Name: Masu by djgotnext in SOUND LOOPS IN THE WAITING ROOM
Duration: 2 min 1 s
Description: Instrumental

SOUND LOOPS IN THE WAITING ROOM

Master Jazz.   Produced by  MMbeats

NON TOCCARE LA MIA MACCHINA

Rosso fuoco, 200 cavalli, il motore che canta e si mangia la strada
i sedili di pelle pregiata, dai vetri oscurati non passa mai luce
status symbol generazionale non toccare la mia
mamamamamamamama…macchina!

Senti il vento, carezza i capelli ma quelle emozioni rimangono dietro le lenti
il telefono squilla per ore, mettiti a destra la sera profuma di sesso
sono il re di questo spazio, guai a te se sfiori la mia
mamamamamammama…..macchina!

L’altro giorno ha chiamato la banca, reset completo ma chissenefrega
se ci sono sei finanziamenti, una moglie, tre figli, gabelle pesanti
perché puoi levarmi tutto ma ti uccido se tu tocchi la mia
mamamamamamamam…..macchina!

GT Turbo Super Sport
GT Turbo Super Sport
GT Turbo Super Sport
GT Turbo Super Sport 

This song was released in late 2011 with GVB album "Alibi allo specchio". Sometimes, in this strange world, cars can result much precious than family, sons, health or job. We could say.... a car is one of the most perfect contemporary status symbols. So....it's better you don't touch that GT Super Sport parked right down the alley. Somebody could kill you....

Non Toccare La Mia Macchina

Slim Dogg is bringing some heavy track. My main goal was to make a track with a style, like a rap song from 1998. 
Beat Made By @dankenoetic

From A Long Time (Prod. By Danke Noetic)

Time After Time (Guitar - Cover)

Brown Room (border) - Fleursonseaux
All rights reserved - © Copyright

Brown Room (border)

(Written by Terry Reeves)
Terry Reeves:  Lead Vocal
Gary Reeves:  Drums
Hans-Michael Albers:  All other instruments, Arrangement & Production
Video: https://youtu.be/oZEpxaFQm5o 
Working with Hans is always an inspiring process.  The music relationship both Gal and myself have formulated with him over the last few years has never grown stale, because he is so endlessly innovative when interpreting the songs we regularly wing over to his studio in Hamburg.  By contrast, what we say to each other on these occasions is always the same.  “It’ll be nothing like we’re expecting” is our mantra and, sure enough, what comes back never is.  His arrangements are always - and I do mean always - so much better than anything we could possibly have imagined.

It was during what has become a regular exchange of emails that Hans said something which became the inspiration for this song.  He runs his own company, in what could be described as both a creative but stressful industry - advertising.  Not so long ago, his frustrations with certain clients was getting under his skin, feeling that far too often he was wasting his time and energy on those who supplanted boldness and enthusiasm for unnecessary worry and reservation. “It takes loop after loop after loop of needless discussion which means nothing really happens…”, was how he put it.  Having had to tolerate many similar frustrations during my working life - I’d  retired some years before due to ill health - I knew precisely how he must be feeling.

His cri de cœur of “Loop after loop after loop” stuck in my mind and the next time I picked up my guitar, strumming random chords in the way I often do, these were the words I sang.  So this song for my wonderful friend Hans is from the heart and one I hope will bring a quantum of solace for all he is forced to tolerate in his working life.

Finally, must again thank those who still listen, like, comment and repost our music.  We are filled to the brim with gratitude for all your kindness.  (Terry Reeves)

Trapped in a box of daily communication 
No artistic ideas or a mental lubrication
Many words, no meaning, lots being said
Endless discussions to confusion instead

Loop after Loop after Loop……….

Brand to establish and how to perform
Boldness of thinking keep all ideas warm
A number of reasons changing direction
Knowing what to do, Christ resurrection? 

Loop after Loop after Loop………..

Nothing is new it’s all been done before
Takes someone special, see what is more
Easy to reject asking for a new approach 
Ignoring integrity and trust never to poach 

Loop after Loop after Loop…….

Time to find strength, weakest of moments
Gripping tightly to your thinking component 
A Kelly surprises and helps with inspection 
Encouraging power combining self-deception 

Loop after Loop after Loop……..

