Nick Dow - Living Shadow (Original Mix)

Holy Day

Ripperton – Niwa – Green (GR102CD)

Release date: February 01, 2010



www.ripperton.com

www.myspace.com/raphaelripperton

www.myspace.com/greenassociation

www.rejected.nl



For more information please contact:

Hugh Bryder

PR &amp; Promotion

Tel: +44(0)7883 364 201

Email: hugo@ukf.net



Ripperton - Random Violence

💰 Support:
https://synerythm.bandcamp.com/album/snr003-various-artists

👤 DAMNC
https://soundcloud.com/damnc
https://www.instagram.com/damnc__
https://linktr.ee/damncismyname_

📀 Synerythm 
https://soundcloud.com/synerythm-records
https://www.instagram.com/synerythm_records
https://synerythm.bandcamp.com

📧 Premiere submissions:
rayzeh.premieres@gmail.com

🌟 Rayzeh
https://soundcloud.com/rayzeh
https://www.facebook.com/Rayzeh.official
https://www.instagram.com/rayzeh.music
https://rayzeh.bandcamp.com

Buy on Bandcamp

PREMIERE: DAMNC - Dying In A Dream [SNR003]

Italian techno don Davide Squillace, has joined forces with experimental indie outfit PLUGGER, for a new techno EP that’s set to blow your socks off!

Tipped for release on Squillace’s own imprint on 23rd March, ‘Re_Cycle#1’ might come as a surprise to diehard fans of This And That – it’s considerably more “out there” than most of the label’s previous catalogue. The risk appears to have paid off for Squillace, with the producer and DJ reworking PLUGGER’s brand of psychedelic rock for the dance floor, cue dark and broody techno for the early morning hours!  


Listen to an exclusive stream of the EP’s atmospheric A side ‘Waxoline’ via DJ Mag and read what Davide had to say when we caught up with him below.

Davide Squillace & PLUGGER ‘Re_Cycle#1’ is out on This And That on 23rd March.

Hey Davide! Where in the world are you?

“Right now, I'm in Barcelona between the office and the studio, and getting ready for the weekend.”

How did your collaboration with PLUGGER kick off?

“I met Alex Braga, the man behind Plugger, two summers ago in Ibiza and was amazed by his multidisciplinary artistic approach, the concept of PLUGGER, plus the power and psychedelia of the music, as well as his impressive multimedia live show. Plus, we got along very well immediately. It's amazing how people that have the same view in life are drawn to each other among thousands, even if they don't know each other.”

What's the story behind ‘Re_Cycle#1’?

“This And That is more than a label, it's a factory for multitalented artists to grow and expand their boundaries. ‘Re_Cycle#1’ is not only my first collaboration with PLUGGER and their debut on the clubbing scene, it is the beginning of an artistic journey into something different, made of groovy music, stunning videos, impressive shows, sculptures, pictures, technology all to serve one concept: how to reach into the infinite inside the finiteness of our boundaries. PLUGGER might be the answer!”

Tell us a little about This And That?

““She” follows no rules, is out of stereotypes, and has interacted with the arts since the beginning, but is – of course – music oriented, she’s all about releasing good music! (This And That) is not a “send us your promo label”, we really fall in love with the artists (that) we decide to sign and we consider them part of a family. It’s also a way of pushing out our passion for art and design. The first ten covers (for the label) are designed by very important contemporary artists – people like Christian Flamm, Piero Golia and Gavin Russom – and we try to support every release with a video - you can see these on our vimeo channel. At the end of the day, we really like to create, make the process funnier! Our slogan is: “draw music, play arts”.”

Plans for 2015? Tours, dates?

“I have a very crazy, special year ahead and a non-stop schedule! I’m leaving for Miami soon and then a North and South American tour after that. From there, I’m coming back for the Ibiza openings, then Sonar (in Barcelona) and then the summer! I’m working on my “Telemaco” album, it’s not 4/4 music, and some very cool collaborations, like the one with Marcelo Burlon, a great Italian fashion designer. Also working with my partners to develop my party brand!”

Anything else we should know?

“Only a month to go before the new born ;)” 

PREMIERE: Davide Squillace & Plugger - Waxoline

www.facebook.com/katermukke

www.facebook.com/2theglitz

www.soundcloud.com/the-glitz

Amazed

Amazed feat. I Am Halo

I Tunes

The Glitz - Amazed feat. I am Halo

Rebellion der Träumer - Remix Collection

Was Bleibt (Jimpster Vocal Mix)

Dominik Eulberg & Essáy "Dream Machine" (Traum V211) available at
Beatport https://goo.gl/tjdpmo
iTunes https://goo.gl/2J9F2R
Spotify https://goo.gl/C24mYT
Traxsource https://goo.gl/XDBnSp
Juno https://goo.gl/MUtrBG
Whatpeopleplay https://goo.gl/VRHxcu

Release Date Digital 16th June 2017
Release Date Vinyl 28th July 2017
Release Date Vinyl US/UK 15th August 2017

