Minimal / Deep Tech - Best New Tracks - When We Dip

Venezuelan DJ @mari_te, is the latest addition to the Subwax Distribution podcast series. Now based in Madrid, she presents a captivating mix that features only tracks from the Subwax catalogue.

Don't miss Deyayu - A Taste of Intelligence EP which is the upcoming release on Marite's label @tresydosrecords.

Preview it here: https://soundcloud.com/tresydosrecords/tyd009-deyayu-a-taste-of-intelligence-ep

Subwax Distribution Podcast 26 - Mari.te [Tresydos]

ReSolute Podcast 015 / Liquid Earth

Artist: @samofdelaphine
Date: October 11, 2019
Location: Club Aether Budapest, Hungary
Mixer: Model 1

"Aether Club in 2019 was something special—right before the pandemic, when the energy just hit differently. It was my first time playing there, and that night sparked a connection that’s only grown stronger. I’ve been back every year since, and the vibe is always next level." - S.A.M.

WhereAmi? 001 - S.A.M.

🎶 Radio Pager Episode 59 is here, and it’s an absolute vibe! 🌟 Curated by James Andrew and Charley from the UK’s label Nothing But Nice, this electrifying mix is a live recording straight from Dimensions Festival 2024. Dive into a seamless blend of funky, sexy, and deep house grooves that’ll keep you moving from start to finish. Whether you’re reliving the festival magic or discovering it for the first time, this episode is a must-listen for any house music lover. Turn it up, feel the rhythm, and let the music take control! 🕺💃

Enjoy and don’t miss out on this sonic journey! 🔊✨

@jamesandrewnbn
@charleynothingbutnice
@nothingbutnicerecords

Radio Pager Episode 59 - James Andrew & Charley

Butter Side Up with Hamish b2b KRN - 30 March 2025

Ba Dum Tish Mix - Jake Hodgkinson

The Game Of Life Ep

Deadbeat

I'm very happy to play for the first time at the famous kiosk the Lot Radio. For this occasion, I will prepare a special 1-hour set with an exclusive selection.  

https://www.instagram.com/gabbs_gabb
https://soundcloud.com/gabbss



GABBS @ The Lot Radio 05-03-2025

Stash

OK! Just a lil bit

This but More

Thick Air (Loidis Reconfiguration)

Daniel Cuda - Dip

Pablo Bolivar & Celestial Sphere - What is Value

"The mix is a cut from my warm up for Dj Koolt and Rhadoo in room 1 from April. I was trying out some newer bits, quite a lot of music from friends." - Harry McCanna

025 - Harry McCanna - Recorded live from fabric

Toman - Aftercito

Womb resident Satoshi Otsuki is something of a local legend. The list of artists who have visited Tokyo and have benefited from the sonic support of Satoshi is staggering. From Satoshi Tomiie to Vlad Caia, Maher Daniel to Junkie Inoue, there is no limit to depth of this selector’s bag. We were also lucky enough to have Satoshi welcome us when we rolled into town as part of our Asian tour, and we don’t have to labour the point that he knocked it out of the park. [continue reading at...https://trommelmusic.com/music/podcast/trommel-221-satoshi-otsuki/]

Trommel.221 - Satoshi Otsuki

This mix is inspired by our latest digs, as well as selections that we've kept over the years that feel timeless to us. We've crafted it in a way that shows how we move through our own sets, with a driving groove that captures a shift from day through to night. You'll find a mix of house, breaks and techno, from artists we love both old and new. We loved putting this together as it's a showcase of what you can expect to see from us over our gigs this summer - we hope you enjoy it too!

Multi Multi Mix Vol. 12: Mother Earth

MY PRESENTATION! 


An exciting application for you! 


Hello to the right person, booker, music manager or managers. :-) 

My name is Georgij Alexandrov aka Gorgij Park as my artist name. 


I am looking for a job as a pianist, keyboard man 
DJ, composer, entertainer, studio musician, 
producer, a church organist and music teacher. 

I have 20 years experience in playing as a DJ, 
I have 28 years experience in performing as a pianist, 
keyboard man and entertainer and 
23 years of experience in working as 
composer, studio musician, producer, 
church organist and music teacher. 


My music styles is: 

Tech House, Deep House, Progressive House, Melodic House, Melodic Techno, Acid House, NU Disco, Indie Dance, Dark Disco, Progressive Psytrance, Psytrance, Goa Trance, Psybient, Psychill, Psydub, Electronica, Ambient, Chillout, New Age, Disco, Pop, Rock, Latin, Reggae, Classical, Jazz. :-) ;-) 8-) :-D   

I have a large network with over 7.777 friends 
and music people I can invite, 
when I am acting as a pianist, keyboard man, DJ or entertainer. ;-) 


With big greetings from 


George   

Paris, early ‘90s. The city was a schizophrenic beast—half-glamour, half-decay—where raves exploded like molotov cocktails in abandoned warehouses and smoke-filled basements. It was beautiful chaos. Somewhere in the thick of it was Julien Veniel, better known as D’Julz, spinning records with the focus of a surgeon and the cool detachment of someone who had seen it all.
Then came New York, 1993. A city that didn’t sleep but didn’t really dream either, at least not back then. Veniel—young, hungry, and too talented to ignore—found himself in the depths of sweaty dancefloors, perfecting his craft like a prizefighter working the heavy bag. The kicks were tighter, the grooves deeper, and his sound—dub-infused, stripped-down, relentless—started to carve its way into the foundations of house and techno.
But Paris called him back. By 1997, he was behind the decks at the Rex Club, launching Bass Culture, a night that would quietly and ruthlessly become one of the most enduring parties in dance music. You could feel it in the air, heavy with smoke and sweat: something was happening. And week after week, D’Julz delivered. The music wasn’t just played; it was installed into your brain, a groove so potent it hijacked your nervous system.
The production side came next. 20:20 Vision, Ovum ,Circus Company. Robsoul. ,Rekids. Big labels, underground credibility. Tracks and remixes that hit like slow-burning dynamite—deceptively simple, brutally effective. DJs hoarded his records like they were holding nuclear launch codes.
Then there was Circoloco—DC10 . Ibiza’s sacred asylum for the beautifully deranged. D’Julz became a fixture for 7 years, a reliable madman behind the decks, controlling both the main room and the red terrace like a general marching his troops to the brink of delirium. His sets were measured doses of euphoria and dread, dubby basslines colliding with pulsing techno rhythms, all delivered with a sly grin and the calm of someone who knew.
By 2009, Bass Culture Records was born. A label as lean and unforgiving as its founder—no fluff, no filler, just raw, stripped-back house and techno that knew where it came from and where it was going. Over 70 releases later, it’s clear: D’Julz doesn’t miss.
Now, decades into this strange and relentless trip, D’Julz is still at it. The tour schedule is insane—Bali, Berlin, New York, and back again. Clubs and cities blend together, but the mission never changes: find the groove, ride it hard, and don’t let up until the lights come on.
D’Julz doesn’t care about trends. He doesn’t care about fame. He’s a purist, a craftsman, a man obsessed with the sound—the deep, pulsing, unstoppable sound. Three decades in and he’s still there, calm and unflinching, dropping records that hit like a gunshot in the dark.
If you want to understand D’Julz, don’t bother asking questions. Just listen. The truth is buried somewhere in the basslines.

Deadbeat

D'Julz

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