Firstly we want to thank everyone for contributing your creativity, generosity and positivity to our fundraiser for the ongoing humanitarian crisis that is ongoing across Europe. We hope you are all safe and well, and wish the best to your friends and families. 

The last three years have been incredibly difficult on us all, and it is inspiring to see our united music scene come together once again in response to the atrocities in Ukraine. We hope for peace as soon as possible, and we must prepare to rebuild and help the affected people to recover from this tragic conflict.

Sadly, the people of Ukraine will need support for years to come. For this reason, our fundraiser will be making weekly donations to Closer Kyiv's fundraiser appeal. We will make regular posts on social media regarding the fundraising process to show how much this album has raised.

Purchase the album here: https://h24musique.bandcamp.com/album/love-for-ukraine

Thanks to Christian Chiodan, Enzo Leep & RJ Meaney for mixing and mastering services and to Art Me (Mohamed Hamed) for the amazing artwork!

With thanks to:
@alexzola
@alexfont
@alexiscabrera
@alffiemusic
@alvaro-medina
@analiliamusic
@annemusicofficial
@archiehamiltonmusic
@beqa-paikidze
@bushwackaofficial
@chiodan
@cooke_uk
@cosmjn
@danielacast
@devvmusic @paulquzz
@joedewaal
@direktro
@distillednoiselovesyou
@doubtingthomas
@zenk_microorbitrecords
@enzo-16
@fabeagain @lindseymatthews
@felipe_valenzuela @jorgesavoretti
@flv-c
@gathaspar
@giulianolomonte
@gladis
@guyfromdownstairs
@Herodot / @clovis
@HumanLogo
@jeremy-weeks
@jordeeneverbenormal
@legittrip
@Lepaya
@manalou
@lukea-sphere
@lukeymusic420
@losbastoneros
@maher-daniel
@markussommer
@mathew-jonson
@miked-dj
@mikhu_music
@Mjulev
@microminimalrecords
@nate_su
@nistormusiq
@noha_bekind
@orli-7
@osceaus
@partingwave
@pinto
@ramonayacef
@bill_it
@ekalprince
@samofdelaphine
@antoine-santucci
@djscottfeatherstone
@LukeShalomdj
@silverlining-dubs
@simon-jacquemin 
@siumh24 @amalia-piovoso
@sonomamusic
@soundopamine
@Subb-an
@subleee
@sugatamikamusic
@tomfitzgeraldmusic
@thilodietrich
@djtobineumann
@vlad-arapasu
@vlad-bretan
@Yoshitaca

Purchase On Bandcamp:

S.A.M. - Steady Freddy

Highly Requested Edit! Enjoy
Available on Bandcamp
https://alcimusiq.bandcamp.com/track/alci-bail-mor-edit

Alci Bailémor Edit

Top 10 selling vinyl
Part 2 of the re issue series- My Life With the Machines.

Jay Tripwire Bam! Its A Banana

BANDCAMP

Janeret - Definition Of The D. [Bandcamp Exclusive]

D'JULZ-MONEY , HONEY , MONDAY-DARRREN ROACH REMIX (BCR075 -A1)

Support the artist and the label:
https://www.discogs.com/release/21076990-Anonymous-Lately?srsltid=AfmBOor8CITGFRBFd6-SQNuqdb-_Oa_lJKwHdJC1dzpkKO6WSJvqzaQS

Label: Homecuts. – HMECTS001
Format: Vinyl, 12", 45 RPM
Country: UK
Released: Nov 17, 2021
Genre: Electronic
Style: House, Minimal, Tech House, Deep House

DUSTED: Anonymous - Lately.

Let's Do It Again Extended Dance Remix Djloops (1981)

Sexy Sushi - Sex Appeal (Lusty Mix)

FREE DOWNLOAD: https://hypeddit.com/ab69am

Free Download

Set You Free [FREE DL]

Second track off The Reverb Chronicles #1
Out in May - vinyl only!

