Hello! Drop in the ocean but pourriez vous me dire l’artiste a 17min??!
This tune gives me goosebump , thank you monsieur DJ sundae , love your work .H.

Fan absolu de Test pressing, j'avais bien apprécié ce podcast, beau travail. Ravi d'aller écouter ça au Rex cette nuit, Cheers

Please let us know the name of this beauty! Cheers, M.

October 2023

30mins in FFT
90mins in CS + Kreme

Broadcasted on Noods Radio 14/10/21

Pessimist And That w/ CS + Kreme & FFT - Noods Radio - EPISODE 17

"sometimes music can't be reduced to words. at the time, we were dancing between voids of uncertainty. omicron placed alot of doubts around inviting friends from overseas. right now it is amazing to think all these gifts are slowly becoming taken for granted once more. but then, the implications of such risks were something at the forefront of everyone's mind. this party was the release. the first in a small series of events. the mix here captures a two hour segment of music from an extended set by DJ Sundae - a sincere and sensitive dj with totally unique selections. on the night he soundtracked the front room, while Dali and schwet led the trip out back. it was amazing to connect with so many people and explore the possibilities of dancing together after those long nights alone. thank you to everyone who came, played, and helped. I hope you enjoy this memory".

Words by David McKeown (O.S.T.)

Live recording of @djsundae

DJ Sundae - O.S.T. - 4th Dec 21

NO WEAPON IS ABSOLUTE - DJ Sundae - 29-06-2022 - NTS 2

Recording of DJ Sundae's set at Dekmantel Selectors 2022.

Dekmantel Selectors 2022

DJ Sundae at Dekmantel Selectors 2022

NO WEAPON IS ABSOLUTE - DJ Sundae - 20-09-2023 - NTS 2

May 5th 2024 for the 2nd iteration of Avon Moot @noodsradio

Noods Radio - Moot Broadcast

The Phase Group Mix continues with an entry by close friend of the label and our guest at the TC LK launch this weekend at Spanners, Scottish selector DJ Peanut. 

London-based DJ Peanut is known for her mastery of dark and psychedelic downtempo sounds as well as bass-heavy, dub-wise club fair. She can regularly be found playing in some of the capital's finest musical establishments including Ormside Projects, Spanners, Kindred and The Gun as well as regular trips back north to play in venues like La Cheetah, Berkeley Suite and Exit in Glasgow and residencies on Clyde Built Radio and Noods. Katie has been invited to join multiple Phase Group line ups in the past, either solo or playing back to back with her regular spar partner Lo Kindre, which shows the appreciation we have for her skills behind the decks.  

Her Phase Group Mix delivers exactly the kind of heads-down listening journey through dubbed out, bass-and-noise-driven downtempo club sounds that we love. A great warm up listen ahead of her set at Spanners this Friday. 

Peanut joins Brussels-based selector Rick Shiver and TC LK this Friday at Spanners to celebrate the release of PHASE008, the new album by TC LK on Phase Group.

Phase Group Mix - DJ Peanut

Highlighting dreamy/ambient dub techno/experimental/ leftfield selections from this month’s shop picks. 
Your host: NFS

Civilistjävel! - XVI / FELT
JJ+JS - Yves Body Painting / Daisart
Ulla & Ultrafog - Double Carmen / Motion Ward
Mixmaster Morris, Jonah Sharp, Haruomi Hosono - Tsukimi (Moon Viewing) / WRWTFWW
Jerod S. Rivera - Scorpio Rising 
Dreamlogicc- First Off / Sub Terrain
Raven - Unlimited Edition / Incienso
Nathan H - Remote View Pt II / Acid Camp
GAS - Der Lange Marsch / Kompakt
Rod Modell - Music for Bus Stations / Silentes
Gi Gi-Thistle (Thrown) / Quiet Time

CONE ZONE W/ NFS | Broadcast Date: 04.21.2025

For last week’s episode I put together a mix of modernist ballads from West Africa, primarily works from the 1970s. About half the songs gathered here are from Senegal, an epicentre of post-colonial cultural forms, featuring a capacious cosmopolitan hybridity which drew from American jazz and psychedelic rock, French chanson, Cuban bolero, Congolese rhumba, Martinician beguine, Wolof griot music, and the complex polyrhythms of Mande musical traditions. Other songs in this mix come from Mali, Guinea-Bissau, Togo, and Benin, joined in pan-African solidarity as well as sharing a modernist sensibility, fraught with both melancholy for the failure of post-colonial nationalism and a utopic yearning for social change. These songs are exemplary of Tsitsi Ella Jaji calls “stereomodernism.” in her wonderful book, Africa in Stereo.

