now that is the sh*t real music dj beni v.

** Free Download **

https://www.amazon.co.uk/More-Compute-2009-Remastered-Version/dp/B002P3W2ME
https://www.amazon.com/Planet-Rock/dp/B0766VXVVF

Those of you that have been following my work over the past years know that I am big fan of the art of editing, both, digging for and playing the edits of others and manufacturing them myself. Besides the many ones that have been released officially I made countless ones in the past years just to enhance my sets. Doing edits is simply a lot of fun, its a similar approach to remixing but yet different. There are no limits, from just editing tracks (in the literal sense) to make them longer (or shorter), DJ friendlier, or mash an instrumental of one track together with an acapella from another one to building up a complete new production and arrangement around an acapella or an instrumental, there are no limits to re-interpret the respected work of others. Today I decided to start sharing these works with you. I start today out with an edit that uses the elements of Kraftwerk’s “It’s More Fun To Compute“ and the vocals of Afrika Bambaataa & The Soul Sonic Force’s “Planet Rock” and put them over a rocking Electro beat. You can download it on my Soundcloud profile. Enjoy it and feel free to leave your comments and follow me on Soundcloud!

https://www.youtube.com/watch?v=3odl-KoNZwk
https://www.youtube.com/watch?v=O0b9TUw4J3Q

Free Download

Kraftwerk vs Bambaataa - Its More Fun To Rock The Planet (DJ T. Edit) (! FREE DOWNLOAD !)

In today’s electronic music world there are not many artists who can lay claim to a legacy like that of DJ T. Born in Dusseldorf, DJ T. (aka Thomas Koch,) re-located to Frankfurt with his family in the late 70s. During his formative years, he fell for the hypnotic grooves of disco, inspired by his parents’ record collec-tion. At the age of nine he was already completely enraptured by music and that love affair continues until this very day. He began an obsessive quest to collect music, feeding his soul with everything from Disco and Hi-Nrg, through to early Hip-Hop and Electro, Soul, Funk and R’n’B. The groovy, infectious rhythms of all those genres continue to permeate into the music he makes and plays today, providing an intrinsic part of his sound ethic. 
He took up breakdancing, before becoming a DJ, playing at private parties ini-tially before landing his first professional gigs in the late eighties. This period proved to be a pivotal moment in his life as Acid House swept through Europe, landing in Frankfurt and taking over with the launch of Sven Väth’s legendary Omen club in 1988. The first wave of House and Techno took hold and T. was there at the forefront, absorbing all the fresh new sounds from Chicago, Detroit and the UK. He picked up a residency at the infamous Music Hall and held resi-dencies at countless clubs across the city during the next 10 years from Plastik and Dorian Gray to The Box. By the end of the nineties, he was one of Frank-furt’s best-known selectors. 
In 1989 DJ T. tapped into another side of his creative energy to set up Groove Magazine. Identifying a gap in the market and fuelled by a need to satisfy his own desire for specialised music journalism, which focused on his interests – namely underground dance music. Under his leadership the magazine was launched into the public’s consciousness and he guided Groove to become one of Europe’s premier dance music publications, which it still is today. 
DJ T.’s progression continued at a pace, as he launched his own club, Monza, using the experience gained through a decade of club events and tours under the Groove Magazine banner. He also invested his skills and knowledge into con-ceiving Get Physical – a label, which remains one of the world’s best- known House and Techno platforms. Though he left in 2010, T. still occasionally A&Rs for the label, lending his uncanny ability to uncover new talent to the seminal label. 
Production-wise, he has been consistent ever since his debut release, the ‘Mon-sterbaze’ EP with Steve Bug, which was released on Poker Flat in 2000. Since then, T. has released several well-received EPs, a slew of remixes and three al-bums, ‘Boogie Playground’ in 2005, ‘The Inner Jukebox’ produced with Tho-mas Schumacher in 2009 and ‘Pleasure Principle’ in 2011. His special touch has also been employed by numerous labels to curate compilation mixes , including ‘United Under The Ball – 30 Years Of Disco’ in 2011 and ‘The House That Jack Built Vol 1 & 2’ in 2012. In 2013 he celebrated 25 years of DJing with a very personal mix compilation, followed also by ‘Body Language 15’ and col-laboration with Defected and Strictly Rhythm to celebrate the latter’s 25th anni-versary. DJ T.’s reputation for being a master selector has been cemented by these superlative collections of music, each of which has received widespread praise, often featuring many of T.’s own edits of classic tracks. 
Despite so many accolades, his passion for music remains staunch, recently making several key changes to his professional life that have inspired him to explore new terrains. With hot new releases on AUS Music, Moon Harbour, True Soul and Jackathon representing his continued to desire to push his crea-tive boundaries. 
A highly-skilled DJ and producer and an A&R with an uncanny ability to dis-cover a nurture new talent, DJ T. is a master selector and one of the industry’s most influential figures.

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