
- Resizable interface
- PDF Manual & Tutorial video

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Try For Free!

CHORDS MIDI Plugin - Inspirational Chords Progressions To Kickstart Your Music

Dream About the End

TOB3Y - Dream About The End

Brave

ËSHTARA - Brave (Extended Mix)

JACKT - Fall In Love

🎧 Download / Stream: https://ps.dffrnt.link/fallinlove-2

▼ Follow JACKT 

Spotify: https://spoti.fi/35Rv80d
Soundcloud: https://soundcloud.com/wearejackt
Instagram: https://www.instagram.com/wearejackt
Facebook: https://www.facebook.com/wearejackt
Twitter: https://twitter.com/wearejackt

▼ Follow DIFFERENT RECORDS

Website: https://www.dffrntrcrds.com/
Spotify: https://open.spotify.com/user/differentrecord
Soundcloud: https://soundcloud.com/dffrntrcrds
YouTube: https://www.youtube.com/channel/UC_zl3hwE2ruwv9ffaAVa58Q
Instagram: https://www.instagram.com/dffrntrcrds
Facebook: https://www.facebook.com/dffrntrcrds
Twitter: https://twitter.com/dffrntrcrds

🎧 Download / Stream

JACKT - Fall In Love

New Release: New Dawn EP | Push Your Luck

➥ Stream on Spotify: https://spoti.fi/3uz4Fz4
➥ Free Download: https://bit.ly/33azChG
➥ YouTube: https://youtube.com/watch?v=uWSTgrgyu2s

✖ Follow the Artists
Edgking | @edgdil-mojica
Aztec | @theaztecmusic
Joe Stks | @joestks
Soiree | @musicbysoiree

✖ Follow Push Your Luck
SoundCloud: @pushyourluckrecords
Instagram: https://instagram.com/pushyourluckrecords
Spotify: https://spoti.fi/2XYLI6C

We will Push Your Luck!

New Dawn

Games

Aztec - Games | New Dawn [2/4]

Bright Lights

I Want To Believe (Part 1)

Buy on bandcamp

Red Richards vs Maximilian Beck - I Want To Believe (Part 1)

Acedepik - Air

~An Interview with djPerdición~

Intense while replete with musical craft and guile, one of a kind djPerdición, nicknamed "The Villain", is a man's man DJ who hits the bullseye every time, utilizing music as concept.  Perdición continues to gain momentum, knocking off the competition, wielding tech beats to cut through nonsense and stimulate your senses by way of tact and a huge musical toolbox.  You'll have the time of your life and be moved by the hands of a true master. 

Perdición later commented, "Look–at the end of the day we DJ's are performing a service and collecting a paycheck not doing brain surgery.  We are both technician and artist so don't get tangled up in your tinsel," he smirked.

It was hard to maneuver my way through the Rites Ball 2024 NYC pre party mayhem.  I cornered a cute, curvy blond who had the following to say, "This DJ takes you on an awesome sonic ride and fucks with your head...and it feels so good.  And it's like pure adrenaline, scary and beautiful.  I like a guy with a point of view."

Then she ran off.

Afterward in the ensuing crowd, I made my way to an empty lounge.  I saw small billows of smoke leading me to the DJ.

"Sorry, I couldn't find you," I said out of breath.

"Never say you're sorry unless you do something wrong", he admonished. "Get to know me, then you'll really be sorry," he chuckled and then said as he stubbed his cigarette: "I'm really very gentle–with gentle people, that is." 

"What's your secret?" I asked Perdición.

"First, I spend a lot of time proofreading beatgrids.  Can't get your mix to match?  Check your beatgrids.  I use phase-shifting flange mixing techniques I learned on quartz modified turntables.  I'm judicious with sync, it can cause train wrecks and fuck up the sound.  Although some say it's primitive, I use Serato because of its analog behavior, glitches and all.  Most importantly, I always "program" music while performing.  Occasionally I'm spontaneous but never random.  A DJ must program, not be apathetic to the myriad of factors constantly unfolding and presenting.  There must be flow, fluidity, and sensibility.  Think of driving.  You must be skilled at recognizing the routes, detours, terrain and taking the appropriate action at the right time. You can be taught the skill of observation but not the instinct and knowingness to program good music."

With his classically trained pianist's ear, Perdición's musical sensibility has the power to demolish the competition.  "Listen to the words," admonishes the DJ.  "They're there for a reason."

