For our 7th episode of 'Move Like Who?' we invited Malachy down to the basement and he certainly delivered.

Having gained notoriety from his remix of 'Energy' by Josh Baker, Malachy has gone on to play in and around Manchester with only more to sets to come.

With a growing catalogue of unreleased tunes in is weaponry, take this as a hint that you'll be hearing much more from him in the future.

Find him at:
https://www.instagram.com/malachydj/
https://soundcloud.com/malachydj

Find us elsewhere:
https://linktr.ee/movelikeme

Move Like Who? - Malachy

@arifrankmuziq with a rework of a 90s avant-garde gem.

Introducing Our New Edits Series: M.EDITS

We’re dropping some 90s hits with our new M.EDITS series and taking you back to the days of dial-up internet, Tamagotchis, Walkmans, and neon everything. Includes an extraordinary free download 🎶✨

Artists: crafted by the masterful hands of Ari Frank, Terence :Terry:, Rodrigo P., and Nima Gorji.

We hope that you dig them as much as we did

The Melodeum Team❤️

M.Edits #1

Wolfgang Press - Time (Ari Frank Re-Work)

D'JULZ-MONEY , HONEY , MONDAY? HOSTOM SUMMER REMIX (DIGI ONLY)

Deep Blue - G. Segurola

I Believe E.P

Walking On Air

Benny S - Living In a Chord (Original Mix) [Master]

uvardig014 Adult Sonics - Shaman dance EP

Carlo Gambino - 'Woolooware Bay' EP - MSR088 - Out Now

Buy on bandcamp

Red Richards & Raico - Before Midnight

Tonight

Stereoimagery - Tonight

🔥 Six Day Loop VOL 2– Minimal Deep House Album (128 BPM) 🔥
Step into the rhythm of CHAOS, a hypnotic journey through minimal grooves, deep basslines, and pulsating 128 BPM energy. Designed for late-night dancers, underground lovers, and anyone who craves a clean, groovy, immersive vibe.

Let the rolling beats, atmospheric textures, and subtle melodic layers pull you into a state of pure movement. Whether you're dancing, working, mixing, or drifting into the night, CHAOS delivers a seamless flow from start to finish.

✨ What to expect:

Deep + minimal house grooves

Clean, spacious rhythms

Hypnotic basslines

Smooth transitions

Dance-ready 128 BPM energy

💽 Perfect for:
DJ sets • Dance floors • Chill sessions • Background vibes • Creative flow

🔥 Turn up the volume… step into CHAOS. 🖤

#MinimalHouse #DeepHouse #128BPM #GroovyBeats #MinimalTech #HouseMusic #ElectronicMusic #DJSet #DanceMusic #UndergroundMusic #NewAlbum #Music2025 #GrooveSession #NightVibes #ChillBeats

tuesday V - AZRO [Minimal/Micro/deep house music 128bpm]

Paris, early ‘90s. The city was a schizophrenic beast—half-glamour, half-decay—where raves exploded like molotov cocktails in abandoned warehouses and smoke-filled basements. It was beautiful chaos. Somewhere in the thick of it was Julien Veniel, better known as D’Julz, spinning records with the focus of a surgeon and the cool detachment of someone who had seen it all.
Then came New York, 1993. A city that didn’t sleep but didn’t really dream either, at least not back then. Veniel—young, hungry, and too talented to ignore—found himself in the depths of sweaty dancefloors, perfecting his craft like a prizefighter working the heavy bag. The kicks were tighter, the grooves deeper, and his sound—dub-infused, stripped-down, relentless—started to carve its way into the foundations of house and techno.
But Paris called him back. By 1997, he was behind the decks at the Rex Club, launching Bass Culture, a night that would quietly and ruthlessly become one of the most enduring parties in dance music. You could feel it in the air, heavy with smoke and sweat: something was happening. And week after week, D’Julz delivered. The music wasn’t just played; it was installed into your brain, a groove so potent it hijacked your nervous system.
The production side came next. 20:20 Vision, Ovum ,Circus Company. Robsoul. ,Rekids. Big labels, underground credibility. Tracks and remixes that hit like slow-burning dynamite—deceptively simple, brutally effective. DJs hoarded his records like they were holding nuclear launch codes.
Then there was Circoloco—DC10 . Ibiza’s sacred asylum for the beautifully deranged. D’Julz became a fixture for 7 years, a reliable madman behind the decks, controlling both the main room and the red terrace like a general marching his troops to the brink of delirium. His sets were measured doses of euphoria and dread, dubby basslines colliding with pulsing techno rhythms, all delivered with a sly grin and the calm of someone who knew.
By 2009, Bass Culture Records was born. A label as lean and unforgiving as its founder—no fluff, no filler, just raw, stripped-back house and techno that knew where it came from and where it was going. Over 70 releases later, it’s clear: D’Julz doesn’t miss.
Now, decades into this strange and relentless trip, D’Julz is still at it. The tour schedule is insane—Bali, Berlin, New York, and back again. Clubs and cities blend together, but the mission never changes: find the groove, ride it hard, and don’t let up until the lights come on.
D’Julz doesn’t care about trends. He doesn’t care about fame. He’s a purist, a craftsman, a man obsessed with the sound—the deep, pulsing, unstoppable sound. Three decades in and he’s still there, calm and unflinching, dropping records that hit like a gunshot in the dark.
If you want to understand D’Julz, don’t bother asking questions. Just listen. The truth is buried somewhere in the basslines.

D'JULZ-MONEY , HONEY , MONDAY? HOSTOM SUMMER REMIX (DIGI ONLY)

D'Julz

Recent comments

Antonio Isai

Related tracks