https://soundcloud.com/juzemeen/frankie-perkins-somniorum sounds really familiar

2014-11-30 snippets

Danny Daze - Freeze (Original Mix)
out September 1st on [Kompakt - Speicher]




Danny Daze - Freeze [Kompakt - Speicher]

https://www.facebook.com/pages/Katermukke

https://www.facebook.com/pages/Phonique/229281067088163

https://soundcloud.com/phonique

https://de-de.facebook.com/cschwarzwalder

https://soundcloud.com/shuffle


Phonique - T Groove ( Christopher Schwarzwalder Remix )- Katermukke - KATER084

After being premiered by Annie Mac, as well as receiving love all around, 'Lost' was bound to become the second single of Tender Games' self-titled debut album. 
For this release, the boys recruited some serious remixers again. This remix comes from Chopstick & Johnjon. After a busy year with a series of great releases and remixes, the Suol heads show, yet again, their deeper side. Their interpretation is a real club track, with a deep and drifting bassline, plucky synths and groovy percussions - perfectly fitting to dance off Winter in those long Berlin club nights.

Tender Games - Lost (Chopstick & JohnJon Remix)

Oliver Schories - Oil (Hanne & Lore Remix)

Out on "Soso" 27.11.2014

Beatport 

Oliver Schories - Oil (Hanne & Lore Remix)

The Cheapers - Close Encounters

Get Kellerkind's 'Move Me' here: 
➟ iTunes: http://bit.ly/1Gjqpgn
➟ Beatport: http://btprt.dj/1yZG6HB

Artist: Kellerkind
Release Title: Move Me
Label: Stil vor Talent
Catalogue No.: SVT144
Release: 12.12.2014

Just over a year has passed since the release of Kellerkind’s ‘Music is a Miracle’ album: now the Swiss talent finally delivers a new EP in the form of ‘Move Me’, which showcases how his sound has evolved. The title track is an atmospheric affair drawing you in with garage percussion, deep horns and icy synths, while the vocals add a layer of detachment. ‘Believe in You’ nods to classic Kellerkind by way of a disco groove – a neo-trance lead adds an extra twist however. Next up, Joachim Pastor turns ‘Move Me’ into a tour de force of musical wizardry, while Jiggler gets locked deep in the groove.

➟ Homepage: http://stilvortalent.de 
➟ Facebook: https://facebook.de/stilvortalent
➟ Soundcloud: https://soundcloud.com/stilvortalent
➟ Youtube: https://youtube.com/stilvortalenttv
➟ Online-Shop: http://stilvortalent.bigcartel.com/
➟ Twitter: https://twitter.com/_StilvorTalent
➟ Instagram: http://instagram.com/stilvortalentmusic
➟ Hypesound: https://www.hypedsound.com/stil-vor-talent/

Kellerkind – Move Me [Snippet]

pre-order: http://www.kompakt.fm/releases/speicher_82

Starting out in 2001 to tie up some loose ends from our regulars, SPEICHER has since become a guarantee for vanguard dance sounds from all over the planet, allowing KOMPAKT to invite and support electronic artists that comfortably inhabit both the delicate and the more deliberate ends of the electronic music spectrum. For SPEICHER 82, brothers in crime VOIGT & VOIGT deliver two mind-altering doses of psychotropic techno, doing what they do best and squeezing utmost impact out of most minimal arrangements.
Tapping into the more hallucogenic properties of techno. Wolfgang and Reinhard Voigt get back to knead the bodies and minds of the dancing crowd – while being quite upfront about their aesthetic goals. The bold and twitchy A-side SUPERPITCH does exactly that: riding the pitch, and riding it hard. Its incessantly morphing bell sounds are screwing with your sensory inputs, making you an easy prey for the cut's simple and effective beat 'n' bass patterns. However, the secret showstopper of this release might actually be the flipside's aptly named cut SUPERTRIP – a dramatic, string-laden techno journey that starts with a spartan, but heartily grinding bassline and soon evolves into a fully-fledged synth stomper. Turn on, tune in, space out!

