Please, please, please ! Track ID! Im in love with this tune, make my day <3 amazing set overall

Subb-an 3 hour extract from Club Der Visionaire in Berlin 08.06.2023
Stripped, minimal and groovy

My King Is Light Showcase:
// Melchior Productions LTD ft Mischa Blanos LIVE
// Subb-an
// Klon Dump

Subb-an ~~ 3 hours // Club Der Visionaire Berlin - 08.06.2023

Recorded at Fusion Festival, 2023.07.01
Turmbühne stage
Lärz, Germany

Per Hammar at Fusion Festival, Turmbühne 2023.07.01

Live recording from March 15, 2024 in Seattle, USA
part of a six-hour open-to-close masterpiece from @janeret

"Janeret has been a favorite across recent years. We hosted him first in Seattle at Flammable during Kremfest 2019, followed by a jubilant night in 2022. Since we all can't seem to get enough of him, he'll be playing an open-to-close extended set this time around. Get ready for a journey through house music from one of underground dance music's finest."

Makes Me Human ft. Janeret

HOR 27 07 2024

Rhadoo b2b Ricardo Villalobos at Sunwaves 13 Afterhours (part4)

BIL,-EDGE OF SPACE

Morning Mist (Original Mix)

"El Ro 25" is a fresh Tech House track by Spanish producer David Martzz. With pulsating grooves, ambient textures, and a fluid, progressive structure, it captures the energy of the European electronic scene. It delivers both dancefloor drive and introspective depth—an immersive journey through rhythm and emotion.

El Ro 25

2h recording, part of a 4h warm-up set before Seth Troxler & Craig Richards at Output´s anniversary party Jan 27th 2018

DJ Set @ Output Brooklyn New York 2018

D'Julz @ Sonus Festival , Croatia 20 08 18

Dan Ghenacia DJ Set Recorded Live at Antirouille, Montpellier Jan 2020.

Paris, early ‘90s. The city was a schizophrenic beast—half-glamour, half-decay—where raves exploded like molotov cocktails in abandoned warehouses and smoke-filled basements. It was beautiful chaos. Somewhere in the thick of it was Julien Veniel, better known as D’Julz, spinning records with the focus of a surgeon and the cool detachment of someone who had seen it all.
Then came New York, 1993. A city that didn’t sleep but didn’t really dream either, at least not back then. Veniel—young, hungry, and too talented to ignore—found himself in the depths of sweaty dancefloors, perfecting his craft like a prizefighter working the heavy bag. The kicks were tighter, the grooves deeper, and his sound—dub-infused, stripped-down, relentless—started to carve its way into the foundations of house and techno.
But Paris called him back. By 1997, he was behind the decks at the Rex Club, launching Bass Culture, a night that would quietly and ruthlessly become one of the most enduring parties in dance music. You could feel it in the air, heavy with smoke and sweat: something was happening. And week after week, D’Julz delivered. The music wasn’t just played; it was installed into your brain, a groove so potent it hijacked your nervous system.
The production side came next. 20:20 Vision, Ovum ,Circus Company. Robsoul. ,Rekids. Big labels, underground credibility. Tracks and remixes that hit like slow-burning dynamite—deceptively simple, brutally effective. DJs hoarded his records like they were holding nuclear launch codes.
Then there was Circoloco—DC10 . Ibiza’s sacred asylum for the beautifully deranged. D’Julz became a fixture for 7 years, a reliable madman behind the decks, controlling both the main room and the red terrace like a general marching his troops to the brink of delirium. His sets were measured doses of euphoria and dread, dubby basslines colliding with pulsing techno rhythms, all delivered with a sly grin and the calm of someone who knew.
By 2009, Bass Culture Records was born. A label as lean and unforgiving as its founder—no fluff, no filler, just raw, stripped-back house and techno that knew where it came from and where it was going. Over 70 releases later, it’s clear: D’Julz doesn’t miss.
Now, decades into this strange and relentless trip, D’Julz is still at it. The tour schedule is insane—Bali, Berlin, New York, and back again. Clubs and cities blend together, but the mission never changes: find the groove, ride it hard, and don’t let up until the lights come on.
D’Julz doesn’t care about trends. He doesn’t care about fame. He’s a purist, a craftsman, a man obsessed with the sound—the deep, pulsing, unstoppable sound. Three decades in and he’s still there, calm and unflinching, dropping records that hit like a gunshot in the dark.
If you want to understand D’Julz, don’t bother asking questions. Just listen. The truth is buried somewhere in the basslines.

D'Julz @ Sonus Festival , Croatia 20 08 18

D'Julz

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