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New wowowo

Metropole Virus
They met beneath the city—beneath the clubs, beneath the gloss.

One was a dominatrix known only as Ryn Vanta, with a voice like crushed velvet and a taste for sonic pain. She ran a masked lounge in Frankfurt’s red-light shadows, where men paid for control and left broken by silence. The other, Nova Skeld, was a dancer turned data-runner in the Bahnhofsviertel, trafficking glances and synth packets across latex alleys and glitch-lit strip bars.

They collided at 4AM in a backroom booth—Nova mid-rush, Ryn mid-set—surrounded by pulsing strobes and bodies chasing chemical escape. No pleasantries. Just eye contact, and the mutual recognition of the kind of loneliness that sells out nightly but never cashes in.

That same week, Nova sampled Ryn’s whispered monologue and looped it through a trance beat tracked over CCTV hum. It hit like perfume and concrete. They locked themselves in a neon-stained studio above a brothel in Kabukicho and started turning trauma into sound.

What They Became
Genre: Dance/trance noir with industrial bruises and seductive decay

Aesthetic: Glitch lace, strobe seduction, cybernetic cabaret

Message: Pleasure is political. Music is memoir. Shame is currency.

Live Shows: Masked rituals. Intercut sex worker testimonials. Surveillance visuals. Strip-club hymns with synth breakdowns.

Walking Street

This song is a high-energy anthem about taking risks and embracing life’s uncertainties. Using vivid gambling imagery—cards, dice, poker faces, and spinning wheels—it celebrates the thrill of chance and the excitement of living boldly. Each verse highlights the tension and exhilaration of risk, while the chorus encourages listeners to claim their lives with courage and confidence. The bridge emphasizes that the thrill of the gamble is as rewarding as the outcome itself. Overall, it’s a playful, daring, and empowering song about living loud and fearless.

gambling

Saw your face in a passing train
Midnight sun through the windowpane
Didn't speak but I heard the sound
Of the song that you played too loud

It’s been days, it’s been weeks, maybe years
But it plays like you're still in my ear
And I try to let go, but I’m spun
On the beat of the things we’ve undone

You come around, come around like a melody
Pull me back, pull me back like a memory
I could run, I could hide, but it’s chasing me
You come around, come around, come around
Like a song I can’t stop

Every crowd got a face like yours
Every laugh is a déjà-vu chord
I pretend, but it’s all the same
Like the drop that I know by name

It’s the loop I can’t break when I breathe
Like a ghost in the rhythm with me
And I try not to dance but I move
To the pulse of the things I can’t lose

You come around, come around like a melody
Pull me back, pull me back like a memory
I could run, I could hide, but it’s chasing me
You come around, come around, come around
Like a song I can’t stop

No fade-out
No silence
Just your echo
In my island
Spinning, spinning
Can’t rewind it
You're the sound
I still fight with

You come around, come around like a melody
Pull me back, pull me back like a memory
I could run, I could hide, but it’s chasing me
You come around, come around, come around
Like a song I can’t stop


Come around

Now Dance 2015

You Know You Like It

Collide

Split (Only U)

Lockdown

Lockdown (Matt Strike Remix)

s/o Trap City: https://youtu.be/2zDcNjum_F0
Download: https://hypeddit.com/track/jrvccm

@Unzam
Instagram - instagram.com/unzammusic/
Twitter - twitter.com/unzammusic
YouTube - youtube.com/c/unzam
Spotify - spoti.fi/2XYt5z2

Crash Land - Weapons (Unzam Remix)

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Genre: #Dubstep

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You Know You Like It

DJ SNAKE

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