what a mix! D'Julz putting on a masterclass

In such a dramatic moment for our Ukrainian brothers and sisters, we prefer to speak little and let the music do its thing. It's our only weapon against this cruel and unfair world.

The idea of a VA compilation with some of our closest favourites has been around for a couple of years, but it's just with the current events that we finally decided to release it to help those who really need it right now.

Thanks to those who will help us on this path.

DROP BEATS NOT BOMBS

Master by RV Audio: www.rvaudioltd.com

Support us on Bandcamp

Toguè - A Day Inside (UNITED FOR PEACE)

Pîrvu - C'est La Vie Tu Joci Parșiv [MEANDER 31]

D'JULZ  

-This is Bass Culture-

"4 years of Bass Culture records mixed by D'julz"

Tracklist:

1) Kasper - Jaia (Fred P. Remix) 
2) Joel Alter - Rules Of Love (DJ Qu Remix) 
3) Joel Alter - Silence Is Golden 
4) Rio Padice - Deep station 
5) Mr Tophat & Art Alfie - Ressle's Restroom        
6) John Jastszebski - Work 
7) Franco Cinelli - Home 
8) Chris Simmonds - The Way U Want 2 B 
9) Anonym - Lov Is Easy (D'Julz Edit)
10) Cassy & D'Julz - What U See in Me
11) D'Julz - Da Madness (2013 mix)
12) The Analog Cops & Alex Picone - Out Of Passion  
13) Mr G - Got That Swing 
14) Mr G - Sunday Blues (Kasper Remix) 
15) Oleg Poliakov - Besides

D'julz - This Is Bass Culture

https://soundcloud.com/elkazed
https://ordinairerecords.bandcamp.com/
https://www.instagram.com/elkazedd

During his teenage years, El Kazed stumbled upon the world of house music, delving into the collections of record shops in Sarrebrucken and grooving on the Belgian dancefloors. 

Then, He forged connections in Strasbourg with future label co-owners, Rony, Big Freak, and TheLau. After hosting numerous parties, they made the collective decision to launch Ordinaire Records, a label dedicated to their shared passion for deep house, aimed at promoting emerging producers. 

After releasing a few tunes on Ordinaire Records, El Kazed caught the attention of Chez Damier and released in 2023 "For A&S" on his newly established label, "House Of Chez." Keep an eye out for El Kazed's upcoming music releases; there's so much more to come!

COOKIE #013 by El Kazed

Sleezy Steeze b2b with @suttondj closing out the night at Carousel after manlike @djjasperjames

Fix My Sink - Suttz x Kemba - 11th May

recording of the D0lce Party May 2024 in Sydney👌

Nils Twachtmann at D0lce Sydney May 2024

Supynes Festival 2015 mix series

You can find the event here:
bit.ly/Supynes-Festival-2015
See you 2015-06-25-28!

Ted Amber - Special for Supynes Festival 2015 //4

A genre-blurring journey, everyday fuses the emotional depth of Melodic Techno with the driving pulse of Progressive House. Raskal crafts something different—hypnotic rhythms, cinematic synths, and a haunting melodic core that hits deep. Built for late nights, early mornings, and everything in between, everyday is a soundscape you’ll want to live in.

Buy on Beatport

Raskal - Substance [Southern Exposure Music]

Garage Harmony

Radio mix for Doof Nights, a cool Sydney radio, on 90.7, Australia

In this mix all tracks are from friends that released on Kosmonauten Records!

Tracks:

Geespot - Memory Control (Kosmonautentanz Edit)
Digital Kaos ft. KeemiKaze - 2nd Life (Vario Remix)
Dawson & Jens Krzikalla - Looove Me
Phile - Kaleidoscope

Full mix: soundcloud.com/ulfdawulf/sets/doofnightsradiomix

Ulf da Wulf @ Doof Nights Radio - part 5 - Apr 2025

:: 18th episode of our podcasts series: Alex Arnout ::
The London based maestro bring us in with a intense and beautiful House set in anticipation of our Sunday afternoon series of parties at 93 Feet East in Bricklane. The set is full of deep and dub House gems harmonically mixed
by a true underground legend we are delighted to have in the family.

Enjoy the ⛈️

https://www.residentadvisor.net/dj/alexarnout

Serialism Podcast Vol.18 - Alex Arnout

Paris, early ‘90s. The city was a schizophrenic beast—half-glamour, half-decay—where raves exploded like molotov cocktails in abandoned warehouses and smoke-filled basements. It was beautiful chaos. Somewhere in the thick of it was Julien Veniel, better known as D’Julz, spinning records with the focus of a surgeon and the cool detachment of someone who had seen it all.
Then came New York, 1993. A city that didn’t sleep but didn’t really dream either, at least not back then. Veniel—young, hungry, and too talented to ignore—found himself in the depths of sweaty dancefloors, perfecting his craft like a prizefighter working the heavy bag. The kicks were tighter, the grooves deeper, and his sound—dub-infused, stripped-down, relentless—started to carve its way into the foundations of house and techno.
But Paris called him back. By 1997, he was behind the decks at the Rex Club, launching Bass Culture, a night that would quietly and ruthlessly become one of the most enduring parties in dance music. You could feel it in the air, heavy with smoke and sweat: something was happening. And week after week, D’Julz delivered. The music wasn’t just played; it was installed into your brain, a groove so potent it hijacked your nervous system.
The production side came next. 20:20 Vision, Ovum ,Circus Company. Robsoul. ,Rekids. Big labels, underground credibility. Tracks and remixes that hit like slow-burning dynamite—deceptively simple, brutally effective. DJs hoarded his records like they were holding nuclear launch codes.
Then there was Circoloco—DC10 . Ibiza’s sacred asylum for the beautifully deranged. D’Julz became a fixture for 7 years, a reliable madman behind the decks, controlling both the main room and the red terrace like a general marching his troops to the brink of delirium. His sets were measured doses of euphoria and dread, dubby basslines colliding with pulsing techno rhythms, all delivered with a sly grin and the calm of someone who knew.
By 2009, Bass Culture Records was born. A label as lean and unforgiving as its founder—no fluff, no filler, just raw, stripped-back house and techno that knew where it came from and where it was going. Over 70 releases later, it’s clear: D’Julz doesn’t miss.
Now, decades into this strange and relentless trip, D’Julz is still at it. The tour schedule is insane—Bali, Berlin, New York, and back again. Clubs and cities blend together, but the mission never changes: find the groove, ride it hard, and don’t let up until the lights come on.
D’Julz doesn’t care about trends. He doesn’t care about fame. He’s a purist, a craftsman, a man obsessed with the sound—the deep, pulsing, unstoppable sound. Three decades in and he’s still there, calm and unflinching, dropping records that hit like a gunshot in the dark.
If you want to understand D’Julz, don’t bother asking questions. Just listen. The truth is buried somewhere in the basslines.

D'julz - This Is Bass Culture

D'Julz

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