Ooof any chance for a track ID on this one?

10.5

New VBX podcast by our brother @frankhaag Catch Frank at our next VBX event during NYE: bit.ly/VBXNYE14-15

VBX #7 - Podcast by Frank Haag

Afterglow

Moment in the sun 3.aif

[WDR065] Rosbern - Raw Soul EP (Sept 2025)
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Héctor Rosbern makes his debut on the label with an introspective and emotive EP, featuring two tracks that capture both the rawness of classic house and the energy of a sonic journey.
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Artist: @rosbern

[WDR065] Rosbern - Raw Soul EP (Sept 2025)

deeper sounds - mambo radio ibiza - 29.12.2018

Two hour recording from the warm up played before Danny Tenaglia at Cinematiné in October 2018.

warm up 4 Danny Tenaglia live at Cinematine

jaffa surfa live at Cinematiné • Danny Tenaglia 22.10.2018

Seth Troxler Circoloco After Party @ Baba Beach Club 2020

On Cue is our flagship mix series, celebrating the pivotal DJs and producers whose influence has shaped the world of electronic music, both in their local scenes and beyond. This week, long-standing FUSE resident, Rossko, serves up a hypnotic melting pot of minimal house and techno rollers, and chats about his early teens on pirate radio, illegal raves, and the launch of his new label, Late Night Skanking.

Interview + tracklist: https://djmag.com/features/cue-rossko

On Cue: Rossko

This is an exclusive edition of the Moon Harbour Radio show for Pure Ibiza Radio. Airing every Friday from 9-10 PM (CET) on:
🎧 www.pureibizaradio.com/
🎧 Pure Ibiza Radio FM 97.2 and in Mallorca FM 103.9

Moon Harbour Radio - Pure Ibiza Edition - David Aurel - 27 April 2020

My weekly vinyl mix ,streamed live from the Bass Culture HQ in Paris

Since, i m days making music and digging in my own records collection
i thought why not sharing with you  these oldies ...but goodies ;)

Home Diggin #3

For the 98th episode of 'as usual.mixtapes' our good friend Will Judge presents a mix from his deep inner passion for the love of electronic music. The London-based DJ & producer, who already released on Innocent Music, takes us on a 3-hours journey and follows minimalistic paths with subtle grooves, sometimes with tight and techy flavour, as well as dubby moods or shaky stepper. Ultra-nice track selection! Enjoy.

Check check:
https://soundcloud.com/willjudge
https://www.facebook.com/willjudgedj/

And here the releases on 'as usual.music'...
@as-usual-music

Will Judge

as usual. mixtape #098 - Will Judge

Home Digging' #13

E - Series 06 Danni B

Home Diggin'#14

Paris, early ‘90s. The city was a schizophrenic beast—half-glamour, half-decay—where raves exploded like molotov cocktails in abandoned warehouses and smoke-filled basements. It was beautiful chaos. Somewhere in the thick of it was Julien Veniel, better known as D’Julz, spinning records with the focus of a surgeon and the cool detachment of someone who had seen it all.
Then came New York, 1993. A city that didn’t sleep but didn’t really dream either, at least not back then. Veniel—young, hungry, and too talented to ignore—found himself in the depths of sweaty dancefloors, perfecting his craft like a prizefighter working the heavy bag. The kicks were tighter, the grooves deeper, and his sound—dub-infused, stripped-down, relentless—started to carve its way into the foundations of house and techno.
But Paris called him back. By 1997, he was behind the decks at the Rex Club, launching Bass Culture, a night that would quietly and ruthlessly become one of the most enduring parties in dance music. You could feel it in the air, heavy with smoke and sweat: something was happening. And week after week, D’Julz delivered. The music wasn’t just played; it was installed into your brain, a groove so potent it hijacked your nervous system.
The production side came next. 20:20 Vision, Ovum ,Circus Company. Robsoul. ,Rekids. Big labels, underground credibility. Tracks and remixes that hit like slow-burning dynamite—deceptively simple, brutally effective. DJs hoarded his records like they were holding nuclear launch codes.
Then there was Circoloco—DC10 . Ibiza’s sacred asylum for the beautifully deranged. D’Julz became a fixture for 7 years, a reliable madman behind the decks, controlling both the main room and the red terrace like a general marching his troops to the brink of delirium. His sets were measured doses of euphoria and dread, dubby basslines colliding with pulsing techno rhythms, all delivered with a sly grin and the calm of someone who knew.
By 2009, Bass Culture Records was born. A label as lean and unforgiving as its founder—no fluff, no filler, just raw, stripped-back house and techno that knew where it came from and where it was going. Over 70 releases later, it’s clear: D’Julz doesn’t miss.
Now, decades into this strange and relentless trip, D’Julz is still at it. The tour schedule is insane—Bali, Berlin, New York, and back again. Clubs and cities blend together, but the mission never changes: find the groove, ride it hard, and don’t let up until the lights come on.
D’Julz doesn’t care about trends. He doesn’t care about fame. He’s a purist, a craftsman, a man obsessed with the sound—the deep, pulsing, unstoppable sound. Three decades in and he’s still there, calm and unflinching, dropping records that hit like a gunshot in the dark.
If you want to understand D’Julz, don’t bother asking questions. Just listen. The truth is buried somewhere in the basslines.

Home Diggin #3

D'Julz

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D'Julz

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