Techno


Boiler Room x Bridges For Music.Org / South Africa VS Cadenza w/ Luciano, Black Coffee, Mirko Loko, Kid Fonque & Diloxclusiv Vs Sir Vincent.

[Broadcasted on 16th October 2013]

Tracklist & video at boilerroom.tv

Luciano 60 min Boiler Room mix

TRACKLIST:

00:00 01. Mario Ochoa, DJ PP - Gotcha [Great Stuff]
04:57 02. Paco Maroto, Florian Gasperini - Chobamba [Sphera]
10:07 03. Andres Blows - My country is great [Avenue Recordings]
14:39 04. Mike Newman - Funk You (Riotgear Rmx) [Natura Viva]
19:43 05. Edgar Mob - Redemption [Avenue Recordings]
24:37 06. Newmanhere - Barack [Avenue Recordings]
30:11 07. Stefano Kosa - Pump [Nirvana]
35:06 08. Biella & Astrall - Grovin High [Avenue Recordings]
39:33 09. Ranchatek, Stanny Abram - Poppin’ Monster [Avenue Recordings]
45:21 10. Belocca, Muzzaik - Shake That
50:01 11. Heartik - Mermaid’s Call [1605]
55:04 12. Ten Walls - Requiem


IBP055 - Mario Ochoa's Infected Beats Podcast Episode 055

Paris veteran  and Bass Culture boss D'Julz drops a deep and bumpin selection of timeless house grooves


Julien Veniel aka D’Julz has had his fingers in electronic club music for more than two decades. A longtime resident at Paris institution Rex, he is not only one of the stalwarts of the French scene, but has made a firm imprint on the European clubbing landscape. D’Julz was spinning at many of the early raves and clubs in his home town of Paris, before moving to New York in 1993. While his time in the big apple cemented his reputation as a DJ, it was the birth of his now iconic Bass Culture night at Rex Club in Paris in 1997 that really put him on the map internationally. The monthly party has become the longest running event in the club’s history, a testament to the stamina and staying power of D’Julz selection prowess. The Bass Culture residency also became the perfect testing ground for his own productions, and his sought after tracks and remixes have found homes on labels such as Rekids, Ovum, 2020 Vision, Circus Company, Soma, M_nus, Get Physical and many others. In 2009 D’Julz started his own label under the Bass Culture name, making him a cornerstone of Paris’ house and electronic music fraternity in the process. He continues to travel the world spreading the true school house and techno gospel, gracing the leading clubs from Panorama Bar to Fabric with his deep and bumpin’ selection of timeless 4/4 grooves.

D'Julz -Redbull Music Academy Radio Mix

https://spunoff.bandcamp.com/album/first-nostril-on-the-moon-splove002

@spunoff

Premiere : SpunOff - Solar Power (SPLOVE002)

early morning / after hours groove recorded live 1999

Is This Music

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Yoyaku instore session with Maxime dB

D'Julz HOME DIGGIN' - 14 Juin 2025

Nicole Moudaber at Awakenings Festival 2015 Day Two
SoundCloud: @awakenings
Facebook: www.facebook.com/awakenings
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Nicole Moudaber @ Awakenings Festival Day Two

Co-curator of pivotal imprint Klasse Wrecks, Mr. Ho has had an immeasurable impact on the bass and bleep end of the house and techno spectrum. Hailing from Hong Kong, there are few areas of this community that both Mr. Ho and his Klasse Wrecks imprint have not influenced. Having forged an enviable discography, the HK native has touched down on labels such as DJ Masda’s Cabaret Recordings, ESP Institute, Modern Funktion, Altered Circuits, Love International's new Floor Series, and of course, a regular slew of additions to his own imprint. [continue reading at...https://trommelmusic.com/music/podcast/trommel-228-mr-ho/]

Trommel.228 - Mr. Ho

Saudi selector and LYMM co-founder, Majid has become integral in the Middle East community. He has grown in tandem with cultural happenings in Saudi Arabia and further afield where appearances at the likes Club der Visionaere, Studio Stereo, Soundscapes, Fabrika Festival, and closer to home, the Beast House series are becoming the norm for Majid. 

