02 Motivated to Move

Lungo Mare

Superior Conjunction EP

Superior Conjunction

Premiered on Colyn's Cercle Show.

https://youtu.be/qBFxhkfFF3I

Colyn - Jatayu

Enthalpy

Berlin producers Franz Matthews & Local Suicide’s ‘Tutan Jamon' was a heady brew of psychedelic disco that joined the dots between the German capital and the sun soaked souks of North Africa. Tel Aviv’s Chaim remix of Tutan Jamon sees the sometime Bpitch Control and Disco Halal producer up the tempo whilst losing none of the original’s exotic vibe. In his hands the track becomes a propulsive and trippy disco number perfect for late summer parties under the stars. https://soundcloud.com/chaim_avital

'Eskimo Recordings presents The Remixes - Chapter IV' is a collection of remixes by Yuksek, Chaim & Ozart, Prins Thomas, Ewan Pearson, Joseph Ashworth and Carli.

For over twenty years now Belgium's Eskimo Recordings have discovered and nurtured some of the most loved names in dance music, releasing timeless albums from artists such as Lindstrøm & Prins Thomas, Satin Jackets and Aeroplane that have straddled the divide between electronica, Balearic house and leftfield pop. At the same time though the label has never lost sight of its roots in clubland, consistently tapping up the hottest names in the disco, house and techno to add their touch to each release and putting out groundbreaking compilations by the likes of Curses, Optimo, Psychemagik, Antal, Bill Brewster, The Glimmers and more.

'Eskimo Recordings presents The Remixes' then is a snapshot of the label's recent adventures in clubland, a 24 track tour of the underground. A globe-trotting compilation, 'Eskimo Recordings presents The Remixes' sums up the eclectic and unceasingly curious approach of the label and its selector-in-chief, Captain E. This is the sound of dark Berlin basements, festivals in Mexico City, boat parties in the Adriatic and rooftop parties in Tel Aviv, music that transcends time and place. Over two decades on from the legendary parties at the Eskimo Fabriek in Ghent that gave the label its name, Eskimo Recordings' insatiable appetite for new electronic music remains unabated and the wild spirit and ambition to keep pushing boundaries, that first put the Belgium label on the map, still shines as bright as ever.

http://www.eskimorecordings.be/news/eskimo-recordings-presents-the-remixes

Buy / Stream

Franz Matthews & Local Suicide - Tutan Jamon (Chaim Remix)

Vinyl:

https://www.deejay.de/GUY_J_94_Blossom_AR024_Vinyl__1020195

https://www.juno.co.uk/products/guy-j-94-blossom/938240-01/

94 Blossom

Guy J - 94 Blossom

our remix for the upcoming release of Echonomist feat. the amazing voice of Black Soda...
-----------------------------------------------------------------------------------

Echonomist: "Hysteria" EP feat. Black Soda / Rotary Cocktail Recordings 043


Cat no.: RC043
UPC A Barcode: 827170554665
Releasedate vinyl: 10.11.2014
Releasedate digital: 17.11.2014

Tracklist:

A1 – "Hysteria"
A2 – "Peace Of Mind"
B1 – "Hysteria" (youANDme remix)
B2 – "Hysteria" (AND.ID dub)

Short info:

Echonomist is back on Rotary Cocktail Records this time with vocal support of the amazing Black
Soda from South Africa. Petros delivers two original mixes which sound like classic inspired Detroit
tracks with deep basslines, melancholy synths, groovy chords and driving analogue drum machines to
provide the perfect soundbed for Black Soda’s distinctive hypnotic vocals.
Additionally youANDme and AND.ID deliver just the kind of emotional interpretations that touch our
souls in the right moments with their beautiful remixes.


BUY VINYL

Echonomist "Hysteria" feat. Black Soda (youANDme remix) / Rotary Cocktail Rec. 043

Free Download

Miami Horror - I Look To You [RÜHL Remix]

Berlin Hypnotic House XXVII - Backwards Head Club Mix

I Will Be Fine (Extended)

This is one of my 3 remixes for Sfire - Sfire3  to be released through Muting the Noise in collaboration with Cocktail D'Amore.