Als Compilation-Reihe im Jahre 2001 gegründet um ein paar lose Fäden unserer Stammkünstler zu verknüpfen, hat sich SPEICHER inzwischen zu einem Garanten für fortgeschrittene Tanzklänge aus aller Welt weiterentwickelt, der es KOMPAKT erlaubt Musiker aus allen Bereichen des elektronischen Spektrums einzuladen und zu fördern. Für SPEICHER 81 liefert das Brüdergespann VOIGT & VOIGT zwei bewusstseinsverändernde Dosen psychotropen Technos ab, der seinen größtmöglichen Effekt aus minimalsten Arrangements zieht.

Ein genaueres Studium von Beipackzettel und Nebenwirkungen entlarvt die halluzinogenen Eigenschaften des Voigt'schen Klangs, eine regelrechte Knetmaschine für Körper und Geist der tanzenden Meute. Ziemlich eindeutig auch das ästhetische Ziel – die schön patzige A-Seite SUPERPITCH etwa tut genau das, was sie sagt: den Pitch reiten, und zwar hart. Die unermüdlich morphenden Glocken bringen sämtliche Sinneseindrücke durcheinander und machen den Hörer zur einfachen Beute für die simplen und höchst effektiven Beat- und Bassmuster des Tracks. Der geheime Hit jedoch verbirgt sich auf der Rückseite – das sinnig benannte SUPERTRIP, eine dramatische, streicherlastige Technoreise, die mit einer spartanischen, aber herzhaft reibenden Bassline beginnt und sich schnell zum vollausgestatteten Synthie-Stampfer entwickelt. Turn on, tune in, space out! 

Voigt & Voigt - Supertrip

This ten-minute long track from German-duo Voigt & Voigt offers a mind-bending dose of minimal techno as it weaves through a variety of static sonics and blistering beats from start to finish. 'Superstar' is a digital exclusive off of Voigt & Voigt's upcoming release entitled 'Speicher 82'. Set to drop on 1st December via Kompakt, the album includes 'Superstar' along with the equally as intense tracks 'Superpitch' and 'Supertrip'.

PREMIERE: Voigt & Voigt - Superstar

Order: http://www.kompakt.fm/releases/signs_under_test_2xlp_cd

- The lastest full-length effort from LA-based synth mastermind JOHN TEJADA
- An unabashedly dreamy collection of 11 expertly crafted cuts that rank among the artist's best work to date
- 2xLP edition pressed on 180gr audiophile vinyl, including a CD of the entire album

Following his much-acclaimed full-length „The Predicting Machine“ (KOMPAKT 267 CD 102) and a slew of pop-infused 12“ singles - „We Can Pretend“ (KOMPAKT 286) and „Somewhere“ (KOMPAKT 264) -, LA-based synth mastermind JOHN TEJADA returns with new album SIGNS UNDER TEST: comprised of all-new material, this latest effort sees the studio wizard digging deeper into his modules, unearthing particularly dreamy tracks that rank among John's most accomplished work to date.

From the get-go, SIGNS UNDER TEST presents itself as a whole new ball of wax, reaching even further into the depths of JOHN TEJADA's hot-wired synth machinery, while cranking up the already stunning levels of musicality on display in his oeuvre. Opener TWO 0 ONE serves as a prime example for the sonic aplomb in place, thanks to its beautifully rendered melodies and finely tuned textures – a perfect storm made of cosy melancholy and celestial bliss. This expertly wrought piece serves as a particularly strong entry point for the album, setting the bar high for its successors.

An unabashedly brilliant listen, the album continues its thrilling journey with existential bleepfest Y 0 WHY and the bass-heavy BEACHT, followed by the intricately arpeggiated R.U.R. and brooding electronica vignette VAALBARA. The second part is ringed in by the undulating CRYPTOCHROME - another proof for JOHN TEJADA's uncanny ability to craft tracks that operate as distinguished bouncers as well as introspective meditations. The deliberate vivacity of connecting cuts RUBRIC and PENUMBRA only confirms the growing suspicion that this might be a timeless masterpiece we're dealing with.