Loop After Loop - CRIPPLE CLUB

Masu

How long have I 
been out for…..
Down the creekside manor
Stared at its door
Moss overgrown
bats and peepers soar…
I woke up in the back yard
All I saw was the joker card
Missed the dance and the super bowls
Cruelty kindness or the growing toll
The wait got weighted down
Barely heard the sound
shoveled on the mound
The wait weighted down
The wait got weighted down
How long have I 
been out for…..
Down the Creekside manor
Stared at its door
Moss overgrown
bats and peepers soar…

The Wait Got Weighted Down

A QUOI SERT-IL CET USTENSILE
EN QUOI NOUS EST-IL UTILE?

C’EST JUSTE UN DEAL
UN PEU DÉBILE
UNE ARNAQUE MERCANTILE

COMBIEN ÇA COÛTE ET QU’EST-CE QUE ÇA RAPPORTE
PRENDRE LA ROUTE CLAQUER LA PORTE  
COMBIEN

QUEL TEMPS FAIT-IL À NASHVILLE
ICI IL NOUS PLEUT DES TUILES 
ET DE MÉNILMUCHE À BELLEVILLE
DE NOS AMOURS QUE RESTE-T-IL

QUOIQU’IL EN COUTE ET QUOI QUE ÇA RAPPORTE
CLAQUER LA ROUTE PRENDRE LA PORTE
COMBIEN ?

JE PRENDS LA ROUTE JE CLAQUE LA PORTE
MARCHE AVANT TOUTES ET QUE LE DIABLE M’EMPORTE
AU LOIN
COMBIEN ?

OUAIS MOI JE FILE JE ME DÉFILE
SOUS UN CIEL INDÉLÉBILE

DE VILLE EN VILLE
SANS DOMICILE
DIRECTION BLUEBERRY HILL

COUTE QUE COUTE SE FOUTRE À LA PORTE
TAILLER LA ROUTE Y’A QUE ÇA QUI RAPPORTE
COMBIEN

LE TEMPS NOUS FILE ENTRE LES CILS
EN LARMES DE CROCODILE

A QUOI SERT-IL CET USTENSILE
EN QUOI PUIS-JE VOUS ÊTRE UTILE?

ET LOIN DES VILLES HORS DES CHEMINS
FINIR TRANQUILLE VIVRE SA FIN
ENFIN

USTENSILE (Lyrics)

First song I am posting in 2024!

This is what I wrote in 2013 when I first thought about posting Nothing But (The Sound) but decided to take it down from the cloud short after. 

"Nothing But (The Sound)" is Plastic Inevitable's first song since 2011! Plastic Inevitable is Marty Procaccio, AKA Blankets, working the sound and Sneekie San Salvador tweaking the sound. The recording for this song began in 2011 in the bedroom recording studio of Marty in Santa Clara California using GarageBand and a whole bunch of pedals. The song was completed in 2013 with vocals recorded in Sneekie San Salvador's mobile Toyota recording unit.

Now it is 11 years later...

I am amazed that I found the vocal stems. I had to look though an old hard drive to find them. I did not feel like digging through more old hard drives for the original track stems. Big thanks to Russell for taking the time to mix the vocals and master the track. I told Russell, when I mixed the original instrumental I was listening to a lot of shitgaze bands at the time. 

May you find many gems when you dig into your past. 

Track Credits:
Blankets: Bass, guitars, and vocals
https://soundcloud.com/allergeist
Couch King: Original instrumental track mix, production, samples, lyrics, and vocals
https://musiciselation.bandcamp.com
Russell Sinfield: Vocal mix and final master
https://soundcloud.com/russell-sinfield
https://soundcloud.com/the-exe-stencilists
The Chaos Cookhouse: Studio
https://chaoscookhouse.bandcamp.com

Lyrics: 

Chorus:
Sitting in my car
Windows rolled down
Feet out the window
Nothing but the sound
Of my favorite song

Capture me a distraction
And season it with your bliss
To steal my dissatisfaction 
And feed my mind but a moment
Of happiness 

Chorus

Capture me a distraction
And season it with your bliss
To steal my dissatisfaction 
And feed my mind but a moment

Chorus  

In this moment
There is an infinite 
Amount of things
Happening
In this moment
I have loved you
Infinitely 
Again and again
In this moment 
I am yours
Forever with me
My forever friend
In this moment 
I sing with you
Every song 
That was ever made

Nothing But (The Sound)

Blankets and the Couch King with Russ Sinfield - Nothing But (The Sound)

All music written and performed by John Baker
All leads guitar written and performed by Andy Pfitzer
Mixed and mastered by John Baker

Just another fun, straight up rock n roll song inspired by some of the great southern rock bands of the 70's and 80's that i grew up with. So sit back and just have some fun with this.