Early feedback:

Audiojack: “Outstanding EP, gonna grab them all to have a more detailed listen”

Mark Henning: “Shit!! i've been looking for the first tune for 15 years! Epic.. brings back good memories. Thanks!” 

Waif & Strays: “That is proper wicked…love all the tracks! All of them are proper bombs…can’t pick a favourite” 5/5

Tensnake: “Too late is funky, thanks” 4/5

Dubfire: “Cool stuff, thanks” 5/5

Tedd Patterson: “Really Great. All cuts! Love it.”

Sascha Dive: “Like the silverlining remix” 5/5

Huxley: “Roll Call is a beast” 4/5

Raresh: “Ravi Mcarthur track for me .. thanks” 4/5

Death on the Balcony: “Apathy is cool!”

James Zabiela: “Roll Call and Another Crap Night Out for me!” 4/5

Doc Martin: “Serious as always!!!!” 4/5

Danielle Moore (Crazy P): “Love Roll Call and Another Crap Night!!!” 

Lee Jones (Watergate): “Classic Grooves”

Jamie Russell / Cedric Maison: “Eltham!”


Silverlining - Apathy feat Lauren Kitara (RvS015)

Rhadow - Gave You (Dirty Culture Remix)

Paris, early ‘90s. The city was a schizophrenic beast—half-glamour, half-decay—where raves exploded like molotov cocktails in abandoned warehouses and smoke-filled basements. It was beautiful chaos. Somewhere in the thick of it was Julien Veniel, better known as D’Julz, spinning records with the focus of a surgeon and the cool detachment of someone who had seen it all.
Then came New York, 1993. A city that didn’t sleep but didn’t really dream either, at least not back then. Veniel—young, hungry, and too talented to ignore—found himself in the depths of sweaty dancefloors, perfecting his craft like a prizefighter working the heavy bag. The kicks were tighter, the grooves deeper, and his sound—dub-infused, stripped-down, relentless—started to carve its way into the foundations of house and techno.
But Paris called him back. By 1997, he was behind the decks at the Rex Club, launching Bass Culture, a night that would quietly and ruthlessly become one of the most enduring parties in dance music. You could feel it in the air, heavy with smoke and sweat: something was happening. And week after week, D’Julz delivered. The music wasn’t just played; it was installed into your brain, a groove so potent it hijacked your nervous system.
The production side came next. 20:20 Vision, Ovum ,Circus Company. Robsoul. ,Rekids. Big labels, underground credibility. Tracks and remixes that hit like slow-burning dynamite—deceptively simple, brutally effective. DJs hoarded his records like they were holding nuclear launch codes.
Then there was Circoloco—DC10 . Ibiza’s sacred asylum for the beautifully deranged. D’Julz became a fixture for 7 years, a reliable madman behind the decks, controlling both the main room and the red terrace like a general marching his troops to the brink of delirium. His sets were measured doses of euphoria and dread, dubby basslines colliding with pulsing techno rhythms, all delivered with a sly grin and the calm of someone who knew.
By 2009, Bass Culture Records was born. A label as lean and unforgiving as its founder—no fluff, no filler, just raw, stripped-back house and techno that knew where it came from and where it was going. Over 70 releases later, it’s clear: D’Julz doesn’t miss.
Now, decades into this strange and relentless trip, D’Julz is still at it. The tour schedule is insane—Bali, Berlin, New York, and back again. Clubs and cities blend together, but the mission never changes: find the groove, ride it hard, and don’t let up until the lights come on.
D’Julz doesn’t care about trends. He doesn’t care about fame. He’s a purist, a craftsman, a man obsessed with the sound—the deep, pulsing, unstoppable sound. Three decades in and he’s still there, calm and unflinching, dropping records that hit like a gunshot in the dark.
If you want to understand D’Julz, don’t bother asking questions. Just listen. The truth is buried somewhere in the basslines.

D'JULZ-MONEY , HONEY , MONDAY-DARRREN ROACH REMIX (BCR075 -A1)

D'Julz

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