Sublee is back on RAWAX !
4 years  after his great "We Meet Again" EP , we are delighted to present you
another fantastic release. "What Goes Around" EP  will be out early November.
Highly recommended!

Direct order: https://dbh-music.com/shop/release_view/15962

Artist: Sublee
Title: What Goes Around
Label: RAWAX
Format: 12"
Genre: Minimal Techno
Cat: RWX010.1
Rel. date: 04.11.2024
Tracklisting: 
A. Metime
B1. Simple Two
B2. Hey Brother

Worldwide exclusive distributed by www.dbh-music.com

RWX010.1 - SUBLEE - WHAT GOES AROUND EP (RAWAX)

Franck Roger-After all (D'Julz Remix)

Barac delivers a funked-out ethereal retelling of Funky Trip’s “Alpha” for Bohrium Records' latest outing. 

Bohrium Records hit out with release number four, this time around from Romanian rising star Funky Trip, with a superb remix from none other than Barac that spans the whole flipside. The series has so far seen some sweet tracks by the likes of Dorothy’s Dream, Macarie, Lukea and more, not to mention their Bohrium Records White Series, which works in tandem with the original series, seeing a string of smooth and euphoric underground tunes under the prolific, ever-mysterious Unknown Artist pseudonym. [continue reading at...https://trommelmusic.com/music/premiere/premiere-b1-funky-trip-alpha-barac-remix-bhr04/]

Premiere: B1 - Funky Trip - Alpha (Barac Remix) [BHR04]

SAVOR025
FRANCO CINELLI - REMIXES FROM THE VAULT
A1- Franco Cinelli - A1 - Tribute To Miles Davis (DJ Jes Remix) 
B1- Franco Cinelli - B1 - Tribute To Miles Davis (Pablo Minuto & Guillermo de Caminos Remix)
B2- Franco Cinelli - B2 - Electronic Funk (Jorge Savoretti Remix) 

Support: https://www.deejay.de/Franco_Cinelli_Remixes_From_The_Vault_SAVOR025_Vinyl__1074428

SAVOR025 - Franco Cinelli - B1 - Tribute To Miles Davis (Pablo Minuto & Guillermo De Caminos Remix)

Spanish duo JNJS make a striking debut on Supervibe Music with a four-track vinyl release that highlights their unique sound. Known for their masterful use of percussions, JNJS delivers a blend of elegant grooves and hypnotizing synths that pull you in from the first beat. Each track is a testament to their growing reputation, offering a seamless fusion of rhythm and refinement that’s perfect for the dance floor or deeper listening.

Early support by: Tania Vulcano, Arapu, Priku, Nu Zau and more …

A1 Lone Love
A2 Ever Lied
B1 Neu
B2 Sweet Chaos

@supervibe-music @jnjsmusic

JNJS - Lone Love EP (Supervibe003)

Días de Campo Records presents its fourth EP by JNJS, the Ibiza residents and dynamic duo (no, they’re not brothers, but they could be). This EP is crafted for the dancefloor, featuring 3 original tracks and 2 remixes by the American dreamer and Barcelona-based Liquid Earth: with both Broken Boozer and Deep Twirler mix. LUCY EP hits your hips with a laser beam, created by day and enjoyed by night. The main single, “Lucy,” evolves into a ruthless warrior beyond human logic. Both “My Japanese Friend” and “We Play In Blue” transport you to specific space-time coordinates. Will you travel with us?

This release stands out for its seamless blend of innovative sound design and irresistible grooves, marking a new high for Días de Campo’s already impressive catalog. A must-listen for any serious electronic music enthusiast.

B1. JNJS - My Japanese Friend

Bandcamp: https://dabous.bandcamp.com/track/japanese-nonsense

Japanese NonSENSE

Baby Wanna Dance (Radio Edit)

&ME VS Post Malone - Garden  Circles (Judah Edit) 

&ME VS Post Malone - Garden Circles (Judah Edit)

My new work with Ableton

Artist: Synchrohm
Titel: Sunrise (Tunecore Self Release)
Label: Synchrohm
Format: MP3
Genre: Deep House
Release Date: 11.03.2025
ISRC: TCAJL2524065

www.beatport.com/artist/synchrohm/1292072
music.apple.com/us/artist/synchrohm/1794920342
https://open.spotify.com/intl-de/artist/4UJVqfVjPA4NaIWCkqJu8D
www.instagram.com/synchrohm/
www.youtube.com/@Synchrohm

Artwork By: Synchrohm and Canva AI Support
Mastering By: Synchrohm

Sunrise

Beatport

Synchrohm - Sunrise - (Tunecore Selfrelease)

Bandcamp

Janeret - Nocturnal Mood [Bandcamp]

Paris, early ‘90s. The city was a schizophrenic beast—half-glamour, half-decay—where raves exploded like molotov cocktails in abandoned warehouses and smoke-filled basements. It was beautiful chaos. Somewhere in the thick of it was Julien Veniel, better known as D’Julz, spinning records with the focus of a surgeon and the cool detachment of someone who had seen it all.
Then came New York, 1993. A city that didn’t sleep but didn’t really dream either, at least not back then. Veniel—young, hungry, and too talented to ignore—found himself in the depths of sweaty dancefloors, perfecting his craft like a prizefighter working the heavy bag. The kicks were tighter, the grooves deeper, and his sound—dub-infused, stripped-down, relentless—started to carve its way into the foundations of house and techno.
But Paris called him back. By 1997, he was behind the decks at the Rex Club, launching Bass Culture, a night that would quietly and ruthlessly become one of the most enduring parties in dance music. You could feel it in the air, heavy with smoke and sweat: something was happening. And week after week, D’Julz delivered. The music wasn’t just played; it was installed into your brain, a groove so potent it hijacked your nervous system.
The production side came next. 20:20 Vision, Ovum ,Circus Company. Robsoul. ,Rekids. Big labels, underground credibility. Tracks and remixes that hit like slow-burning dynamite—deceptively simple, brutally effective. DJs hoarded his records like they were holding nuclear launch codes.
Then there was Circoloco—DC10 . Ibiza’s sacred asylum for the beautifully deranged. D’Julz became a fixture for 7 years, a reliable madman behind the decks, controlling both the main room and the red terrace like a general marching his troops to the brink of delirium. His sets were measured doses of euphoria and dread, dubby basslines colliding with pulsing techno rhythms, all delivered with a sly grin and the calm of someone who knew.
By 2009, Bass Culture Records was born. A label as lean and unforgiving as its founder—no fluff, no filler, just raw, stripped-back house and techno that knew where it came from and where it was going. Over 70 releases later, it’s clear: D’Julz doesn’t miss.
Now, decades into this strange and relentless trip, D’Julz is still at it. The tour schedule is insane—Bali, Berlin, New York, and back again. Clubs and cities blend together, but the mission never changes: find the groove, ride it hard, and don’t let up until the lights come on.
D’Julz doesn’t care about trends. He doesn’t care about fame. He’s a purist, a craftsman, a man obsessed with the sound—the deep, pulsing, unstoppable sound. Three decades in and he’s still there, calm and unflinching, dropping records that hit like a gunshot in the dark.
If you want to understand D’Julz, don’t bother asking questions. Just listen. The truth is buried somewhere in the basslines.

Franck Roger-After all (D'Julz Remix)

D'Julz

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