WAHDE (Progressive House )

hollow voices

Pink Floyd - Another Brick In The Wall (M8 & Sagawa Edit)

His latest EP drops via Monologue, the new label founded by Max D and it features two original tracks. The title track, 'What State I'm In' comes armed with an incredible Guti remix and we've got first play.

Guti's Summer Mix is a pacey, percussion-focused affair with enough clicks and kicks to set any party alight. One for the heads and one for those who want an instant injection of power.

Ryan Crosson - What State I'm In EP

More exclusive music

Premiere: Ryan Crosson 'What State I'm In' ft. Cari Golden (Guti Summer Mix)

Keep It Close

1988 (Snippet)

'The label bros Italoboyz and Blind Minded once again team up for a new project, deeper and more minimalistic than usual, for this vinyl only release on Superfiction Recordings. Remixes from DJ W!ld and Sakro...'

Read More: http://whenwedip.com/2018/09/premiere-dj-wild-italoboyz-blind-minded-superfiction/

Follow: @djwild // @italoboyz // @blind_minded // @superfiction-recordings

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Italoboyz Vs Blind Minded - Episode #11 (Vinyl only)

Premiere: Italoboyz vs Blind Minded - Ella Svarion (DJ W!ld remix) [Superfiction]

Frink returns to Bondage with another tasty three tracker. As per usual, we are treated to some smooth underground vibes as we start with 'Slowly'. A late night deep affair, with infectious smooth pads, some spoken samples, cool fx and generally a tasty roller for deeper dance floors. 'Fatima' retains the depth, but with more of a swagger, and an air of darker vibes, and cool stabs help this groove gently wobble along wonderfully with a tripped out overtone and laced with attitude. Rounding things off with 'Positive Manner', a stripped back house affair, deep and deadly, a tad freaky, yet with subtle warmth and a cheeky bounce in its glory.

Slowly

Frink - Fatima

Slamming in for exposure via Cassy’s commanding imprint Kwench Records is venerated DJ, producer and label chief Alex Arnout with a vitalising two-track EP.

Inspired by the rich house tracks dispatched by Danny Tenaglia’s Tribal America label in the mid ‘90s, the EP aims for nostalgia-grabbing gold and takes hold with ‘Afrofuturism’. Loaded with low-end grooves and mesmeric, spaced-out vocal hooks, it’s guaranteed to put dancers in the zone. ‘Riffin’ cuts in like a temptress, with an equally absorbing vocal hook and slamming drum loops for a satisfying payoff.

Follow Alex Arnout
SoundCloud: @alexarnout
Facebook: www.facebook.com/Alex-Arnout-161634167193604/

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SoundCloud: @kwenchrecords 
Instagram: www.instagram.com/kwenchrecords
Facebook: www.facebook.com/kwenchrecords  
Twitter: www.twitter.com/kwenchrecords

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Website: www.6AMGroup.com
Facebook: www.facebook.com/6amgroup
Twitter: www.twitter.com/6amgroup
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SoundCloud: www.soundclod.com/6amgroup
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Afrofuturism

Premiere: Alex Arnout "Riffin" - Kwench Records

Few of our friends have been working with us since day one so it is with great pride and emotion that we welcome our "very fantastic" friend Dachshund back on the label. The Geneva artist graces us with two originals that we simply had to feature on our Limited catalog. 

"Dream" is a nice bouncing shuffled groove with a hypnotic loopey character to it, smoothly arranged with scattered delayed vocals creating a clever yet slightly confusing "smokey" club atmosphere.

"Feel" is nothing short of a true masterpiece of electronic music. A "pizzicato" stripped-back dry beat and metallic modular sounding percussions take us on a mental and disconcerting trip. We litterally fell in love with this number - it's dark but not too dark and its insane synths and vocoders abruptly making appearances almost scared us at times: very entertaining! Perfect for the early hours of the morning, keeping the mind's attention and the hips in motion. Nothing is obvious, each role is interesting and perfectly executed. Thank you!

Dachshund - Dream (Original)

Kater Blau Konsortium pres. „Give ‚em a future“

Casa I.D.

DJ W!LD - BORN TO BE FREE Snipp

In today’s electronic music world there are not many artists who can lay claim to a legacy like that of DJ T. Born in Dusseldorf, DJ T. (aka Thomas Koch,) re-located to Frankfurt with his family in the late 70s. During his formative years, he fell for the hypnotic grooves of disco, inspired by his parents’ record collec-tion. At the age of nine he was already completely enraptured by music and that love affair continues until this very day. He began an obsessive quest to collect music, feeding his soul with everything from Disco and Hi-Nrg, through to early Hip-Hop and Electro, Soul, Funk and R’n’B. The groovy, infectious rhythms of all those genres continue to permeate into the music he makes and plays today, providing an intrinsic part of his sound ethic. 
He took up breakdancing, before becoming a DJ, playing at private parties ini-tially before landing his first professional gigs in the late eighties. This period proved to be a pivotal moment in his life as Acid House swept through Europe, landing in Frankfurt and taking over with the launch of Sven Väth’s legendary Omen club in 1988. The first wave of House and Techno took hold and T. was there at the forefront, absorbing all the fresh new sounds from Chicago, Detroit and the UK. He picked up a residency at the infamous Music Hall and held resi-dencies at countless clubs across the city during the next 10 years from Plastik and Dorian Gray to The Box. By the end of the nineties, he was one of Frank-furt’s best-known selectors. 
In 1989 DJ T. tapped into another side of his creative energy to set up Groove Magazine. Identifying a gap in the market and fuelled by a need to satisfy his own desire for specialised music journalism, which focused on his interests – namely underground dance music. Under his leadership the magazine was launched into the public’s consciousness and he guided Groove to become one of Europe’s premier dance music publications, which it still is today. 
DJ T.’s progression continued at a pace, as he launched his own club, Monza, using the experience gained through a decade of club events and tours under the Groove Magazine banner. He also invested his skills and knowledge into con-ceiving Get Physical – a label, which remains one of the world’s best- known House and Techno platforms. Though he left in 2010, T. still occasionally A&Rs for the label, lending his uncanny ability to uncover new talent to the seminal label. 
Production-wise, he has been consistent ever since his debut release, the ‘Mon-sterbaze’ EP with Steve Bug, which was released on Poker Flat in 2000. Since then, T. has released several well-received EPs, a slew of remixes and three al-bums, ‘Boogie Playground’ in 2005, ‘The Inner Jukebox’ produced with Tho-mas Schumacher in 2009 and ‘Pleasure Principle’ in 2011. His special touch has also been employed by numerous labels to curate compilation mixes , including ‘United Under The Ball – 30 Years Of Disco’ in 2011 and ‘The House That Jack Built Vol 1 & 2’ in 2012. In 2013 he celebrated 25 years of DJing with a very personal mix compilation, followed also by ‘Body Language 15’ and col-laboration with Defected and Strictly Rhythm to celebrate the latter’s 25th anni-versary. DJ T.’s reputation for being a master selector has been cemented by these superlative collections of music, each of which has received widespread praise, often featuring many of T.’s own edits of classic tracks. 
Despite so many accolades, his passion for music remains staunch, recently making several key changes to his professional life that have inspired him to explore new terrains. With hot new releases on AUS Music, Moon Harbour, True Soul and Jackathon representing his continued to desire to push his crea-tive boundaries. 
A highly-skilled DJ and producer and an A&R with an uncanny ability to dis-cover a nurture new talent, DJ T. is a master selector and one of the industry’s most influential figures.

1988 (Snippet)

DJ T.

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