Friday  (1998)

North Road

⚡ Stream / Download 'Rotate - Processors' → https://fanlink.tv/TSA056-Rotate

Transparent Audio welcomes Rotate with a hard-hitting debut three-track EP.

https://soundcloud.com/rrrotate
https://instagram.com/rrrotate

https://soundcloud.com/transparentaudiouk
https://instagram.com/transparentaudiouk

----

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Bandcamp → https://wearestudioofficial.bandcamp.com

Rotate - Processors [Premiere]

MULTIPLICATION RAP by Rock 'N Learn
this is the highest quality version on the internet! (9216kbps) 
"Cool Songs make learning easy and fun."

most of our speakers cant even play this full quality! isnt that neato?

Rock 'N Learn

MULTIPLICATION RAP

Pusha

Centi2

A beautiful track with a beautiful feature verse

502100 ft Nick Ndeda

A mix of nu school jungle, liquid and techy rollers:
forgive me	son & kravitz
let it drop	speaker louis
calipso	mag it
cause & effect	alibi
if we ever (unglued vip remix)	high contrast
gangsta (watch the ride remix)	total science, spy & watch the ride
shut it down	drumsound & bassline smith
ask yourself	tomoyoshi
funkopolis (mozey remix)	london elektricity
melancholy	jaym
all the massive	bladerunner
jungle biz	mason
renegade	lavance
the chronic	bladerunner
nine live (agressor bunx remix)	mean teeth & nickbee
voodoo	gorgon city
Danger	Ill Truth & Josimar
lone soldier	bladerunner
gun finger	total science & break
squash	total science
system report	alibi, acuna
engage	ratso
tokyo drifting	napes
snowdays	arcatype
yuzu	mag it
flute anthem	enei
up all night	john b
overstayed	break
the last goodbye	mooncat
back in time (lsb remix)	culture shock, totally enourmous extinct dinousaur
original nuttah (Chase and status remix)	shy fx & uk apache
acid jungle	acid purr
lighters in the air (conrad subs remix)	dj hybrid


Rumble in the Jungle

Produzido por:Ricchxbeatz 
Compositor:Six Teddy

Six Teddy - THE LEGEND Prod. Ricchxbeatz.wav

#dnb #drum and bass #jungle

1h mix of jungle and drum & bass, old and new(er) tunes, long and short mixes

tracklist:

scales	by	msdos
the rest ain't jungle	by	conrad subs
dead dredd (bladerunner remix)	by	dead dredd
casino royale	by	dj zinc
junglist 02	by	serge jansen
something out there (twisted anger & danny c remix)	by	ray keith
super sharp shooter (ti & dminds run in the jungle remix)	by	dj zinc
jungle man	by	dj hybrid
empire	by	silent witness
falling down	by	calibre & st files
Friday	by	capone
give me a dubplate	by	rude & deadly
cyanide 	by	konflict
viper	by	survival
oxygen (the drilla killa)	by	bad company
rave digger vip	by	alibi
grimey (need for mirrors remix)	by	dillinja
warhead (steppa mix)	by	krust
defcom 69 (vip)	by	total science
enigma (calibre remix)	by	break
shaolin sniper 	by	napes
str8 amen	by	masson
whiplash 	by	future cut
nitrous (audio remix)	by	trace & bad company
the code (future cut remix)	by	absolute zero & subphonics
alien girl	by	ed rush, optical & fierce
chopper gunner	by	napes
too late	by	survival
apache	by	matrix



All Killa no filla!

The spectrogram corroborates the genre bias: a stable sub-floor with a disciplined low-bass shelf, transients that read as short, bright striations in the upper mids, and a relatively tidy top end—more functional sheen than splashy sizzle. It looks like you’re prioritizing kick definition and machine-funk syncopation over wideband gloss. That’s the right call for electro; the point is swing, not sparkle.

Curation shows a sense of narrative without resorting to obvious “classic → edit → reboot” tropes. You use heritage markers sparingly (Cybotron as anchor, Detroit signifiers via Godfather) and let contemporary hybrids do the heavy lifting: grime MC grain via Flowdan inside a techno shell; UK juke DNA via Addison Groove to freshen a breaks-centric palette; post-dubstep house from Pearson Sound as a breathing valve. The two DJ Godfather cuts function like stitched hinge points—one early to establish the Detroit clock, one later as a reset that keeps the low end honest.

Transitions (as inferred from the envelope dips and the spectral “tilt” changes) tend toward mechanical precision rather than big dramaturgy. Think equal-energy swaps and mid-band handoffs more than white-noise risers into pancaked drops. That plays into the mix’s argument: club music as kinetics, not melodrama. When it does flare—the HudMo/Thys/Nikki Nair material, or Klock’s steel-frame pulse—the surrounding density drops just enough that the larger synth architecture reads as an event, not merely “the next loud thing.”

The UKG pocket near the end (Thunderkats, Roll My Dice, KMK) is a useful detour; spectrally you can see the mid-bass buoyancy lift while sub stays seated, which freshens nervous-system fatigue after extended 140–150. Closing with Strategy & Visages’ “Lewis Capaldi” is a deft bit of gallows humour: title-level misdirection fronting a colder, pressure-locked sound. It leaves a clean afterimage rather than a victory lap.

What works
Consistent low-end discipline. No obvious sub blow-outs; kicks articulate cleanly across selections with very different provenance.

Contemporary-forward but historically literate. You nodded to the canon without turning the set into a museum tour.

Structural pacing. The waveform shows clear terraces and valleys; the energy isn’t crushed flat. That keeps fast tempos from reading as grey.

What to push further
A single mid-set “airlock.” One extended reduction—longer than a standard 16/32—would sharpen contrast even more and let a signature entry (e.g., the Klock/Flowdan cut) arrive with real optical zoom.

A textural zag. There’s room for one deliberately off-grid piece (electro-adjacent but timbrally anomalous: early Drexciya B-side grit, a dub-engineered interstitial, or something rhythmically orthogonal) to reset the listener’s ears before the final run.

Technical appendix (from the visuals)
Waveform envelope: step-like terraces rather than a brick—consistent with controlled gain staging and intentional breakdowns. Peaks don’t look clipped; headroom appears managed rather than slammed.

Spectrogram (log-freq): persistent, even sub-band with periodic mid-band swells; high-band energy appears transient-led, not smeared. Reads as kick-and-bass-centric programming where hats and tops punctuate rather than carpet the mix.

If you want, I can take lighter samples across the full file and add two more figures: a segment-by-segment brightness trace (spectral centroid) and a coarse tempo correlation plot. But the main story is already clear: fast, functional, and present-tense electro with Detroit bones and UK musculature, paced for bodies rather than headlines.

2025 - 11 - 11  |  DJIC |  Caution: Dancefloor Mode

1/4 D&B, 1/4 EDM, 1/4 FMU, 1/4 R&B

100% TDS

313, 734, 303, 716, 718, 202... 613?

youtube.com/@djindustrialcomplex

2025 - 11 - 11 | DJIC | Caution: Dancefloor Mode

DJ Industrial Complex

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