Marco Carola Track ID’s - part 2

HOR 27 07 2024

It is hard to imagine the French house scene without the undoubted influence of D’Julz and having inspired a generation of diggers he continues to do the business in the studio and on the road. Having been active since the mid-nineties D’Julz has been pivotal in the progression of high-grade house and techno with just the right amount of funk and tech. We can’t discuss D’Julz without mentioning his genre-defining imprint Bass Culture Records and its lineage is just as impressive. For the eagle-eyed followers amongst you, you will have noticed that D’Julz has recently gone full circle with the rerelease of one of his first-ever records. Since this track first hit the decks back in 1995 he hasn't looked back and has legitimately helped to shape the underground. [continue reading at...

Trommel.208 - D'Julz

D'JULZ : HOME DIGGIN' - 12 Avril 2025

Exclusive mix by @danaruh
Described by Resident Advisor as “one of the grooviest and most elegant house DJs,” Dana Ruh embodies a pure passion for music. A versatile artist, she moves effortlessly between house and techno, equally at home in Berlin and Ibiza.
Founder of the Brouqade label and the independent record store 60waves, she has released standout tracks on Underground Quality, Slices of Life, and Cave Recordings. Always on the move, following a 2023 album on Smallville and the launch of a new live show, she continues to write her story without ever slowing down. She signs our 262th mix.

TRACKLIST 
Danny Daze, Jonny from Space - Slither  
Volume Channel - Insi   
Primitive Needs - High Brow, Low Tech 
NA - Stick Around 
Tom Carruthers - Alfunction  
Darren Roach Bass Ready  
Dana Ruh - KMA54  
Igaxx - Sub Space
Orlando Voorn & Paul Donton - Arabian Funk
Fred P - St. Marks Casettes 
DJ Qu - No Poetry
The Hacker - Laser & Smoke  
Martine - Nicetruller  
Anderson - While i’m Chillin  

DURE VIE
www.durevie.paris/
FB : www.facebook.com/durevieparis
IG : www.instagram.com/durevie/

262 • DANA RUH

For those uninitiated, Black loops has had a solid run of EPs over the years and has undoubtedly made his mark in the house scene. Not only is he a very respected house Dj and producer, he is a versatile drummer known for effortlessly blending genres with proper raw feel and energy.

For those lucky enough to be in Berlin, Riccardo will be preforming his debut album Always Moving with a full live band at Prince Charles on the 9th May. If you’re in the B then you’d be mad to miss it!

While we all wait for the album to drop, Our favourite Italian has cooked up a scorching mix for Ba Dum Tish. Get your taste buds round that 👅

https://soundcloud.com/blackloops

Ba Dum Tish Mix - Black Loops

D'JULZ : HOME DIGGIN' - 10 Mai 2025

"The mix is a cut from my warm up for Dj Koolt and Rhadoo in room 1 from April. I was trying out some newer bits, quite a lot of music from friends." - Harry McCanna

025 - Harry McCanna - Recorded live from fabric

D'Julz HOME DIGGIN' - 14 Juin 2025

FOLLOW US
Online store: https://store.fanatico.au
Instagram: https://www.instagram.com/fanatico_records/
YouTube: https://www.youtube.com/@fanaticorecords

FOLLOW THE ARTIST
Instagram: https://www.instagram.com/subb_an/
SoundCloud: https://soundcloud.com/subb-an

fanático in-store mix with Subb-an

D'JULZ : HOME DIGGIN' - 12 Juillet 2025

Dominic Dawson-Life's A Game (Edit)

Au Rêve (Deluxe Edition)

The Sound of Violence

Foxxy

Big Kid

MIKE DUNN PRESENTS MR 69 -  PHREAKY MF-

Modjo Remixes

What I Mean (Mood II Swing Vocal Dub Remix)

Gosse De Paris LP, Pt. 2

Quadrilette

Paris, early ‘90s. The city was a schizophrenic beast—half-glamour, half-decay—where raves exploded like molotov cocktails in abandoned warehouses and smoke-filled basements. It was beautiful chaos. Somewhere in the thick of it was Julien Veniel, better known as D’Julz, spinning records with the focus of a surgeon and the cool detachment of someone who had seen it all.
Then came New York, 1993. A city that didn’t sleep but didn’t really dream either, at least not back then. Veniel—young, hungry, and too talented to ignore—found himself in the depths of sweaty dancefloors, perfecting his craft like a prizefighter working the heavy bag. The kicks were tighter, the grooves deeper, and his sound—dub-infused, stripped-down, relentless—started to carve its way into the foundations of house and techno.
But Paris called him back. By 1997, he was behind the decks at the Rex Club, launching Bass Culture, a night that would quietly and ruthlessly become one of the most enduring parties in dance music. You could feel it in the air, heavy with smoke and sweat: something was happening. And week after week, D’Julz delivered. The music wasn’t just played; it was installed into your brain, a groove so potent it hijacked your nervous system.
The production side came next. 20:20 Vision, Ovum ,Circus Company. Robsoul. ,Rekids. Big labels, underground credibility. Tracks and remixes that hit like slow-burning dynamite—deceptively simple, brutally effective. DJs hoarded his records like they were holding nuclear launch codes.
Then there was Circoloco—DC10 . Ibiza’s sacred asylum for the beautifully deranged. D’Julz became a fixture for 7 years, a reliable madman behind the decks, controlling both the main room and the red terrace like a general marching his troops to the brink of delirium. His sets were measured doses of euphoria and dread, dubby basslines colliding with pulsing techno rhythms, all delivered with a sly grin and the calm of someone who knew.
By 2009, Bass Culture Records was born. A label as lean and unforgiving as its founder—no fluff, no filler, just raw, stripped-back house and techno that knew where it came from and where it was going. Over 70 releases later, it’s clear: D’Julz doesn’t miss.
Now, decades into this strange and relentless trip, D’Julz is still at it. The tour schedule is insane—Bali, Berlin, New York, and back again. Clubs and cities blend together, but the mission never changes: find the groove, ride it hard, and don’t let up until the lights come on.
D’Julz doesn’t care about trends. He doesn’t care about fame. He’s a purist, a craftsman, a man obsessed with the sound—the deep, pulsing, unstoppable sound. Three decades in and he’s still there, calm and unflinching, dropping records that hit like a gunshot in the dark.
If you want to understand D’Julz, don’t bother asking questions. Just listen. The truth is buried somewhere in the basslines.

Big Kid

D'Julz

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