Groove balance of this entire set is flawless

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Episode 233 of Circoloco Radio with Tomas Station:

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Circoloco Radio 233 - Tomas Station

After roughly 16 months finally a new DJ mix. Inspired by the recent set at Heideglühen Berlin. All featured music was played at the club during the >3hr set. Upon re-recording I once more realised how rare it has become to be able to play such a set and how grateful and humble such great music leaves you.

The Heide Session (House Selection)

Also on youtube: https://youtu.be/g-bIqoogMek
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Yoyaku Instore Session with E.LINA

This vinyl-only set was recorded 26/07/2025 at Club der Visionäre Berlin by Buzé

Buzé @ Club der Visionäre 26/07/2025

D'Julz Yoyaku instore session  03 06 2025

Snad (live) - Live From Dimensions '25

Apollonia with Shonky feat. Otis - 28 October 2025

🌙 “MIDNIGHT FEELINGS” – Soulful Tech House 🌙

When the lights go low, the feelings come alive.
Midnight Feelings is a deep, groove-driven Tech House album that blends warm basslines, soulful rhythms, and intimate late-night energy. Designed for afterhours dancefloors and long club sessions, each track flows with emotion, movement, and subtle tension that keeps the body locked into the beat.

Smooth percussion, rolling low-end, and tasteful vocal textures create a sound that’s hypnotic yet heartfelt — capturing the mood of the dancefloor at its most honest. Midnight Feelings is where underground Tech House meets soulful expression.

🎧 Lose the daylight. Follow the groove. Feel the night.

#HarperLee #MidnightFeelings #SoulfulTechHouse #TechHouse #DeepHouse #SoulfulHouse #HouseMusic #UndergroundHouse #LateNightHouse #Afterhours #GrooveDriven #WarmBasslines #ClubVibes #DancefloorEnergy #HouseNation #ElectronicMusic #MinimalHouse #DeepGroove #DJFriendly #NightlifeMusic #UndergroundSound #HouseLovers #EmotionalHouse #ClubMusic

Emotional Jack

Deep House artist Mark Taylor delivers deep, emotional grooves, driving rhythms, and atmospheric melodies built for late-night journeys and peak-time moments. Explore the full catalogue and download here:
👉 li.sten.to/mark_taylor

#deephouse #melodictechno #progressivetechno #melodichouse #progressivehouse #deeptechno #emotionaltechno #undergroundelectronic #technodownloads #electronicmusic

Synthwave Stranger

Byers Basement

The terrific new album 'Come To Me' by That Monkey will be available to buy & download worldwide from 30th January 2026

Please check out more from That Monkey via the links below:-

Apple: https://music.apple.com/us/artist/that-monkey/1777695399

Spotify: https://open.spotify.com/artist/1CHvaZqoUg4zyrTB1akkWg?si=sVgSM-3WSQu4tmAjd66MOA

YouTube: https://music.youtube.com/channel/UCZjQIr5_1c1GhnOE2C-zqtw?si=jEmqxanyiq4hv5LI

Your support is appreciated
Thanks, Clive - Spyda Music Productions

Come To Me

Into The Sun

That Monkey - Into The Sun

sleepless rainy may mornings
cosmic trips with the occasional injection of love
brought to you by the bee and irie nation @tomasstation
in the music box of @thelotradio

thanks to Paul & Barbie for the invite
thanks to Orazio and Maksim for joining the ride

once again, wibrations.

Love Injection at Lot Radio w/ O.BEE & Tomas Station

Paris, early ‘90s. The city was a schizophrenic beast—half-glamour, half-decay—where raves exploded like molotov cocktails in abandoned warehouses and smoke-filled basements. It was beautiful chaos. Somewhere in the thick of it was Julien Veniel, better known as D’Julz, spinning records with the focus of a surgeon and the cool detachment of someone who had seen it all.
Then came New York, 1993. A city that didn’t sleep but didn’t really dream either, at least not back then. Veniel—young, hungry, and too talented to ignore—found himself in the depths of sweaty dancefloors, perfecting his craft like a prizefighter working the heavy bag. The kicks were tighter, the grooves deeper, and his sound—dub-infused, stripped-down, relentless—started to carve its way into the foundations of house and techno.
But Paris called him back. By 1997, he was behind the decks at the Rex Club, launching Bass Culture, a night that would quietly and ruthlessly become one of the most enduring parties in dance music. You could feel it in the air, heavy with smoke and sweat: something was happening. And week after week, D’Julz delivered. The music wasn’t just played; it was installed into your brain, a groove so potent it hijacked your nervous system.
The production side came next. 20:20 Vision, Ovum ,Circus Company. Robsoul. ,Rekids. Big labels, underground credibility. Tracks and remixes that hit like slow-burning dynamite—deceptively simple, brutally effective. DJs hoarded his records like they were holding nuclear launch codes.
Then there was Circoloco—DC10 . Ibiza’s sacred asylum for the beautifully deranged. D’Julz became a fixture for 7 years, a reliable madman behind the decks, controlling both the main room and the red terrace like a general marching his troops to the brink of delirium. His sets were measured doses of euphoria and dread, dubby basslines colliding with pulsing techno rhythms, all delivered with a sly grin and the calm of someone who knew.
By 2009, Bass Culture Records was born. A label as lean and unforgiving as its founder—no fluff, no filler, just raw, stripped-back house and techno that knew where it came from and where it was going. Over 70 releases later, it’s clear: D’Julz doesn’t miss.
Now, decades into this strange and relentless trip, D’Julz is still at it. The tour schedule is insane—Bali, Berlin, New York, and back again. Clubs and cities blend together, but the mission never changes: find the groove, ride it hard, and don’t let up until the lights come on.
D’Julz doesn’t care about trends. He doesn’t care about fame. He’s a purist, a craftsman, a man obsessed with the sound—the deep, pulsing, unstoppable sound. Three decades in and he’s still there, calm and unflinching, dropping records that hit like a gunshot in the dark.
If you want to understand D’Julz, don’t bother asking questions. Just listen. The truth is buried somewhere in the basslines.

D'Julz Yoyaku instore session 03 06 2025

D'Julz

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