I know you waited for too long but sometimes things take longer than you think. Anyway thanks for the patience. I hope you like it. 

https://cocktaildamoremusic.bandcamp.com/album/sfire-sfire3-john-talabot-remixes
https://www.mutingthenoise.com/music/sfire-3-john-talabot-remixes


Sfire - Sfire3 (John Talabot's Tribalist Rework)

HVN040 Alejandro Mosso - 'Gaia'
Format: 2x12"
Release Date: April 7, 2017
Get here: http://bit.ly/2naR5Ng

© 2017 Hivern Discs

Gaia

Alejandro Mosso - Ares

DJ Tennis’ highly acclaimed Life and Death imprint continues to traverse sonic boundaries with no exception. The next release Trooper comes from London-based producer Joseph Ashworth, featuring outstanding remixes from the inimitable Ron Trent and founder of Margot Records, Sebra Cruz.

“Trooper pushes a new sound that I have been exploring - with grit and excitement taking charge rather than finesse and tidiness. It makes me think of some kind of disturbing military march, a little bit agressive and a little bit noisy, hence the name.” - Joseph Ashworth

The Ron Trent version employs a stronger techno leaning at the outset, adding a vocal and ambient synths that take it on deeper journey. Sebra Cruz creates a powerful peaktime number, bass-focussed and euphoric. Second original track Laminated, perpetuates the perfect dancefloor rhythm with an abundance of drums, percussion and a heady dose of bass. 

Joseph Ashworth began his career on Needwant with his Grain LP, which showcased his innate ability to fuse melody with a techno beat. Since then, he’s had releases on Get Weird, Dirtybird, Pets Recordings and Anjunadeep. Legendary Ron Trent is regarded as one of the key figures in the birth of the Chicago music scene. He has an extensive back catalogue of prominent releases, founding four of his own labels. Sebra Cruz is the new solo endeavour of one half of Italian duo, and founder of Margot Records, Margot. Earlier this year he released a collaboration with DJ Tennis on their Truth Or Consequences EP.

Trooper

- Sweet Musique | Digging the best Melodic House & Techno since 2014 -

Follow us on Youtube : ➤ Youtube : https://bit.ly/2eDu8Bg

➤ Instagram: https://www.instagram.com/sweetmusique/
➤ Website: https://www.sweet-musique.com/
➤ Facebook: https://www.facebook.com/sweetmusique
➤ Spotify : https://www.spotify.com/fr/user/sweet_musique/
➤ Soundcloud: https://soundcloud.com/sweetmusique
➤ Submit your demo : https://www.sweet-musique.com/demo/ 

♫ About ♫
Buy : https://fanlink.to/MoonTango

Release Date : 19th June 2019

♫ Follow Lunar Disco ♫ 
➤Instagram - https://goo.gl/mRKrF8
➤Spotify - https://goo.gl/wLaekq
➤Facebook - https://goo.gl/9B4izM
➤Youtube - https://goo.gl/KATCZb

♫ Follow The Label ♫ 
https://soundcloud.com/welcometoabracadabra

PREMIERE : Lunar Disco - Roswell (Original Mix)[ABRACADABRA RECORDS]

ZigZag

Bedouin Ride (DJ T.'s An Arab Man In New York Remix) (Snippet)

Dance like you're an animal that's living in an ecosystem and you will be living the truth. Move your body to the music__more technically, contract and relax the muscles in time with the beat and you'll be dancing. Ignore the nay-sayers that believe in nothing that can be proven whilst disbelieving that which science has proven (beyond a reasonable \ informed persons doubt). Feel the bones as you move to the vibration of the music. Understand that certain sounds, environments, social situations, will increase adrenaline that may increase the beat of your heart.  

Be wise, many are lost in the music. Educate, but, some won't learn how to listen. Nurture being humble especially when dealing with the arrogant. Humans specifically, are nothing special  (i.e., believing we are greater than nature is nothing but hubris, & that ignorance is causing environmental neglect) 

There is an objective reality that can be known (understood at some level or another). We do live and breath on a planet that's orbiting a star (the Sun) How would you infer that fact in some music? Song? (lyrics) or, for example, a sound that tried to represent the 'massiveness' of the planet that we live on? Or for example, if we could hear the sound of one hydrogen atom, what would it sound like? What is a cold or hot sound? a hard or soft sound? A high or low sound? A red or blue sound? We can detect \ see the differences in frequency in the electromagnetic spectrum between the colour red and blue. We can hear the difference in frequency (pitch) between a "C" & an "D" note. Music is somewhat subjective (mind). However, sound is objective. Vision is somewhat subjective. However, light is objective. 

