Name: Barem - Is (D'julz dub) - Minus by D'Julz in quake
Duration: 6 min 43 s
Description: More info : http://www.djulz.com/music/listen-to-barem-is-djulz-dub-on-minus/

One year later i still play it almost everywhere ! hell of a work, this one comes from the inside, only djulz knows where his head was to put this toguether ! cheers From Portugal 

quake

thomas melchior vinyl only set at club der visionaere ,berlin,august 2023

Thomas Melchior @ Club Der Visionaere

More info : http://www.djulz.com/music/listen-to-barem-is-djulz-dub-on-minus/

Barem - Is (D'julz dub) - Minus

Seven hours recorded from the all night b2b between Christoffer aka C.K and myself. There isn't a lot of recordings from marathon sets up online, so thought this would be a nice one to share for those of you who like a long uninterrupted ride.

C.K and I are both from Denmark, and our friendship goes a long way back. We worked together on a vinyl only podcast in the late 00's on blogspot.com for those of you who remember those times digging through blogs and Myspace. Since then C.K has been producing amazing records and doing fantastic mixes on his Safe Radio series (highly recommended!) as well as help the local scene with a wonderful voluntary-run venue 'Super' in the city of Aarhus in Denmark.

It has been a long enjoyable ride to run my label Delaphine for 10 years, a ride of surprises, and this night was a such a ride as well. A fun back-to-back ping pong of followups, layups, and curve balls. We hope you enjoy the ride.

Thanks to the always amazing Aether Club team that consistently throughout the years have provided such an amazing space for electronic music in the heart of Budapest.

Link to C.K's Discogs for you to dig through his amazing records: www.discogs.com/artist/4554933-CK-2

And a link to his Safe Radio mixes that are personal favorites of mine: on.soundcloud.com/QVfrt

Also check out the Delaphine Bandcamp: samofdelaphine.bandcamp.com/

Happy New Year!

(published Wednesday Dec 27th 2023)

S.A.M. b2b C.K (DELAPHINE 10 YEARS!) @ AETHER BUDAPEST 24.9.2023.

From the first Sergie Rezza 'Mist' out in April 2015. 

Sergie Rezza - Mist (Alternate Dub)

www.openlab.fm | 106.4FM in Ibiza & Formentera

Up late or up early?
Karnak on Acid are back tomorrow from 6–8AM with your weekly after-hours soundtrack — this time with DJ, producer, and Airfunk Records head Maxime DB in the mix.

Download our App:
IOS: bit.ly/OLappApple
Android: bit.ly/OlAppAndroid

Breakfast With Karnak 04 - Karnak On Acid [with Maxime DB]

D'Julz - Families - (2004)

FOLLOW US
Online store: https://store.fanatico.au
Instagram: https://www.instagram.com/fanatico_records/
YouTube: https://www.youtube.com/@fanaticorecords

FOLLOW THE ARTIST
Instagram: https://www.instagram.com/subb_an/
SoundCloud: https://soundcloud.com/subb-an

XX fanatico in-store mix

@gigiathens

Giorgos, a disc jockey & collector from Greece, now based in Barcelona, is known for crafting a sonic range of rare housey cuts & vivid textures. Selections combine kinds of timeless deep, wonky & garagey basslines through his adventurous deep digging, inviting you into a fearless roller coaster dance! Appeared recently on international spaces like Studio Stereo, Mad Radio & Macarena club in Barcelona, No Art, Sisyphos Berlin, Shine On You Torino & Tortuga Club Treviso while also being a resident dj at six d.o.g.s club & ADD Festival in Athens where hosted clubnights with his project Useless Co. collaborating with wild brands like Slapfunk, Yoyaku, Fabric, Limousine Dream & a:rpia:r.

SundaySession008 - gigi

@alessia-ceruti in da house!

Aterral:
IG: www.instagram.com/aterralrecords

Alessia Ceruti:
IG: www.instagram.com/alessia.ceruti

Aterral on Spotify

Aterral Mix 120 - Alessia Ceruti

Saudi selector and LYMM co-founder, Majid has become integral in the Middle East community. He has grown in tandem with cultural happenings in Saudi Arabia and further afield where appearances at the likes Club der Visionaere, Studio Stereo, Soundscapes, Fabrika Festival, and closer to home, the Beast House series are becoming the norm for Majid. 