Having performed at our last two Saudi editions alongside Beast House, Majid exemplified the deeper aspects of house and techno while still keeping things fresh. We couldn't wait to welcome him to our mix series and he has delivered a recording that doubles down on the impact of these live performances. Shimmering deep house bleeds effortlessly into dub flecked percussive numbers, and with the mix peppered with attitude soaked vocals this mix slaps as much at dawn as it does at dusk.

https://www.instagram.com/majids.music/
https://soundcloud.com/majidsh

Majid - Trommel InSession 163 [powered by AlphaTheta]

Drawing inspiration from everything artsy,
be it metal bands, cinematography, or photography,
there's a heavy-handed heaviness to his music. 

https://www.instagram.com/gojnea76
https://on.soundcloud.com/9jpccGATuPjp5pmBcS

 

Gojnea76 @ The Lot Radio 10-03-2025

(March 2013) 
a 80 minute foray into the caverns of her rich and profoundly varied record collection.

MEOKO PODCAST SERIES | Jane Fitz (2013)

Yoyaku Podcast with Krol

Soulstatejazz (live) - Live From Dimensions '25

Owner and lynchpin of Berlin’s Elevate record store, Cinthie, has long cemented herself as a true house innovator. Her timeless, yet forward thinking approach to house music has propelled her in all manner of directions. From her first forays in the early 00’s, supporting EPs through the years, and clutch of supporting EPs for the likes of Beste Modus, Ground Service Records, and of course her own 803 Crystal Grooves. With a clutch of outstanding releases on Aus Music, it wasn't long before Cithie was tapped for an LP from Will Saul and her “Skylines City Lights”  longplayer was nothing short of her lauded. [continue reading at...

Trommel.231 - Cinthie [powered by AlphaTheta]

Paris, early ‘90s. The city was a schizophrenic beast—half-glamour, half-decay—where raves exploded like molotov cocktails in abandoned warehouses and smoke-filled basements. It was beautiful chaos. Somewhere in the thick of it was Julien Veniel, better known as D’Julz, spinning records with the focus of a surgeon and the cool detachment of someone who had seen it all.
Then came New York, 1993. A city that didn’t sleep but didn’t really dream either, at least not back then. Veniel—young, hungry, and too talented to ignore—found himself in the depths of sweaty dancefloors, perfecting his craft like a prizefighter working the heavy bag. The kicks were tighter, the grooves deeper, and his sound—dub-infused, stripped-down, relentless—started to carve its way into the foundations of house and techno.
But Paris called him back. By 1997, he was behind the decks at the Rex Club, launching Bass Culture, a night that would quietly and ruthlessly become one of the most enduring parties in dance music. You could feel it in the air, heavy with smoke and sweat: something was happening. And week after week, D’Julz delivered. The music wasn’t just played; it was installed into your brain, a groove so potent it hijacked your nervous system.
The production side came next. 20:20 Vision, Ovum ,Circus Company. Robsoul. ,Rekids. Big labels, underground credibility. Tracks and remixes that hit like slow-burning dynamite—deceptively simple, brutally effective. DJs hoarded his records like they were holding nuclear launch codes.
Then there was Circoloco—DC10 . Ibiza’s sacred asylum for the beautifully deranged. D’Julz became a fixture for 7 years, a reliable madman behind the decks, controlling both the main room and the red terrace like a general marching his troops to the brink of delirium. His sets were measured doses of euphoria and dread, dubby basslines colliding with pulsing techno rhythms, all delivered with a sly grin and the calm of someone who knew.
By 2009, Bass Culture Records was born. A label as lean and unforgiving as its founder—no fluff, no filler, just raw, stripped-back house and techno that knew where it came from and where it was going. Over 70 releases later, it’s clear: D’Julz doesn’t miss.
Now, decades into this strange and relentless trip, D’Julz is still at it. The tour schedule is insane—Bali, Berlin, New York, and back again. Clubs and cities blend together, but the mission never changes: find the groove, ride it hard, and don’t let up until the lights come on.
D’Julz doesn’t care about trends. He doesn’t care about fame. He’s a purist, a craftsman, a man obsessed with the sound—the deep, pulsing, unstoppable sound. Three decades in and he’s still there, calm and unflinching, dropping records that hit like a gunshot in the dark.
If you want to understand D’Julz, don’t bother asking questions. Just listen. The truth is buried somewhere in the basslines.

D'Julz -Redbull Music Academy Radio Mix

D'Julz

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