I've been a passionate music listener for many years. Over thirty years ago whilst under the influence of cannabis (if you choose to, use, e.g., vape, cannabis sparingly. i.e., ask, is this helping my well-being?), I had such an 'out of the ordinary' experience whilst listening to music, that ever since that event, I’ve believed that music is the answer, the solution, to many of societies' woes. Thirty years later my understanding of the effect of music, and sound in general, on human behaviour, is more of a science than a mere faith (belief) For example, sound in general is “out there” (changes in air pressure). Sound is an objective, a physical, quality (objective reality). However, music is in our minds (but, it’s properties are now electro-chemical). Music is subjective in that music is what our brains perceive under certain circumstances (timing, pitch [AKA frequency], etc.) Whilst humans do show a preference for different genres of music, what we perceive as musical are sounds that have certain qualities, and the dominant musical quality is timing. Or to be more precise, a repeating quality that we can recognise, and typically, sense some pleasure in for it to be experienced as musical’. Why are we able to recognise the difference in pitch? An “A” note from a “C” note? Why are we able to recognise the the difference between green and red? The why is due to our evolved physiology. It was, it is, evolutionary beneficial to be able to recognise the colour of ripe fruit, for example. To recognise the difference between a friendly or angry sound (human or non human animal). Fundamentally, our ability to perceive and appreciate music is an evolutionary adaptation. Furthermore, humans are “wired” to be social animals. Music can bring us together. 

I understand that music can change cultures, and that cultures do need to change (will change radically, one way or another)__especially in regards to taking far more care of the environment, and one another. In one sense, apathy or neglect  for the environment, for nature, is simply due to a lack of awareness (consciousness). Time waits for no person. The environment won’t wait for us to recognise, to learn, that we need to sustain it (to sustain ourselves) Therefore, the solution is to raise awareness about the environment. For example, to provide excess to the form of education so that people develop the comprehension, the understanding about what clouds are (water vapour) and how clouds form. That understanding, in of itself, is a step towards understanding that we live in an ecosystem (that’s a good place to start)

Many of the people I’ve met, including family members that I’ve known since I was a child, don’t understand that they’re animals living in an ecosystem. In fact, out of all the myriads of animals that exist on planet Earth, only a percentage of humans understand themselves enough to understand that they're animals. Whilst studies using mirrors suggest that our closet "cousins" chimpanzees have a sense of self, it would be guess work, in other words I doubt it very much, to think that chimps know that they're chimps. The term chimpanzee, is a human construct. We know that chimps are our closest living relatives because we can study anatomy and genetics, etc. We know that humans and chimpanzees share a common ancestor that lived millions of years ago because of fossil records and genetics. That common ancestors lineage diverged into what later evolved to be today's chimpanzees and humans. Although, during that time, millions of years, many human looking animals, AKA the hominid “family”, went extinct. Why did, for example, Neanderthals go extinct? The answer is, we don't know! (there are a few scientific ideas, but no conclusive evidence to why. E.g., the Neanderthals didn’t leave any written records)

The lack of awareness of objective reality that some humans express as ignorance & or arrogance, or rather can’t express as intelligence, is because of a lack of a type of intelligence, and false beliefs, misinformation in general, that has and is preventing people from accommodating fact based information. Rhetorically, how can people care about that which they don't understand? Fortunately, developing a general scientific literacy increases a persons general level of intelligence. But, there is the rub, a sort of 'catch 22'. You can only become aware just how much a general scientific literacy will increase your general understanding, once you've reached a point in which you have developed a certain level of scientific literacy. In simple terms, you have to develop the intelligence to have the intelligence to comprehend that you are an animal living on a planet (in an ecosystem). That is profound. You live on a Planet that’s orbiting a star! (wow!) The only way to develop that type of informed intelligence is by learning the science. The chemistry, the biology, the ecology, for example. 

That does not mean you need to have a science degree, for example. A general scientific literacy is a general understanding of the fundamental sciences such as chemistry and physics. That awareness can be developed via the many ways that there are to learn, to be informed, of science. People learn in different ways. I for one, enjoy listening to a science podcast whilst out walking. Or for example, reading up on how clouds form, then going outside and using that knowledge to appreciate clouds (to perceive clouds or the “sun” for what they are. e.g., water vapour & a giant gaseous object)

Sure, generally, science isn't as "simple" as learning your “A,B,C’s” (not that that is "simple") because science studies objective and subjective reality. However, like learning anything, even learning how to ride a bicycle, eventually, it becomes like 'second nature'. Humans are nature, Humans are animals. Humans do have an effect on the environment & one another (psychology). And, humans need the environment in order to sustain their societies. Polluting nature is the sign of ignorance. The cause is often a combination of greed & ignorance. 