Rockin' On Through The Night

Cast of Characters:
mistermark-- @user-432503709 --Mark-- horns and shakers
TexMex Shaman– @texmex-shaman –Stephen– guitar, production, and mix
J.J. Terrell-- @j-j-terrell—Sublime Keyboard and Organ
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, vocals, composition, and mix
Llanpsych– @llanpsych –Tez– guitar 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – four-string fretless bass 
This song was written by Ken and a dearly departed friend and former bandmate named Chris Bennett about the latter's divorce that he was going through at the time when their band was also breaking up. Ken had a good demo of the two of them fleshing it out, which the Eclectic Collective used as a template for the song. Josh was first to add his unique slide bass line to the song. Next up was Tez, who added the fiery solo you hear at the end. Stephen came in not too long after with the rhythm guitar, complete with the intricate fills you hear throughout. Around the same time, Mark added some really innovative, genre-bending horns and shakers to it. Ken then completed the song with his stellar vocals. 
  Of course, every great song needs a great producer, so Ken turned it over to Stephen for an objective mix, although Ken was still heavily involved in the process, too. This is the first time Ken has sung lead for an EC song, and we were all very impressed with his skills on this one. We hope you enjoy listening to it as much as we enjoyed making it.

Original lyrics by Chris Bennett:

I once believed in happy ever after
Now I’m convinced by tears instead of laughter
There’s not much good inside that’s left to do the things for my survival

If I relied on you to make it better
I’d die a 1000 times, before we get together
All that is bad inside will rise back to the top
With your arrival

Burn down the doorway
Run down the hall
Scream out my name
But I may never hear you, never hear you
Drive down the highway
Until you’re gone
I may never hear you call

I still believe that someone’s always watching
Each time I turn around, I never hear them talking
All that is bad inside will never fade away with your arrival

Burn down the doorway
Run down the hall
Scream out my name, but I may never hear you
Never hear you
Drive down the highway
Until you’re gone
I may never hear you call

Na Na Na  Na Na Na
Na na na

Happy Ever After (Eclectic Collective)

Once I wrote a longer description here: a love song in 7/4 ¿or 14/8?

Silvia II (Lo que siento por ti) /  Silvia II (What I feel for you)

Es de difícil clasificación  /  It is difficult to be classified
dentro de las variedades del amor  /  among all varieties of love
lo que siento por ti, lo que siento…  /  what I feel for you, what I feel …

Sólo sé que no puedo vivir sin ti,  /  I only know I can’t live without you,
no puedo ver sentido a mi vida si no estás aquí.  /  I can’t find sense to my life if you are not here.
Lo que siento por ti, lo que siento…  /  What I feel for you, what I feel …

Cuando todo va bien  /  When everything goes fine
lo que me une a ti es tu forma de ser,  /  what joins me to you is your way of being,
es muy fácil ver  /  it is very easy to see
todos tus encantos de mujer.  /  all your woman's charms.

Una idea que no puedo soportar  /  An idea that I cannot bear
es verte en brazos de otro, en otro lugar.  /  is seeing you in other one’s arms, in another place.
Lo que siento por ti, lo que siento…  /  What I feel for you, what I feel …

No puedo imaginar  /  I cannot imagine
tu voz susurrando a otro compás.  /  your voice whispering to another compass.
Lo que siento por ti, lo que siento…  /  What I feel for you, what I feel …

Cuando algo va mal,  /  When something goes wrong,
puedo contemplar tus defectos con claridad.  /  I can behold  your faults with clarity.
Cuando algo va mal,  /  When something goes wrong,
sólo quiero escapar a otro lugar.  /  only I want to escape to another place.

Grab it !!

Silvia II (Lo que siento por ti)

• More Music on the Way •
===========================
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"I Could" | 81 BPM

syntax

plugg x 640estrecords 6. One Beer

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Masu

djgotnext

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