As gorgeous as it sounds, texture isn't the only star here: a surprisingly diverse set of rhythm patterns suffuses the mesmerizing synth licks - take for example the multilayered ENDORPHINS effortlessly switching between straight techno stylings and vintage breakbeat ornaments. Meanwhile, electronic landscape painting MEADOW purrs away on its road to redemption, priming the listener for closing cut HEAVE IN SIGHT, an atmospherically rich composition that marries abstract storytelling with a flurry of reversed synth sounds.

„There's a bit more dreamy tape wobble going on throughout“, says the producer about his latest effort, „as I’ve gone quite analog tape with my delays and patches - on the verge of actually being broken, which gives them a nice character.“ It also might explain the air of intimacy surrounding the album - a quite personal listening experience taking the listener up close with its details and idiosyncracies, „maybe even more than before, as I’ve tried to cut out distractions and really focus on the production.“
The result is a record that is not meant to be trendy, even though it’s a product of analog hardware connoisseurship: „Everything is built from the ground up using hardware synths - mostly analog, but that’s a bit annoying to say nowadays. It’s not a record that fits in with any current stuff, but something that hopefully holds up as it ages. Something that hopefully reveals more on repeated listens.“ In our humble opinion, this mission has been more than accomplished with SIGNS UNDER TEST.

06 Cryptochrome

Let's Go To The Beach (Ivan Martin)

Buy on bandcamp

Simon Sim's - Let's Go To The Beach (Ivan Martin)

THE GREY GATE  [ ORIGINAL MIX ]

Minilogue - The girl from Botany Bay | WIR#001

Southern Sun

Available Now: 
https://KompaktRecords.lnk.to/DeadStartProgramSD

Following up to three albums on Kompakt since 2011, the latest being 'Signs Under Test' (KOM321/KOMCD119) in 2015, Los Angeles based house and techno producer John Tejada returns to the Cologne-based imprint with his thirteenth full-length, 'Dead Start Program' - an eleven-track journey spanning a prismatic array of styles and patterns, from John's signature soulful techno tunes to the further mazy, hypnotic motifs of his trancey electro hybrids.
Be it solo or through a host of multifaceted collaborations, Tejada keeps himself busy on all fronts in and off the club environment, be it by contributing the 44th number in Fabric's seminal mix series, playing drums for Detroit legend Daniel Bell (as DBX), testing the limits of acid with Tin Man or joining forces with the hilarious self-proclaimed "disinformationist" Reggie Watts as Wajatta.
Since his beginnings and the drop of his debut 12", 'Waxing', released through his own label Palette Recordings over twenty years ago, John has been carving out a lane of his own - combining and assembling elements from all ends of his wide-spanning spectrum of reference in a way that allows a more direct transition from the realm of the mind to the circuits of the machine, as confirmed by the deliberately limited studio setup used in the making of the present album.
Navigating across the lines, from the arrhythmic machine spook of the album's opener 'Autoseek' via the straight out thumping and jacking pulse of 'Hypochondriac' and heavy-lidded breakbeat of 'Sleep Spindle' onto the kosmische-infused vibrations of 'Telemetry', vibrant slo-mo inertia of 'Loss' and wistful club-ready winds of 'Duty Cycle' and 'Heal', John threads his way through genres and tempos with optimal chameleonic effect.
Cloaked in a beautiful sleeve art courtesy of John's long time friend Juan Mendez aka Silent Servant - another key contributor to the Los Angeles scene worldwide, based upon a picture by Mark Richards, 'Dead Start Program' draws its title from the analog start up program used to boot an old CDC 6600 computer from a dead start and which metaphorically invites in John's own words to figure a "reboot from the challenges life throws at you".

Dead Start Program

Detector

Living & Breathing Dance Music. Find us at http://www.djmag.com

PREMIERE: Voigt & Voigt - Superstar

djmag

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