Basically, any ideas, any ideology, any faith, that infers, that believes, that perceives that humans are NOT part of the planets natural systems, the Earths ecosystem, is not only wrong, it's harmful. However, in some ways humans are a special species. More specifically, as well as our human 'type' of intelligence, we're also highly social animals. We can cooperate to 'save the planet', (the best of our nature), or we can compete, which often brings out the worst in us, and degrade the planet's natural systems (including climate change)

If people don't take that first step towards becoming scientifically literate, they will never know what it is that they're missing out on (a more informed perception of reality). So, and this goes out to a general audience, do yourself & your society a favour and begin the journey of learning about objective reality. A good place to start because it’s a fundamental science, is by reading or listening to a book about chemistry, because, just about everything is chemicals (e.g., molecules that consist of the fundamental elements such as carbon and hydrogen) 

Furthermore, even understanding only the basics of neuroscience for example, will mean that music producers can make even better “brain” music (brains are electro-chemical in nature), 

To quote "We believe in the power of music to promote the cultural change needed to create a better future"  https://www.musicdeclares.net/gb/

In today’s electronic music world there are not many artists who can lay claim to a legacy like that of DJ T. Born in Dusseldorf, DJ T. (aka Thomas Koch,) re-located to Frankfurt with his family in the late 70s. During his formative years, he fell for the hypnotic grooves of disco, inspired by his parents’ record collec-tion. At the age of nine he was already completely enraptured by music and that love affair continues until this very day. He began an obsessive quest to collect music, feeding his soul with everything from Disco and Hi-Nrg, through to early Hip-Hop and Electro, Soul, Funk and R’n’B. The groovy, infectious rhythms of all those genres continue to permeate into the music he makes and plays today, providing an intrinsic part of his sound ethic. 
He took up breakdancing, before becoming a DJ, playing at private parties ini-tially before landing his first professional gigs in the late eighties. This period proved to be a pivotal moment in his life as Acid House swept through Europe, landing in Frankfurt and taking over with the launch of Sven Väth’s legendary Omen club in 1988. The first wave of House and Techno took hold and T. was there at the forefront, absorbing all the fresh new sounds from Chicago, Detroit and the UK. He picked up a residency at the infamous Music Hall and held resi-dencies at countless clubs across the city during the next 10 years from Plastik and Dorian Gray to The Box. By the end of the nineties, he was one of Frank-furt’s best-known selectors. 
In 1989 DJ T. tapped into another side of his creative energy to set up Groove Magazine. Identifying a gap in the market and fuelled by a need to satisfy his own desire for specialised music journalism, which focused on his interests – namely underground dance music. Under his leadership the magazine was launched into the public’s consciousness and he guided Groove to become one of Europe’s premier dance music publications, which it still is today. 
DJ T.’s progression continued at a pace, as he launched his own club, Monza, using the experience gained through a decade of club events and tours under the Groove Magazine banner. He also invested his skills and knowledge into con-ceiving Get Physical – a label, which remains one of the world’s best- known House and Techno platforms. Though he left in 2010, T. still occasionally A&Rs for the label, lending his uncanny ability to uncover new talent to the seminal label. 
Production-wise, he has been consistent ever since his debut release, the ‘Mon-sterbaze’ EP with Steve Bug, which was released on Poker Flat in 2000. Since then, T. has released several well-received EPs, a slew of remixes and three al-bums, ‘Boogie Playground’ in 2005, ‘The Inner Jukebox’ produced with Tho-mas Schumacher in 2009 and ‘Pleasure Principle’ in 2011. His special touch has also been employed by numerous labels to curate compilation mixes , including ‘United Under The Ball – 30 Years Of Disco’ in 2011 and ‘The House That Jack Built Vol 1 & 2’ in 2012. In 2013 he celebrated 25 years of DJing with a very personal mix compilation, followed also by ‘Body Language 15’ and col-laboration with Defected and Strictly Rhythm to celebrate the latter’s 25th anni-versary. DJ T.’s reputation for being a master selector has been cemented by these superlative collections of music, each of which has received widespread praise, often featuring many of T.’s own edits of classic tracks. 
Despite so many accolades, his passion for music remains staunch, recently making several key changes to his professional life that have inspired him to explore new terrains. With hot new releases on AUS Music, Moon Harbour, True Soul and Jackathon representing his continued to desire to push his crea-tive boundaries. 
A highly-skilled DJ and producer and an A&R with an uncanny ability to dis-cover a nurture new talent, DJ T. is a master selector and one of the industry’s most influential figures.

Bedouin Ride (DJ T.'s An Arab Man In New York Remix) (Snippet)

DJ T.

Recent comments

house_head

🎧 M for Monica & MUSIC 🎶

Buba

Related tracks