Top 10 selling vinyl
Part 2 of the re issue series- My Life With the Machines.

Jay Tripwire Rollin' In The Gutter

Shonky a.k.a Bootshonk - White Ghost

We are thrilled to introduce you to Gab Jr's new sonic adventures on Automatic Writing. These 4 tracks have been selected from his live set and carefully polished to be pressed on wax.

All tracks written & produced by Yoan Lamidon
Vocals on A2 by Lourene
Mastered by Lowris & Jakub
Artwork by Darween
A&R by Darween & Jacan
Distributed by Yoyaku
Published by Rotary RM

A1 - Gab Jr - This Is House

The Girl Of Your Dreams

In the Earth’s hidden veins, silent rivers flow,
Telluric currents, concealed beneath the show.
Whispers of the world, electric and grand,
Tracing ancient routes, from future to the land.

With Alexandra’s vision, colors start to reveal,
A canvas of wonders, in shades surreal.
Like the hum of a village where life gently sings,
The music of roots, where every note clings.

Through rock and soil, Tyme’s secrets are sealed,
In the heart of the Earth, where melodies are healed.
In David’s hands, the echoes refine,
Crafting a sound both profound and divine.

Thank you for guiding us through the telluric vein.

– Aman Umber & Krol

TELU01

Download

Aman Umber - All The Things (Tyme's Love Tribute)

Joshua - Echo Chamber (Joshua's Dubwise Mix)

D'JULZ-NU BASS -DJ DEEP REMIX (BCR075-B1)

Killer remix of Human League - Don't You Want Me by an Unknown Artist. Vinyl only release by PB Records, now available for purchase at record shops.

Unknown Artist - Unknown [2025]

(UNRL) Welcome Back!

Scottish producer, DJ, Futureboogie, Rekids, Classic, and Phonica artist Austin Ato remixes 'Disco Triumph', infusing the original with earworm piano lines and a real classic dancefloor feel.

DUKWA - DISCO TRIUMPH [AUSTIN ATO REMIX]

Sound Of The Suburbs - I Won't Stop

Paris, early ‘90s. The city was a schizophrenic beast—half-glamour, half-decay—where raves exploded like molotov cocktails in abandoned warehouses and smoke-filled basements. It was beautiful chaos. Somewhere in the thick of it was Julien Veniel, better known as D’Julz, spinning records with the focus of a surgeon and the cool detachment of someone who had seen it all.
Then came New York, 1993. A city that didn’t sleep but didn’t really dream either, at least not back then. Veniel—young, hungry, and too talented to ignore—found himself in the depths of sweaty dancefloors, perfecting his craft like a prizefighter working the heavy bag. The kicks were tighter, the grooves deeper, and his sound—dub-infused, stripped-down, relentless—started to carve its way into the foundations of house and techno.
But Paris called him back. By 1997, he was behind the decks at the Rex Club, launching Bass Culture, a night that would quietly and ruthlessly become one of the most enduring parties in dance music. You could feel it in the air, heavy with smoke and sweat: something was happening. And week after week, D’Julz delivered. The music wasn’t just played; it was installed into your brain, a groove so potent it hijacked your nervous system.
The production side came next. 20:20 Vision, Ovum ,Circus Company. Robsoul. ,Rekids. Big labels, underground credibility. Tracks and remixes that hit like slow-burning dynamite—deceptively simple, brutally effective. DJs hoarded his records like they were holding nuclear launch codes.
Then there was Circoloco—DC10 . Ibiza’s sacred asylum for the beautifully deranged. D’Julz became a fixture for 7 years, a reliable madman behind the decks, controlling both the main room and the red terrace like a general marching his troops to the brink of delirium. His sets were measured doses of euphoria and dread, dubby basslines colliding with pulsing techno rhythms, all delivered with a sly grin and the calm of someone who knew.
By 2009, Bass Culture Records was born. A label as lean and unforgiving as its founder—no fluff, no filler, just raw, stripped-back house and techno that knew where it came from and where it was going. Over 70 releases later, it’s clear: D’Julz doesn’t miss.
Now, decades into this strange and relentless trip, D’Julz is still at it. The tour schedule is insane—Bali, Berlin, New York, and back again. Clubs and cities blend together, but the mission never changes: find the groove, ride it hard, and don’t let up until the lights come on.
D’Julz doesn’t care about trends. He doesn’t care about fame. He’s a purist, a craftsman, a man obsessed with the sound—the deep, pulsing, unstoppable sound. Three decades in and he’s still there, calm and unflinching, dropping records that hit like a gunshot in the dark.
If you want to understand D’Julz, don’t bother asking questions. Just listen. The truth is buried somewhere in the basslines.

D'JULZ-NU BASS -DJ DEEP REMIX (BCR075-B1)

D'Julz

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