Having performed at our last two Saudi editions alongside Beast House, Majid exemplified the deeper aspects of house and techno while still keeping things fresh. We couldn't wait to welcome him to our mix series and he has delivered a recording that doubles down on the impact of these live performances. Shimmering deep house bleeds effortlessly into dub flecked percussive numbers, and with the mix peppered with attitude soaked vocals this mix slaps as much at dawn as it does at dusk.

https://www.instagram.com/majids.music/
https://soundcloud.com/majidsh

Majid - Trommel InSession 163 [powered by AlphaTheta]

Somewhere beneath the trees: relisten to Shonky live at Paradise City 2025.

One of last year’s undeniable highlights. A warm breeze of house and grooves straight from a packed Forest Stage at the start of summer. The full 2 hours of this standout set are available on Soundcloud for your listening pleasure.

Shonky live at Forest Stage, Paradise City 2025

(March 2013) 
a 80 minute foray into the caverns of her rich and profoundly varied record collection.

MEOKO PODCAST SERIES | Jane Fitz (2013)

British producer wAFF has been making waves in recent years, reflecting on a diligent 2015 spent playing across the likes of Europe, Africa, Asia and the States, when not making routine appearances at Paradise, Ibiza. As a producer he’s dropped several lauded releases on Jamie Jones’ Hot Creations imprint, not to mention Matthias Tanzmann’s Moon Harbour and Sven Väth’s Cocoon, with his next outing landing on renowned Swedish label Drumcode run by techno titan Adam Beyer.

Laying down hard hitting kicks from the off, ‘Holographic’ churns out an undulating synth combined with shuffling hats and a cavernous low-end, before ‘VibrationZ’ employs a low-slung groove fashioned from a sultry bassline, floating chords and sinister vocal. Tying it together, ‘Syncronistic’ is on a more heads down tip with whirring atmospherics, crunchy snares and subtle 303 squelches for a lengthy and mesmerising piece of production.

wAFF - VibrationZ - Drumcode - DC147



Pan-Pot - The Other Remixes [SNDST015]

VINYL: bit.ly/1OehZwS
DIGITAL: btprt.dj/1Rk9Lp2

As the dust finally begins to settle after the release of Pan-Pot's massive album 'The Other', it's time to unleash a collection of heavy hitting reworks from the best and brightest stars of todays techno elite. Through careful consideration and an acute attention to detail, we couldn't be more elated to confirm ten artists we know and love to contribute their unique vision to Second State's first ever remix package.

Kicking things off with a heavily twisted alteration of 'Attention' is Nicole Moudaber and it's a tangled, dark trek through dense acoustic layers of audible madness. Next up is the Hamburg duo

Extrawelt with their twist on 'Optimistic Grey' and they deliver a beautiful blend of emotion and groove they are synonymous for.

Following suit is another passionately romantic number from man of the hour, Stephan Bodzin, and his take feels like floating through a sea of clouds, resulting in a timeless classic to be a focal point in any set for years to come.

Next in line is Ray Kajioka's take on '808 Nirvana' and it's a cosmic ride, ripe with swirling atmospherics laid over big churning drums and rolling cymbals.

Following up on the second 12“ of this LP is a man who needs no introduction: Carl Cox. And in true Coxy fashion he turns 'Riot' into just that: a big room, tension building monster!

Broken Engine' is the next track to get worked over and Wigbert delivers a stunning mix of shimmering tones and growling bass resulting in a lush venture through a cosmic backdrop of flickering stars in deep space.

Joseph Capriati ensues with his vision of 'Fugitives' and he brilliantly keeps the vibe of the original yet adds his trademark big room flair to take it to another level of driving euphoria.

Enlisting the talents of Alan Fitzpatrick to remix one of the slower listening tracks on the album turned out to be magic. With his signature percussion, Fitzpatrick takes the parts and creates a dive deep into sultry smooth waters of seduction.