See video clip at YouTube - https://www.youtube.com/playlist?list=PLf4vXE-5-YtE-nDSdqRWd8JfCe6rgnsqy

See more at Traum webpage
http://traumschallplatten.de/traum/v211.html

Dream Machine

Dominik Eulberg & Essáy - Dream Machine - Traum V211

LP: Ron Flatter - Muscle Of Synths / PLV032
Track: Vespasian
Out: 05.04.2018
www.facebook.com/POURLAVIERECORDS/
www.facebook.com/RonFlatterOfficial/

Muscle Of Synths

Ron Flatter - Vespasian - PLV032

Remix de Ricardo Tobar par Max Cooper, enjoy!

Ricardo Tobar - Mi Pieza Esta Llena De Cosas (Max Cooper Remix)

taken off the upcoming artist album 'Noir' by Steve Bug - out Oct. 01

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FOLLOW: http://www.facebook.com/pokerflat.rec
FOLLOW: http://www.facebook.com/pages/steve-bug/8517364710

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Steve Bug, one of the world's most renowned artists in the electronic music circuit, presents his fifth and most mature longplayer. "Noir" doesn't deny its roots, but expands the usual spectrum and invites the listener to an exciting listening pleasure.

The title is ‘Noir’. The cover is dominated by the filmic aesthetics of light and shadow. The title evokes a world of shady transactions and secret crimes. Most of the tracks emit a suitably dark and moody atmosphere, with at least three directly referencing the film noir genre – From the well-known classic ‘The Spiral Staircase’, to more obscure ‘Somewhere in the Night’, and ‘The Seventh Victim’. Is ‘Noir’ a concept album? Origi- nally it was planned that way, but in the end Steve found the concept too rigid.

"I play all over the world on a constant basis, and always come back with different impressions", says Steve Bug. "Accordingly, this changes the music that I produce. I’ve had the idea to make a concept album for some time, but on the other hand, that’s not the way I work. My music expresses my moods, and of course, they are always changing. "

The material for the new album was created over a period of three years, which makes its consistency and coherence all the more amazing. The mood is dark, spooked. Over the relentless beats and basslines ghostly sounds swirl and conspire. Although all the pieces are driven by head-rushing beats, ‘Noir’ is more than ever, a listening album. "If I had worked longer on the album, I probably would have replaced even more of the dance tracks with listening tracks", says Steve. "I think a lot of albums in dance music are not convining as albums - more a collection of tracks, than a coherent whole."

‘Noir’ is definitely different. Although the film noir concept isn’t carried through completely, it infuses the spirit of the record in a way reminicent of the sci-fi obsession of Jeff Mills or Carl Craig. In fact, ‘Noir’ could soundtrack a 21st Century ‘Blade Runner’ - tracks such as the pre-re- leased single ‘Those Grooves’ and ‘No Adjustments’, with their evocative spoken word texts, play in to a vision of an apocalyptic-dystopian disco.

‘Noir’ is very much an electronic album. Richer than its predecessor, these tracks easily transcend the merely functional - Steve Bug has in- jected the harmonies with serious emotion. Avoiding the trap of many house music producers, Steve has resisted the temptation to throw in an album full of live instrumentation, explaining: "the results have never convinced me. You have to find musicians who understand repetitive music, otherwise the whole thing is so watery." ‘Poison of Choice’, with its sensational guitar solo, is the exception - and the result of a techni- cal difficulty. Due to non-compatible plug-ins, access was blocked to a sample, and Steve ended up asking his mixer Hannes Bieger to play the guitar chords. While the recording was made, the idea to add the solo happened and the results were so good they ended up defining the track. Two of the standout tracks involve sublime vocals from performers Steve has a strong affinity for. Emilie Chick, the Portland born, genre- scrambling rising star brings a femme fatale’s touch of jazz to 'Moment of Ease'.

The aforementioned 'No Adjustments' with its driving, edgy groove and out of control synth, is enhanced by the spoken word exhortation to just let the beats flow - the unmistakable work of the Foremost Poet Johnny Dangerous.

Aside from that, Steve Bug has always recorded everything on his own – and similarly, developed his distinctive harmonic knowledge by himself. "I have no training as a musician - I taught myself about harmonies. When I realised that many of my heroes in electronic music, whose mu- sic always seemed so rich, was done with the help of others, I have al- ways been a little disappointed". In this respect Steve can be proud about the fact that his experience producing the intricate and exceptional ‘Noir’ was achieved on his own.

From the driving opener ‘Tell Me Why’ to the emotional closing track ‘The Seventh Victim’, Steve Bug has crafted a rounded, atmospheric al- bum that throws a long and impressive shadow over most contemporary dance albums.

Noir

Steve Bug - Tell Me Why

Living & Breathing Dance Music. Find us at http://www.djmag.com

PREMIERE: Davide Squillace & Plugger - Waxoline

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