I Work For a Living (Nile Rodgers Long Version) / Hot Number (12" Mix)

I Work For A Living (Nile Rogers Long Version)

A tribute to this amazing and unique project by NYC Peech Boys.
This group was formed at PARADISE GARAGE by Bernard Fowler, Steven Brown, Robert Kasper, Darryl Short, Larry Levan and Michael de Benedictus. 
"Don't make me wait" composed in 1981 one of the early hits in the New York house/garage scene, due to Levan's playing it at the Paradise Garage. "Don't Make Me Wait" was their only UK Singles Chart entry, peaking at #49 in November 1982.
They were signed to the West End Records label, but in 1984 they split up.

2013: three guys from south of Italy Piero Napolitano, Lino Baccaro & Marco Bellavia as known as MUS-THREEE, a stable GKF's trio, start to re-work a bootleg of this amazing song, and forward the project to GKF's head, Spiritual Blessings, that continue editing and mastering the track in their studio.
Now we can say that the MUS-THREEE's idea was pretty good 'cause the result is an amazing bootleg that will make plenty of joy your summer 2013.

##This is a bootleg for a promotional use - NOT FOR SALE##

℗ 1984 Garage Records
Published by Hot+Spicy Music; Dez Bee Music and Citi Peech Music (BMI), adm. by Island Music Inc. (BMI)
Produced by de Benedictus and Williams for Citi Peech Productions, a division of The Garage Group Ltd.

Additional rework by MUS-THREEE & SPIRITUAL BLESSINGS(2013)
For any contact : info@spiritualblessings.it

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If you love this bootleg, PLEASE LEAVE YOUR FEEDBACK and also follow the link to buy the Original Mix. Support always the music!

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More feedbacks:

-Raf Dj of VJS Inc Brooklyn / NYT radio show House Music T (USA) : not everybody is able to re touch The Panter of "Gioconda", because is perfect like that.. but My Brothers Jean & Ezio aka Spiritual Blessings they did that... Doing a perfect remix for a New York City's classic already wonderful!! New York Flavor meet Italian Style.. Love it!
-Robert Owens: Love it, great remix
-Mr. V: Nice, thanks guys.
-Ken Terry: Excellent!!!! I just wanted to say that this "revamp" of "Don't make me wait" is awesome. I will definitely play this in my mixsets, as well as my radio show sets. 
-Antonio Ocasio: Thank you Hermano! :)
-David DePino: Sounds Good.
-Lewis Dene: Wicked mix!
-Sarah Favouritizm: This is dope! Support!
-Barry King: This is a very good remake,i shall be playing on my radio show this week for sure..thanks for this..
-Dj Marcia Carr: Nice mix
-Charles Dockins: Cool
-Chris Beck (SoulPlate Rec.): Wicked
-Dj Romain: i like the mix, very soulful, i will defo play it in my sets
-Glenn Thornton (Slaag Rec.): Sounds Very good.
-Geoffrey C: Love This Mix!!

Buy the "Original Mix"

NYC Peech Boys - Don't Make Me Wait (Mus Threee & Spiritual Blessings 2013 Revisitation)

Eddy Grant- Time Warp (12 VERSION)

Searching - Unlimited Touch (Chewy Rub) Free dL.

Let's go all the way (Down) The serious Get down re Edit!

Alternate mix I made for First Choice's classic "Double Cross" using all the original parts. Enjoy!

First Choice - Double Cross (Eli Escobar Disco Mix)

http://alkalino.bandcamp.com/track/love-committee-just-as-long-as-i-got-you-rework
Release Date  16 August 2014

Alkalino - Love Committee - Just As Long As I Got You -rework-

The Jacksons - Living Together (Ron Hardy Tribute Edit)

Taken from our opulent vinyl / CD boxed set 'The Men In The Glass Booth': https://www.bbemusic.com/downloads/the-men-in-the-glass-booth/
In May 1976 a record was released that would have an unforeseen and lasting impact on the music industry “Ten Percent” by Double Exposure was an early release on the New York independent label Salsoul Records. America was in the grip of a disco explosion with new clubs opening on a weekly basis; Salsoul saw what was happening and swiftly created a sound for their label, heavily influenced by the music then coming out of Philadelphia, aimed directly at New York’s dance-floors. Records like “Salsoul Hustle,” “Tangerine” and “You’re Just The Right Size” by The Salsoul Orchestra borrowed heavily from the beautifully orchestrated Philadelphia International records but added a more percussive, bass heavy depth that New York’s DJs loved.
So what was so special about this particular single then? Double Exposure was, after all, just another band, “Ten Percent” just another song; one of many “disco” records released that week. First of all Salsoul became the first record label to make a twelve inch single available to Joe Public - the exotic format was previously only available to DJs as promotional items or bought under the counter at certain record stores. Not only that though, the extended version was created by Walter Gibbons, a DJ at New York’s Galaxy 21 who’d built his reputation making exclusive versions of tracks to play in his sets.

In 1976 it was unheard of for a DJ to set foot in a recording studio, being seen as little more than living jukeboxes by the serious music industry. Recording studios were strictly the domain of recording artists and producers so Walter found himself in a unique position, gaining access to a world no DJ had been granted before.
Or so we thought...
The Men In The Glass Booth tells the full story. Featuring ground breaking re-edits and remixes by some of the Disco era's most influential DJs including Walter Gibbons, Bobby DJ Guttadaro, Tom Savarese, Jellybean Benitez, Tee Scott and John Luongo, this opulent release also includes a 40 page book which features exclusive photos and insights from some of the story's key figures.

Let's go all the way (Down) The serious Get down re Edit!

SISCO PRODUCTIONS.

Recent comments

DJ Xol (Chicago's Deep House Head)

SISCO PRODUCTIONS.

jidgette3

mu-hard

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