The first of our last two remixes, which are digital exclusives, come from Paul Ritch and he delivers a grinding rendition of 'Riot', expertly crafted for the more euphoric peak time occasions.

Last and certainly not least is a man on the rise, Kevin Knapp with his twist on his own collaboration with Pan-Pot: 'Get In'. An expertly crafted tech house jam exploding with energy and attitude perfect for any moment, day or night, indoors or out.

No matter the time or place, there is something here for everyone and we are truly fulfilled and honored to present this package of cutting edge artists to celebrate this landmark moment. We know you will enjoy!

@pan-pot
@secondstateaudio
@joseph-capriati


Vinyl

Pan-Pot - Fugitives (Joseph Capriati Remix)

Dirtybird & Trapez artist Nick Olivetti returns to the mothership Kling Klong with his first ever solo single for Martin Eyerer & Rainer Weichhold's label. And indeed, this show will get you high, also because of the freaky remix from Bouq. boss Amir and Alli Borem's brandnew remix of the classic 'Essa Hei' from Nick and his pal Chase Buch. Now let's get this party started right. 

check:
www.facebook.com/KlingKlongRecords
www.facebook.com/nickolivettimusic
www.facebook.com/amir.bouq
www.facebook.com/alliboremofficial
www.facebook.com/ChaseBuch.Page



Nick Olivetti & Chase Buch - Essa Hei (Alli Borem remix) (snippet)

Victor Ruiz - Dance In The Dark (Original Mix)

Paris, early ‘90s. The city was a schizophrenic beast—half-glamour, half-decay—where raves exploded like molotov cocktails in abandoned warehouses and smoke-filled basements. It was beautiful chaos. Somewhere in the thick of it was Julien Veniel, better known as D’Julz, spinning records with the focus of a surgeon and the cool detachment of someone who had seen it all.
Then came New York, 1993. A city that didn’t sleep but didn’t really dream either, at least not back then. Veniel—young, hungry, and too talented to ignore—found himself in the depths of sweaty dancefloors, perfecting his craft like a prizefighter working the heavy bag. The kicks were tighter, the grooves deeper, and his sound—dub-infused, stripped-down, relentless—started to carve its way into the foundations of house and techno.
But Paris called him back. By 1997, he was behind the decks at the Rex Club, launching Bass Culture, a night that would quietly and ruthlessly become one of the most enduring parties in dance music. You could feel it in the air, heavy with smoke and sweat: something was happening. And week after week, D’Julz delivered. The music wasn’t just played; it was installed into your brain, a groove so potent it hijacked your nervous system.
The production side came next. 20:20 Vision, Ovum ,Circus Company. Robsoul. ,Rekids. Big labels, underground credibility. Tracks and remixes that hit like slow-burning dynamite—deceptively simple, brutally effective. DJs hoarded his records like they were holding nuclear launch codes.
Then there was Circoloco—DC10 . Ibiza’s sacred asylum for the beautifully deranged. D’Julz became a fixture for 7 years, a reliable madman behind the decks, controlling both the main room and the red terrace like a general marching his troops to the brink of delirium. His sets were measured doses of euphoria and dread, dubby basslines colliding with pulsing techno rhythms, all delivered with a sly grin and the calm of someone who knew.
By 2009, Bass Culture Records was born. A label as lean and unforgiving as its founder—no fluff, no filler, just raw, stripped-back house and techno that knew where it came from and where it was going. Over 70 releases later, it’s clear: D’Julz doesn’t miss.
Now, decades into this strange and relentless trip, D’Julz is still at it. The tour schedule is insane—Bali, Berlin, New York, and back again. Clubs and cities blend together, but the mission never changes: find the groove, ride it hard, and don’t let up until the lights come on.
D’Julz doesn’t care about trends. He doesn’t care about fame. He’s a purist, a craftsman, a man obsessed with the sound—the deep, pulsing, unstoppable sound. Three decades in and he’s still there, calm and unflinching, dropping records that hit like a gunshot in the dark.
If you want to understand D’Julz, don’t bother asking questions. Just listen. The truth is buried somewhere in the basslines.

Barem - Is (D'julz dub) - Minus

D'Julz

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