Musica 9

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Paul Woolford & Candi Staton - Hallelujah Heat (Jay Howey Edit)

Angie Stone - Wish I Didn't Miss You (Deep Rework)

Luther Vandross - Never Too Much (Tomo Gaffney & Decor Remix)

Funky House Music and Beat courtesy of Gregory Perlman 

Two Can Play That Game (K Klassik Mix)

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KIM PETRAS X NICKI MINAJ - (Better Off) Alone (DjCK Extended REMIX)

STUDIO is in session. Check out some bright, funky groovy disco and house favorites with a touch of pop and fabulous nostalgia. Eclectic and lively, this mix is guaranteed to keep a pregame or rooftop sparkling with sun-drenched boogie.

STUDIO Spring Mix | Funky Disco House

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Muzica Noua Romaneasca Aprilie - Mai 2023 | Melodii Noi 2023 | Mix Romanesc 2023 - DJ Silviu M

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Luther Vandross - Never Too Much (Eric Faria Remix)_(exclusive bandcamp - 30 days)

"I'm Coming Out" is a song recorded by American singer Diana Ross. It was written and produced by Chic members Bernard Edwards and Nile Rodgers, and released on August 22, 1980, as the second single from Ross' self-titled tenth album Diana (1980). The song was another hit from the album, peaking at number 5 on the U.S. Billboard Hot 100 chart for three weeks in November 1980. It is also notable for being the first song usually performed at Ross' performances and concerts since 1980. In 2021, it was ranked at No. 385 on Rolling Stone's "Top 500 Greatest Songs of All Time".

NO COPYRIGHT INFRINGEMENT INTENDED.

I'M COMING OUT (DJ John Culture Rework-FLAC) Diana Ross

Eric Faria - She's A Bad Mama Jama_(exclusive bandcamp - 30 days)

Love comes down

Love come down (Radio edit)

Luther Vandross & Janet Jackson - The Best Thing In Life Are Free( House Mix )

I was seventeen when I first heard the disco music.
Not with my ears—with my ribs. It came through the floorboards of the abandoned pier, a heartbeat stolen from the sea, and it said, Hello, you.
I had come to forget.
My brother had died the week before—motorcycle, rain, a curve that didn’t forgive. I carried his last text like a shard under the skin: “Look up tonight; I’m borrowing the stars.” I couldn’t look up. The sky was a mirror, and I hated what I saw.
So I walked until the town ended and the pier began, where the boards were soft with rot and the air tasted of rusted love letters. That’s when the bass found me. Boom-boom-boom. Not loud—low, like the earth clearing its throat. A single bulb flickered in the rafters of the old dance hall, swinging in a wind no one else felt.
Inside, they were already dancing.
Shadows, maybe. Or memories of wearing other people’s faces. A girl in a silver jacket moved as if her spine had been replaced by light; every step rewrote gravity. She saw me, smiled without curiosity, and extended a hand that hummed like a live wire.
I took it.
Instantly the grief inside me was rearranged into 4/4 time. My feet learned a language older than sorrow. We didn’t speak—why ruin perfection with nouns?—but her eyes said, Even if life is hurting, things that happen don’t mean a thing. A thing? Nothing. And somehow that was comfort enough.
Hour after hour we chased the stars across the warped parquet. The bulb above us burned hotter, shortening its life so we could lengthen ours. Each time the DJ—faceless, ageless, probably dead—lifted the needle, the room inhaled. Each drop was a resurrection. Louder, louder, louder, get us higher and higher.
I remembered my brother teaching me to tie my shoes while he hummed a tune he’d stolen from somewhere neither of us had been. “When the music’s loud enough,” he’d said, “the dead can dance without feet.” I’d laughed. I wasn’t laughing now; I was sweating stardust.
At 4:47 a.m. the bulb popped. Darkness swallowed the hall in one gulp. The music didn’t stop—it simply moved inside us. I felt her heartbeat through our joined palms, a second tiny bass drum. She leaned close enough for her breath to become my bloodstream.
“Hello, you,” she whispered. “Time to go.”
I understood. Every waltz with the past has a last step. We walked to the edge of the pier where the water below was busy forgetting the shape of the moon. She kissed my forehead—electric, summer-breeze goodbye—and stepped backward into air. No splash. Just the echo of hello rippling outward forever.
I never found the dance hall again. By daylight the pier was a skeleton, condemned, humming only with gulls. But on certain nights when the hurt grows teeth, I return in the dark. I lay my hand on the splintered railing. The bass answers, faint but faithful.
And somewhere between the thumps I hear him—my brother—laughing in the language of vinyl and vinyl-spinning stars. “Look up,” he says. I do. The sky is no longer a mirror; it’s a dance floor.
And I move.
Not much—just a sway, enough to keep the chain of love from kinking. Chain. Chain. Chain. I whisper into the black, Hello, you, wherever you are.
The stars, bless them, blink back in perfect 4/4.


I’m watching the stars above me,
I am dancing now and at least,
Even if the life is hurting,
Things that happen don’t mean a thing.
A thing? Nothing.

Look at what we did with the wrong.
When we sing a song like that song,
That it gets us feeling better, better.
I can see the hope in your eyes.

In the hush of the summer skies,
Scenes of the past, friends of old times.
Hey! See your life flashing before the lights,
When they make the music louder.

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#brightbrassstabs #uplifting #euphoric #steady #4_4beat

Hello, You! (Feeling Good)

Unofficial Remix WHITNEY HOUSTON - Step By Step 
Nico Heinz, Max Kuhn & Fabio De Magistris Vs Cristian Ferretti

WHITNEY HOUSTON - Step By Step - NH - MK - FDM - CF Unofficial Remix

Grand 12-Inches 11 (CD 1)

Alexander O'Neal - Criticize

Eric Faria began at an early age cultivating his interest in music. His first serious steps as a DJ began in the mid 90’s, at a nightclub called “Memórias", in the city of Braga. His natural talent and musical richness with influences of Soulful, Funky, Jazz, RnB, House and Deep House music soon began to show their fruits and crossed frontiers. Well known for his mix sets and music selection, he started conquering the space in the music scene, racking up a suitcase full of great performances in big Clubs and events in unforgettable nights. His first song came out in 1997. For a couple of years now, he's becoming more well-known internationally due to his funky and soulful productions. At the moment, he have on is curriculum more than 300 songs released and many more produced for free download.

Luther Vandross - Never Too Much (Eric Faria Remix)_(exclusive bandcamp - 30 days)

Eric Faria

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