Does anyone know the name of the track that fades in at about the 8th minute mark, please? 

The Upload 2

The Fuse founder lets us into his world.

For more, visit Resident Advisor:
http://www.residentadvisor.net/podcast-episode.aspx?exchange=159

EX.159 Enzo Siragusa

What is

Adquiere los Track's

Moro

This snippet gives you a glimpse of the vibe, energy, and style I’m bringing in the full mix. 
Full version linked below:

https://soundcloud.com/user-885823234-260706213/sam-fitzhughs-sounds-ii?si=9e4da78e523e477cb4599c44dda96f83&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Sam Fitzhugh's Sounds III Snippet

The 15th instalment of our CommaCast series is one we've been very excited to share with you, a name that shone throughout 2019 continuously with releases on labels such as Mosaic, Music Related, DRED Records and Beste Freunde, as well as releases on his own Counterfeit Soul and Elliot Project labels too. We share with you, the legend of Frazer Campbell.

A name that never settles for any single style, which bodes very well with us here at Comma Traxx. Campbell's tastes in music extends and expands back to the days of early jungle and drum n bass, which grew towards techno, minimal, breaks and deep house. This highly adaptable and open-minded approach to music is what set him out as one of thee highly respected artists of 2019. Label-head, producer, DJ, remixer and collaborator all demonstrating his diversity in sound and technical capabilities through his DJ and live sets. 

Follow Frazer Campbell here...
Soundcloud: @frazer-campbell
Facebook: https://www.facebook.com/frazercampbellmusic
Bandcamp: https://elliotprojectrecords.bandcamp.com/music

CommaCast 015: Frazer Campbell

Minimal vibes with a house heart, this is what Pressure Point is all about. With well-crafted releases on prestigious labels such as Telharmonic Texture, Residual Recordings, Sol Asylum and his own D:fferent Place, he has seen his tracks played by heavyweights such as Petre Inspirescu, Raresh and Rhadoo, affirming himself as a ones-to-watch in the Berlin scene. It is indeed in the German capital that the Italian artist consolidated his career, becoming a regular presence in the iconic Club Der Visionaire, where he has the opportunity to express his blend of house, minimal, techno with splashes of italo-disco and electro. This 1-hour mix comes straight from Milan, the capital of fashion, design and style, where Luca (aka Pressure Point) shared the decks of the Apophis club for "@Animaeltd Invites" with label-head Fabrizio Sala and Modbox. Enjoy the moment...

Follow Pressure Point
on Facebook: https://www.facebook.com/Pressurepoint.TTX/
on Soundcloud: https://soundcloud.com/pressurepoint_2

MEOKO Live Moments with Pressure Point - recorded @ Animæ Invites x Apophis Club, Milan (11/01/2020)

Spook Mix 005 - explicit joy

Private Hearts 52 w/ Elias Mazian Stay At Home Edition XI

Live for a full 120 was Patrisha who welcomed Airmiles and Valby Rotary signee Jeigo for two hours of soft house, spaced out breaks and percussive minimal gems. In the bag this month is D.Trance, Galcher Lustwerk and Chrissy.

Patrisha w/ Jeigo - June 2020

Home Diggin' #8

HOME DIGGIN' #11

Ollie Drummond - AAJA Deptford - 24/07/2020

noc noc deepvibes radio December show

Aired Saturday 6th December on www.deepvibes.co.uk

Starting off with some lockdown soothers through to some bangers.

All the best!

Noc Noc Deepvibes Radio Dec 2020

Podcast #13 for the Svyatki team was recorded by Rob Pearson @robpearson, dj and producer from London, UK. Rob Pearson’s dedication and contribution to the UK’s underground House and Techno scene is beyond question. Since the early 90’s, from his South London base Rob has been responsible for helping to shape the Tech House sound synonymous with the capital. His productions have been released on genre-defining labels such as Toolroom, Erase, Wiggle, Plastic City, Artform and Bombis, as well as his own long-running Evasive Records and it’s sub variants.
 
Expertly covering the ground from deep, dark and tripped out House to slick, seductive and groovy Techno, Rob’s tracks and remixes have become a staple in the sets of every self respecting ‘underground’ house DJ while also being licensed to countless mix CDs. Whether producing solo tracks or collaborating with world-renowned artists like Afrika Bambaataa, Robert Owens and Rose Windross (Soul II Soul), Rob consistently demonstrates his undeniable talent as a composer and producer with the ability to craft music that works as well for home listening as it does on gritty dance floors.
Please welcome!