Séance Centre Radio Episode 85: Modernist Ballads from West Africa

Level Mix 002 is brought to you by Brooklyn-based Dekalb Works, the collaborative project of Austin Peru (Vision Fortune) & our very own Daniel Creahan (Alien D). In Dan's words: "Last summer, we were invited by our loveable Level family to bring the project upstate for the yearly Glen Falls House weekender. Fortunately - the Tascam was running, and I’m so thrilled to release this one... [It's] got it all - guitars, heavy drones, a Tricky sample. The sky’s the limit."

Q: How much of your performances would you say are planned and how much are improvised? What's your setup look like and how often would you say it varies from gig to gig?

Our sets are almost completely improvised. We started experimenting with this for our Euro tour last summer for our last record, using Traktor to assemble, process and sequence loops. That program has a very sick effects bay and the mixing capabilities really makes for a nice system for assembling and flowing through stuff while also responding in real time to what's playing. 

Some of it was pulled from finished tracks (stems, loops, one shots etc), some are written between sets, so it's always evolving a bit. Dan will use those to move through different sets of arrangements, with Austin playing guitar and processing effects over that. There's also some other tracks we've used regularly for live sampling and grooves to sort of alternate between moments that feel very loose and open-ended and then more tracky, complete ideas to work off. Since then we've written a bunch of newer ideas and bits to work with. We'll also work in some more fully composed backing tracks to sort of reset or give a moment of cohesion to balance the flow out a bit. This has sort of become the default for how we've been playing live, but it's always an open-ended process based on how we're feeling.  

Q: How did you approach this set in particular? 

I think with this set we were pretty comfortable with the format described above as we'd played quite a bit in the month and a half before the set. We sort of got into the habit of this idea of a slow, building tension that occasionally resolves into moments that were more groove focused, so I think we had a nice template that we were working from for this one. 

Q:  Were there any surprises along the way?

... 

Subscribe to The Level Party on Substack for our full interview with DeKalb Works. 

https://thelevelparty.substack.com/

DeKalb Works - Live From Glen Falls House

Residency show broadcasted live at Radio Tempo Não Pára (30.05.2025)

Artist: @lomadoom

Helter Skelter w/ Loma Doom @ Radio TNP 30.05.2025

https://cosmicleaf.gr/releases/581/emotional-ambient
https://cosmicleaf.bandcamp.com/follow_me
https://www.patreon.com/cosmicleaf
https://cosmicleaf.gr/playlists
https://cosmicleaf.gr/tag/63/free-download/releases


Check our playlist:
Psychill Blossom 🌸 Псайчил / псайбиент / Psybient
https://www.submithub.com/link/psychillblossom
Psychill Blossom is a vibrant journey through psychedelic chillout, psybient, and downtempo soundscapes. Blending ethereal melodies and deep grooves. Let the music guide you beyond the ordinary. #Psychill #Downtempo #Psybient

Zen Garden -memoriam seas

At the heart of this music lies the steel pan — an instrument born in Republic of Trinidad and Tobago in the early 20th century.

During the colonial era, African drumming was banned under British rule, out of fear that rhythms could unify enslaved and marginalized communities. Yet, music could not be silenced.

People turned to bamboo sticks, metal containers, and eventually oil drums, transforming restrictions into invention.
From this resilience emerged the steel pan, the first acoustic instrument created in the 20th century.

The word Creole itself speaks of mixture and convergence: in Republic of Trinidad and Tobago it refers to Creole languages shaped by African, European, and Indigenous influences, and more broadly it names cultures formed where worlds collide.

Reflecting this spirit, Creole weaves the luminous timbre of the steel pan with tribal rhythmic currents, embodying hybridity, memory, and the unbroken force of music.


all instruments, program, artwork
produce and mastered by Setsuya KUROTAKI

releases September 9, 2025

All tracks are copyright protected. All rights reserved.
℗ / © 2025 MNTN rec. under exclusive license to NOiR Inc.

TEST PRESSING MIX 261

DJ Sundae

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