D'Julz live @Panorama Bar-Berlin 14th of April  2013 @ 7-10PM

Ricardo Villalobos  - Fabric 36 (Full Mix)

Magda b2b Tomas Station Floyd 5-24-24

early morning / after hours groove recorded live 1999

Is This Music

After various conversations with Nacho Capella (RICARDISTAS) I decided to take inspiration from his posts on Instagram, from his TEMPOIBIZA profile, and prepare a tribute set to one of the most historic, long-lived and important clubs on the planet. In fact, my set is a tribute to Amnesia and its history.

Farfa@Pyramid Closing:Amnesia 6.10.2024 MST

Buy our records here : https://www.yoyaku.io Or digital release here : https://yoyaku.bandcamp.com/
Get Vacuity's Record: https://www.yoyaku.io/release/various_artists_mariiin_carriego_sekance_order_behind_chaos_vacu002/
FOLLOW US: Instagram: Yoyaku: https://www.instagram.com/yoyaku.fr/ Yoyaku record store: https://www.instagram.com/yoyakurecordstore/ Soundcloud: https://soundcloud.com/yoyaku /
Yoyaku events: https://linktr.ee/yoyaku.fr
Yoyaku record store events & latest news: https://linktr.ee/yoyakurecordstore

FOLLOW THE ARTIST and LABEL:
ARTIST: https://www.instagram.com/nicoleppkh/
LABEL: https://www.instagram.com/vacuity_records/

Yoyaku Instore Session with Nicole for Vacuity Records

It is hard to imagine the French house scene without the undoubted influence of D’Julz and having inspired a generation of diggers he continues to do the business in the studio and on the road. Having been active since the mid-nineties D’Julz has been pivotal in the progression of high-grade house and techno with just the right amount of funk and tech. We can’t discuss D’Julz without mentioning his genre-defining imprint Bass Culture Records and its lineage is just as impressive. For the eagle-eyed followers amongst you, you will have noticed that D’Julz has recently gone full circle with the rerelease of one of his first-ever records. Since this track first hit the decks back in 1995 he hasn't looked back and has legitimately helped to shape the underground. [continue reading at...

Trommel.208 - D'Julz

Nouvelle musique sur la chaîne DIRTY MVSS 

👉 INSTAGRAM :
➥   / dirty_mvss  

👉 SOUNDCLOUD :
➥   / dirty-mvss  

👉 TWITTER  :
➥   / dirtymvss  

✅ SPOTIFY :
👉 https://open.spotify.com/intl-fr/albu...

📩 EMAIL PRO :
➥ dirty-mvss@outlook.fr

Merci pour votre soutien !

LOOM

Yoyaku Mix Session : Delano Smith

yoyaku instore session : Satoshi Tomiie

Yoyaku Instore Session - D'julz

Paris, early ‘90s. The city was a schizophrenic beast—half-glamour, half-decay—where raves exploded like molotov cocktails in abandoned warehouses and smoke-filled basements. It was beautiful chaos. Somewhere in the thick of it was Julien Veniel, better known as D’Julz, spinning records with the focus of a surgeon and the cool detachment of someone who had seen it all.
Then came New York, 1993. A city that didn’t sleep but didn’t really dream either, at least not back then. Veniel—young, hungry, and too talented to ignore—found himself in the depths of sweaty dancefloors, perfecting his craft like a prizefighter working the heavy bag. The kicks were tighter, the grooves deeper, and his sound—dub-infused, stripped-down, relentless—started to carve its way into the foundations of house and techno.
But Paris called him back. By 1997, he was behind the decks at the Rex Club, launching Bass Culture, a night that would quietly and ruthlessly become one of the most enduring parties in dance music. You could feel it in the air, heavy with smoke and sweat: something was happening. And week after week, D’Julz delivered. The music wasn’t just played; it was installed into your brain, a groove so potent it hijacked your nervous system.
The production side came next. 20:20 Vision, Ovum ,Circus Company. Robsoul. ,Rekids. Big labels, underground credibility. Tracks and remixes that hit like slow-burning dynamite—deceptively simple, brutally effective. DJs hoarded his records like they were holding nuclear launch codes.
Then there was Circoloco—DC10 . Ibiza’s sacred asylum for the beautifully deranged. D’Julz became a fixture for 7 years, a reliable madman behind the decks, controlling both the main room and the red terrace like a general marching his troops to the brink of delirium. His sets were measured doses of euphoria and dread, dubby basslines colliding with pulsing techno rhythms, all delivered with a sly grin and the calm of someone who knew.
By 2009, Bass Culture Records was born. A label as lean and unforgiving as its founder—no fluff, no filler, just raw, stripped-back house and techno that knew where it came from and where it was going. Over 70 releases later, it’s clear: D’Julz doesn’t miss.
Now, decades into this strange and relentless trip, D’Julz is still at it. The tour schedule is insane—Bali, Berlin, New York, and back again. Clubs and cities blend together, but the mission never changes: find the groove, ride it hard, and don’t let up until the lights come on.
D’Julz doesn’t care about trends. He doesn’t care about fame. He’s a purist, a craftsman, a man obsessed with the sound—the deep, pulsing, unstoppable sound. Three decades in and he’s still there, calm and unflinching, dropping records that hit like a gunshot in the dark.
If you want to understand D’Julz, don’t bother asking questions. Just listen. The truth is buried somewhere in the basslines.

D'Julz live @Panorama Bar-Berlin 14th of April 2013 @ 7-10PM

D'Julz

Recent comments

Alexandra Gavrila

All Around The House

𝕿𝖍𝖊𝖔 𝕵𝖚𝖑𝖎𝖊𝖓

maryna

Related tracks