Brett Johnson – Temptations And Lies Feat. Dave Barker

Franck Roger-After all (D'Julz Remix)

Selected Tracks 6

Key Part

OMAKASE's sixth installment is almost here, including the highly awaited "Koisuru" - available at the end of June 2025. 🍣

BUY 🍣

antraum (anton & traumer) - OMAKASE006

@livravden steps up for Crosstown Mix Show 116 ahead of her Rebellion debut ‘Night Shift’ 🔊
⁣
Kicking off with an unreleased groover from her EP, Liv sets the tone for a journey that flows from sunset vibes to euphoric highs. Expect tracks from Kolter, Grant Nelson, Isaac Carter, and more, all curated with that late-night touch she does so well.

The Crosstown Mix Show 116 - Liv Ravden

The ever prolific Mihai Popoviciu pops up on Sublease with three tracks of assured house music. 

The Romanian DJ and producer has built a powerful reputation for quality electronic music that spans techno to tech and deeper sounding house. Here he dives into his more grooving side with three tracks that set a distinct mood. 

What I Need brings a strong vocal together with drifty synths and tight drums to make an atmospheric, rolling cut. 

Come Out edges up the intensity slightly with firing percussion and a slinky bassline. 

Temptation sets the sights firmly on the dancefloor with a driving groove, bubbling bassline and dreamy, deep chord stabs. 

What I Need

more

Temptation

Benediction (NTFO revisited) FREE DOWNLOAD

If Only Here (Long Play)

Buy on Bandcamp

A mysterious visitor from afar: 3I/ATLAS, an interstellar comet that fascinates astronomers. Discovered by ATLAS, it's moving through our solar system on a hyperbolic trajectory. Its origin? Uncertain. Researchers speculate: A relic from the early universe? A technological object from a distant civilization? 
With a diameter of up to 24 kilometers and an unusual composition, 3I/ATLAS poses many riddles. The truth remains a secret known only to the universe itself. The hunt for answers has begun... Could this be the "Invasion of the Unknown"?

We're proud to announce the new track "Invasion of the Unknown" by 4T6 on languages music! The Dutch producer brings Progressive House to a new level. The track gets a new, unique touch with the remix by 84Avenue from Paris. A must for all Progressive House fans.

4T6 _______________________________________

Soundcloud:
https://soundcloud.com/4t6music
Beatport:
https://www.beatport.com/de/artist/4t6/1295654
Instagram:
https://www.instagram.com/4t6_music/

84 Avenue ___________________________________

Soundcloud:
https://soundcloud.com/user-681570035
Beatport:
https://www.beatport.com/de/artist/84-avenue/762243
Instagram:
https://www.instagram.com/84avenue.music/

languages music _______________________________

Instagram:
https://instagram.com/languages.music
Soundcloud:
https://soundcloud.com/languagesmusic
YouTube:
https://youtube.com/@languagesmusic 
Beatport:
https://beatport.com/label/languages-music/75545


Kaufen/Buy

4T6 - Invasion of the Unknown (84 Avenue Remix) [languages music #36]

KitKat - Real Talk

Slightly edited version of Butch using the overly utilized free at last sample, but the guitars are taken from that period, so... had to put them together ;-)

Butch - LSD 25 (Free at Last Edit)

Paris, early ‘90s. The city was a schizophrenic beast—half-glamour, half-decay—where raves exploded like molotov cocktails in abandoned warehouses and smoke-filled basements. It was beautiful chaos. Somewhere in the thick of it was Julien Veniel, better known as D’Julz, spinning records with the focus of a surgeon and the cool detachment of someone who had seen it all.
Then came New York, 1993. A city that didn’t sleep but didn’t really dream either, at least not back then. Veniel—young, hungry, and too talented to ignore—found himself in the depths of sweaty dancefloors, perfecting his craft like a prizefighter working the heavy bag. The kicks were tighter, the grooves deeper, and his sound—dub-infused, stripped-down, relentless—started to carve its way into the foundations of house and techno.
But Paris called him back. By 1997, he was behind the decks at the Rex Club, launching Bass Culture, a night that would quietly and ruthlessly become one of the most enduring parties in dance music. You could feel it in the air, heavy with smoke and sweat: something was happening. And week after week, D’Julz delivered. The music wasn’t just played; it was installed into your brain, a groove so potent it hijacked your nervous system.
The production side came next. 20:20 Vision, Ovum ,Circus Company. Robsoul. ,Rekids. Big labels, underground credibility. Tracks and remixes that hit like slow-burning dynamite—deceptively simple, brutally effective. DJs hoarded his records like they were holding nuclear launch codes.
Then there was Circoloco—DC10 . Ibiza’s sacred asylum for the beautifully deranged. D’Julz became a fixture for 7 years, a reliable madman behind the decks, controlling both the main room and the red terrace like a general marching his troops to the brink of delirium. His sets were measured doses of euphoria and dread, dubby basslines colliding with pulsing techno rhythms, all delivered with a sly grin and the calm of someone who knew.
By 2009, Bass Culture Records was born. A label as lean and unforgiving as its founder—no fluff, no filler, just raw, stripped-back house and techno that knew where it came from and where it was going. Over 70 releases later, it’s clear: D’Julz doesn’t miss.
Now, decades into this strange and relentless trip, D’Julz is still at it. The tour schedule is insane—Bali, Berlin, New York, and back again. Clubs and cities blend together, but the mission never changes: find the groove, ride it hard, and don’t let up until the lights come on.
D’Julz doesn’t care about trends. He doesn’t care about fame. He’s a purist, a craftsman, a man obsessed with the sound—the deep, pulsing, unstoppable sound. Three decades in and he’s still there, calm and unflinching, dropping records that hit like a gunshot in the dark.
If you want to understand D’Julz, don’t bother asking questions. Just listen. The truth is buried somewhere in the basslines.

Franck Roger-After all (D'Julz Remix)

D'Julz

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