Tracklist:
1.	Quick Find a Bluey - Rob Pearson & Paul Donton (Forthcoming on Triangle.Records)
2.	Deliberating - Rob Pearson & Paul Donton (Forthcoming on Evasive Records) 
3.	Samba - Todd Terry - Rob Pearson Remix (Unreleased)
4.	Who’s The Boss - Rob Pearson & Paul Donton (Forthcoming on Drugsex Recordings)
5.	Stronger Than The F Word - Rob Pearson & Jay Dynan (Unreleased)
6.	Dub Noir - Rob Pearson, Jody Cottier & Mr Cold (Forthcoming on Drugsex Recordings)
7.	Creepy Crawlies - Rob Pearson & Paul Donton (Forthcoming on Bombis Records) 
8.	Back at It - Rob Pearson & Kirsten Sees (Unreleased) 
9.	The Bass - Papermachet Tiger (Rob Pearson Remix) (Forthcoming on Bombis Records) 
10.	Dust Off - Rob Pearson & Paul Donton (Forthcoming on Bombis Records)
11.	Gary Wood - Infinite Beat (Rob Pearson Remix) (Unreleased)
12.	Orlando Voorn - The Dancer - Rob Pearson & Paul Donton Remix (Bombis Records Forthcoming)
13.	Do You Understand - Rob Pearson (Forthcoming on Woodwork Recordings)
——
Подкаст № 13 для команды Святки записал Rob Pearson - диджей и продюсер из Лондона, Великобритания. Самоотверженность и вклад Роба Пирсона в андеграунд хаус- и техно-  в Великобритании не подлежит сомнению. На заре 90-х годов Роб активно принимал участие в формировании лондонского Tech House. Его релизы были выпущены на определяющих жанр лейблах, таких как Toolroom, Erase, Wiggle, Plastic City, Artform и Bombis, а также на его собственном лейбле Evasive Records и его саблейблах.

Искусно выверенные, сочетающие глубокий грув хауса с тёмной оболочкой техно, треки и ремиксы Роба стали одними из самых востребованных среди диджеев и звукозаписывающих компаний. Независимо от того, сольный ли это трек или коллаб со всемирно известными артистами, такими как Afrika Bambaataa, Robert Owens и Rose Windross (Soul II Soul), Роб продемонстрирует свой неоспоримый талант композитора и продюсера. Он создаёт музыку, которая работает как на танцполе, так и при домашнем прослушивании.
Наслаждайтесь!

Svyatki #13 - Rob Pearson [2021]

Paris, early ‘90s. The city was a schizophrenic beast—half-glamour, half-decay—where raves exploded like molotov cocktails in abandoned warehouses and smoke-filled basements. It was beautiful chaos. Somewhere in the thick of it was Julien Veniel, better known as D’Julz, spinning records with the focus of a surgeon and the cool detachment of someone who had seen it all.
Then came New York, 1993. A city that didn’t sleep but didn’t really dream either, at least not back then. Veniel—young, hungry, and too talented to ignore—found himself in the depths of sweaty dancefloors, perfecting his craft like a prizefighter working the heavy bag. The kicks were tighter, the grooves deeper, and his sound—dub-infused, stripped-down, relentless—started to carve its way into the foundations of house and techno.
But Paris called him back. By 1997, he was behind the decks at the Rex Club, launching Bass Culture, a night that would quietly and ruthlessly become one of the most enduring parties in dance music. You could feel it in the air, heavy with smoke and sweat: something was happening. And week after week, D’Julz delivered. The music wasn’t just played; it was installed into your brain, a groove so potent it hijacked your nervous system.
The production side came next. 20:20 Vision, Ovum ,Circus Company. Robsoul. ,Rekids. Big labels, underground credibility. Tracks and remixes that hit like slow-burning dynamite—deceptively simple, brutally effective. DJs hoarded his records like they were holding nuclear launch codes.
Then there was Circoloco—DC10 . Ibiza’s sacred asylum for the beautifully deranged. D’Julz became a fixture for 7 years, a reliable madman behind the decks, controlling both the main room and the red terrace like a general marching his troops to the brink of delirium. His sets were measured doses of euphoria and dread, dubby basslines colliding with pulsing techno rhythms, all delivered with a sly grin and the calm of someone who knew.
By 2009, Bass Culture Records was born. A label as lean and unforgiving as its founder—no fluff, no filler, just raw, stripped-back house and techno that knew where it came from and where it was going. Over 70 releases later, it’s clear: D’Julz doesn’t miss.
Now, decades into this strange and relentless trip, D’Julz is still at it. The tour schedule is insane—Bali, Berlin, New York, and back again. Clubs and cities blend together, but the mission never changes: find the groove, ride it hard, and don’t let up until the lights come on.
D’Julz doesn’t care about trends. He doesn’t care about fame. He’s a purist, a craftsman, a man obsessed with the sound—the deep, pulsing, unstoppable sound. Three decades in and he’s still there, calm and unflinching, dropping records that hit like a gunshot in the dark.
If you want to understand D’Julz, don’t bother asking questions. Just listen. The truth is buried somewhere in the basslines.

Home Diggin' #8

D'Julz

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