Damn djmag this track is actually really good, you should google 'fanmajor' and use their free promotions to get some plays!

SAMBA DIDŻANEJRO! LECIMY Z TYM! 💃🏻🎊🎉

We haven't had a proper balanga in such a long time… Who can stop the ideas flowing in Semprey's head though? This new EP from the young producer aims to move your body, even if it's just in the kitchen or the living room. It's bass music, but a different kind, based on the sounds of traditional Kashubian burczybas.

Semprey lives in Kraków and this is his first official release. As a DJ he played most of the Tańce parties where he was simply sensational, getting known for his excellent edits of pop and rap tunes. As a producer he turned out to be one of the most talented in the city, breaking the mental barrier between dance and hip hop scenes.

Polish instruments sound different through Semprey's lenses. Burczybas, ocarina, ratchets and rattles might come from a Polish village but make his sound closer to the East Coast club music from the US. The opener—"Bomblerka"—is majestic and full of pomp, but very playful when it comes to percussion: ticking, scraping and tapping in a very dynamic mix.

"Jazda" is second on the EP and shows a more aggressive side of Semprey. Fascinated by the burczybas sound, he turns the low frequencies into dirty and rugged drops that flow gracefully on the carnival beat despite their weight.

„Dobranoc 🌈” is dedicated to the Polish LGBTQ+ community. It's the most melodic track on the EP, bringing back the memories of most euphoric clubbing moments: unity on the dancefloor, light beaming through dirty club windows at sunrise, mornings at the beaches, meadows and forests. Full of "put your hands up in the air" moments, it can slide into various sets, from house to trap ones.

The last track on the EP features Gabrysia and Zosia, two kids locked in home by the pandemic. Their untamed energy is channelled in every second of "Balanga". Based on an insistent ocarina loop, it's another lively track inspired by the need for new experiences, meetings and freedom.

***

Zrealizowano w ramach programu stypendialnego Ministra Kultury i Dziedzictwa Narodowego – Kultura w sieci.

Buy on Bandcamp

HOP002 Semprey - Balanga

Concentration had become a thing of the past; he felt disconnected from the world around him, unable to communicate with those closest to him. It wasn't sudden, this gradual decline had begun too long ago to remember, but recently things had worsened. Every day he felt further and further and further away...

Following releases for Edited Arts and Hi-NRG, Sheffield producer diessa touches down for a two-tracker on London's All Centre, backed by a remix from NYC-based Sobolik. There's revving percussion and heavy subs a plenty across both tracks; title track 'fuck me' marries a half-time groove with haunting vocals and crisp hihats, while 'further and further and further and further and' is carried by a hypnotising rhythm smothered in dub atmospheres and whirring sirens.

fuck me

PREMIERE: diessa - further and further and further and further and [All Centre]

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Joining the NHS team is Manchester’s own Avernian, whose presence amongst many other contemporary electronic music producers has shone brightly through a slew of releases on Daniel Haaksman’s Man Recordings, Scuffed Records, Row & Circular Jaw; a refined synergy of worldly instrumentation and modern mechanical sounds characterized by oblique rhythm structures defines his works. His foray into the NHS realm comes in the form of ‘Ripper’ – a battle-ready EP that encompasses the stages of conflict through rolling drum work and thunderous atmospheres.

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We haven't had a proper balanga in such a long time… Who can stop the ideas flowing in Semprey's head though? This new EP from the young producer aims to move your body, even if it's just in the kitchen or the living room. It's bass music, but a different kind, based on the sounds of traditional Kashubian burczybas.

Semprey lives in Kraków and this is his first official release. As a DJ he played most of the Tańce parties where he was simply sensational, getting known for his excellent edits of pop and rap tunes. As a producer he turned out to be one of the most talented in the city, breaking the mental barrier between dance and hip hop scenes.

Polish instruments sounds different through Semprey's lenses. Burczybas, ocarina, ratchets and rattles might come from a Polish village but make his sound closer to the East Coast club music from the US. The opener—"Bomblerka"—is majestic and full of pomp, but very playful when it comes to percussion: ticking, scraping and tapping in a very dynamic mix.

"Jazda" is second on the EP and shows a more aggressive side of Semprey. Fascinated by the burczybas sound, he turns the low frequencies into dirty and rugged drops that flow gracefully on the carnival beat despite their weight.

„Dobranoc 🌈” is dedicated to the Polish LGBTQ+ community. It's the most melodic track on the EP, bringing back the memories of most euphoric clubbing moments: unity on the dancefloor, light beaming through dirty club windows at sunrise, mornings at the beaches, meadows and forests. Full of "put your hands up in the air" moments, it can slide into various sets, from house to trap ones.

The last track on the EP features Gabrysia and Zosia, two kids locked in home by the pandemic. Their untamed energy is channelled in every second of "Balanga". Based on an insistent ocarina loop, it's another lively track inspired by the need for new experiences, meetings and freedom.

***

Zrealizowano w ramach programu stypendialnego Ministra Kultury i Dziedzictwa Narodowego – Kultura w sieci.

Semprey - Dobranoc 🌈

Semprey - Jazda

Semprey - Bomblerka

Semprey fuses explosive club rhythms with traditional Polish folk instrumentation on the ‘Balanga’ EP for Tańce. Hear the title track now

More info: https://djmag.com/music/premiere-semprey-balanga

Balanga

Premiere: Semprey ‘Balanga’

Living & Breathing Dance Music. Find us at http://www.djmag.com

http://tance.dance

Tańce to wytwórnia polskiej muzyki tanecznej i elektronicznej. Silnie zainspirowani kulturą klubową zbudowaną przez czarnych artystów ze Stanów Zjednoczonych, Wielkiej Brytanii, Republiki Południowej Afryki czy Brazylii, poszukujemy nowych środków wyrazu wywodzących się z polskiego instrumentarium folkowego, zapomnianych rytuałów oraz odnoszących się do naszych codziennych doświadczeń w narastająco opresyjnej rzeczywistości.

Tańce prowadzi @tancerusalki.

Tańce is a music label for electronic and dance music from Poland. We're heavily inspired by the club culture built by Black artists in the United States, United Kingdom, South Africa and Brazil, but we're looking for new forms of expression in Polish folk instruments, forgotten rituals and our everyday experience in an increasingly oppressive reality.

Tańce is run by @tancerusalki.

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HOP006 ???
HOP005 ???
HOPCD001 @spacenaphta - Żałość
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HOP002 @semprey - Balanga
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Premiere: Semprey ‘Balanga’

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