"Tell me about your name and how it came about?"

"I've suffered and lost a lot."

"What about your nickname, 'The Villain'?"

"I think it's because I make other DJ's look bad," he said flatly.

"What does that mean?" I asked.

"I'm very good at what I do.  Few really are."

"A columnist in DJ magazine once wrote, and I quote, 'Friends, there's no easy way to put it- djPerdición is a trouble-maker, a nuisance of the highest sort, relentless and clever.'  

"What is your response?"

"I like the guy already," he smiled.
 
"Let's talk about your philosophy of "'concept'", I queried.

"Music is always conceptual regardless of the kind.  Music tells a story, whether by words, lyrics or libretto.  Let the music tell the story in all its aspects and let the DJ be the purveyor of it, not the author."

Perdición's ability to people watch and deliver musically is unmatched.  He follows his instincts with skill befitting a reputation for luring his audiences into an altered state and uncertain fate.  His counterintuitive style has emerged as one of the foremost in tech music with intelligent conceptual execution and a keen attention to people.  Says Perdición, "The crowd also takes the DJ on a journey." 

"The DJ's job consists largely of people watching, not jumping up and down, twiddling with knobs or dancing, waving your hands in the air like a fool.  Have good posture at all times with eyes on the audience while working", admonishes Perdición.

His first residency was at the notoriously named Club 9-11 in Chelsea, MA, followed by a 3 year residency at the late leather man's dance club- The Yukon Trading Company in Providence, RI.  It was there that the young Perdición found his footing and began to rise.  In Providence, he wowed crowds in this sleepy college town with Boston Record Pool promos, little known Nu NRG imports and DJ only remixes.  Perdición created a new dance floor for forward thinking elders and snatched curious young men from the grip of local clubland mediocrity.

"Tell me about the Yukon", I asked.

"It closed years ago, probably the last of the leather clubs with a dance floor. It was my first dance floor and longest residency to date but I don't have a shred of evidence I ever worked there because they never billed me.  They didn't want to advertise the DJ which led to problems ahead.  Everybody said my bosses were assholes but funny, I was the one with the gig.  In retrospect, although my superiors weren't perfect–and none are–they liked my music enough to keep me around for almost three years and I'm grateful."

Perdición was invited to New York City by then longtime friends Steven Hanson and NYC Eagle's former manager, Richard Smith, partner of the late lighting legend Richard Sabala.  In NYC venues include: The Eagle (old and new), Splash, 10th Ave Lounge, Hangar, LGBTQ Center, Recovery NYC, and Harry Winston.  However, these define a past in need of movement forward.

After years of hard work in the big apple. Perdición caught the attention of world renowned DJ-producer-record label owner Georgios Pallikaris (G.Pal) of Utopia Music Concept, Best Radio, (Greece) and Swift records.  Perdición studied music production with Pallikaris.

"What is your advice to aspiring DJ's?"

"At first your audience may balk at the unfamiliar but stick to your guns because they will come to love you for showing them the way to greater heights and the new.  However, spoon feed your crowd and give them what you think they want and they'll end up hating you for doubting them.  Don't forget to check your beat grids and remember to give a listen to those other genres.  You'll be surprised what you may find."



~Venues~

Iris Records, Jersey City NJ

The Eagle NYC (New)

Harry Winston Jewelers NYC

19th Street Gym, Chelsea NYC

LGBTQ Center Dances NYC

Recovery/Sobriety Dance Parties NYC

The Hangar Bar NYC

Splash Bar NYC

Void, Soho NYC

American Fitness, Chelsea NYC

New Year’s Eve Events, 1999 NYC

The Eagle NYC (Former)

Tenth Avenue Lounge, Hell’s Kitchen NYC (Residency)

Mikes Bar, Hell’s Kitchen NYC

The Club, Ogunquit, ME

Commitment Ceremonies, Boston

The Brigg, New Bedford, MA

The Yukon Trading Company, Providence, RI (Residency)

The 119 Merrimac, Boston (Residency)

Marriott International, Cambridge, Boston

The Club Nine-Eleven, Boston (Residency)


[Seeking PR/Social Media management and bookings at club/lounge/private events in New York City and internationally]
Email: djdavidmarshall@gmail.com
Cell: (929) 401-6685]

Redemption 4

djPerdición

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djPerdición

Subsolar Promo

⛓️HOLY CAT RECORDS⛓️

Mauritius Repost 🐺

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