thomas melchior vinyl only set at club der visionaere ,berlin,august 2023

Thomas Melchior @ Club Der Visionaere

Onur Ozer at Bla Bla Ade Studio 80 [25-10-2008]
vinyl set

Onur Ozer at Bla Bla ADE Studio 80 Amsterdam [25-10-2008]

5 hours opening b2b with Topper on the Renate Green Floor on a Saturday night back in May. Like any good b2b, listening back I can forget who played what sometimes. Always a pleasure! A treat to play in this Berlin club that might not be around much longer. Thanks to Renate resident Lush Lab for the invite!

Clovis & Topper @ Renate, Berlin, May 10th 2025

D'Julz - Families - (2004)

Pinguino 037

@dorian-paic

11.09.25

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DORIAN PAIC / Pingüino 037 / 11.09.25

D'Julz Yoyaku instore session  03 06 2025

Yoyaku Live Session with Flabbergast

Owner and lynchpin of Berlin’s Elevate record store, Cinthie, has long cemented herself as a true house innovator. Her timeless, yet forward thinking approach to house music has propelled her in all manner of directions. From her first forays in the early 00’s, supporting EPs through the years, and clutch of supporting EPs for the likes of Beste Modus, Ground Service Records, and of course her own 803 Crystal Grooves. With a clutch of outstanding releases on Aus Music, it wasn't long before Cithie was tapped for an LP from Will Saul and her “Skylines City Lights”  longplayer was nothing short of her lauded. [continue reading at...

Trommel.231 - Cinthie [powered by AlphaTheta]

JORDAZ - In The Ends

Choma (Long play)

Buy On Bandcamp

Coconoize - Choma (Long play)

2000’s R&B classic flipped into a melodic tech house weapon with a sexy groove.
Rolling bassline, emotional synths and Chris Brown’s iconic vocal reworked for late club sets & bouncy dancefloors.

Free Download

Run It - IDO BENKLARK Remix

Paris, early ‘90s. The city was a schizophrenic beast—half-glamour, half-decay—where raves exploded like molotov cocktails in abandoned warehouses and smoke-filled basements. It was beautiful chaos. Somewhere in the thick of it was Julien Veniel, better known as D’Julz, spinning records with the focus of a surgeon and the cool detachment of someone who had seen it all.
Then came New York, 1993. A city that didn’t sleep but didn’t really dream either, at least not back then. Veniel—young, hungry, and too talented to ignore—found himself in the depths of sweaty dancefloors, perfecting his craft like a prizefighter working the heavy bag. The kicks were tighter, the grooves deeper, and his sound—dub-infused, stripped-down, relentless—started to carve its way into the foundations of house and techno.
But Paris called him back. By 1997, he was behind the decks at the Rex Club, launching Bass Culture, a night that would quietly and ruthlessly become one of the most enduring parties in dance music. You could feel it in the air, heavy with smoke and sweat: something was happening. And week after week, D’Julz delivered. The music wasn’t just played; it was installed into your brain, a groove so potent it hijacked your nervous system.
The production side came next. 20:20 Vision, Ovum ,Circus Company. Robsoul. ,Rekids. Big labels, underground credibility. Tracks and remixes that hit like slow-burning dynamite—deceptively simple, brutally effective. DJs hoarded his records like they were holding nuclear launch codes.
Then there was Circoloco—DC10 . Ibiza’s sacred asylum for the beautifully deranged. D’Julz became a fixture for 7 years, a reliable madman behind the decks, controlling both the main room and the red terrace like a general marching his troops to the brink of delirium. His sets were measured doses of euphoria and dread, dubby basslines colliding with pulsing techno rhythms, all delivered with a sly grin and the calm of someone who knew.
By 2009, Bass Culture Records was born. A label as lean and unforgiving as its founder—no fluff, no filler, just raw, stripped-back house and techno that knew where it came from and where it was going. Over 70 releases later, it’s clear: D’Julz doesn’t miss.
Now, decades into this strange and relentless trip, D’Julz is still at it. The tour schedule is insane—Bali, Berlin, New York, and back again. Clubs and cities blend together, but the mission never changes: find the groove, ride it hard, and don’t let up until the lights come on.
D’Julz doesn’t care about trends. He doesn’t care about fame. He’s a purist, a craftsman, a man obsessed with the sound—the deep, pulsing, unstoppable sound. Three decades in and he’s still there, calm and unflinching, dropping records that hit like a gunshot in the dark.
If you want to understand D’Julz, don’t bother asking questions. Just listen. The truth is buried somewhere in the basslines.

D'Julz Yoyaku instore session 03 06 2025

D'Julz

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