So good mr. Julien! Support, cheers from Lisbon ;-)

PREMIERE: Workerz - No Fight Tonight (Alexny Remix) [Lisztomania Records]
Release Date Worldwide: 10/10/2025

Workerz
Soundcloud | @workerzmusic
Bandcamp | www.workerz.bandcamp.com

Alexny
Soundcloud | @alexnymusic
Bandcamp | www.alexny.bandcamp.com

Lisztomania Records
Soundcloud | @lisztomania
Bandcamp | www.lisztomaniarec.bandcamp.com

Traxsource

PREMIERE: Workerz - No Fight Tonight (Alexny Remix) [Lisztomania Records]

B2 After Touch (Original Mix)

Review : 
http://recordeep.fr/review-daydream04/

Support&Buy : 
https://www.deejay.de/Max_Casebolt_Liou_Kepler_The_Willers_Brothers_Daydream_004_DAYDREAM004_Vinyl__302715

@lioumusik
@daydreamrecords

Premiere : Liou - Catnip (DAYDREAM04)

Title: Second Addition
Artist(s): Andrea Caioni & Stephan Bazbaz
Label Catalog: ABS002
RELEASE DATE: TBA
Format: Vinyl 12"

After a successful first release, ABS are delighted to welcome new faces to its series of many.  

The Second Addition enlists the skills of Italian DJ and producer @andreacaioni and Israeli-born @stephan-bazbaz, alongside powerhouse remixes from @michaeljames and Sydney local @monika-ross. 

On the A side of this club-friendly and intergalactic cut, is Andrea Caioni. Born out of beautiful San Benedetto del Tronoto in Italy, his sounds are characterised by minimal grooves and numinous pads and has previously had the privilege of releasing music on (IO) Mulen’s Hoarder last year as well as being a part of the eminent op:um parties based in his home town. Remixing this mesmerising track, is the man on fire; Michael James. 2018 was a big year for the UK local, where many of vinyl only releases on @mulenrecords & @constantsound saw almost instant sell outs, that lead to him being invited to play at one of Carl Cox’s ‘One Night Stand’ parties based in Ibiza. Whilst Michael’s sought-after tracks have gained support from the likes of Apollonia, Enzo Siragusa, and Jorge Savoretti to name a few, this is a super special remix and a dance floor essential for DJs to load their arsenals with. 

Fresh off Archie Hamilton’s @moss-co is a previous ABS recruit, Stephan Bazbaz. Having attended the S.A.E Institute in Byron Bay, Australia, he then moved on to curate sounds and frequencies that would soon reshape house music, both internationally and in his home town of Tel Aviv, where he has been running his vinyl only label @nowavesrecords, established in 2016. A close friend of Stephan, and now Berlin local-spintsress Monika Ross commands a cruisy, yet powerful and refined remix. Constantly raising her head above the barrier, her sounds reflect a wealth of creativity and aims to constantly add the right amount of sensuality evidenced by swinging percussive grooves and infectious basslines. She recently had the opportunity to remix for the freshly imprinted vinyl only @subsonicmusic and will play alongside Bazbaz at the 10-year anniversary of the widely acclaimed Australian Subsonic Music Festival on November 30th, where Subb-An, Traumer, Raresh, and Perlon Trio; Zip, Sammy Dee, & Fumiya Tanaka are set to headline. 

There has been a large support base for this release, spun widely across multiple dancefloors around Europe and Australia, and included in many featured artists’ podcasts. 

Support from: Spokenn (Ferro & Reiss), Seb Zito, Willers Brothers, Swoy, Enzo Siragusa, Apollonia, Archie Hamilton, Rossko, Ben Rau, & Rich Nxt

This is a limited-edition press of 200x

Mastered by Rob Small Mastering 

Artwork by ABS Design Team 

-=+

SOLD OUT

B2. Stephan Bazbaz - Ribs in Space (Monika Ross Remix)

This is a track idea I wrote and recorded back in 2012. 

It was 'silently resting' on my hard drive, cause never released yet but, feeling it so much and in love with (kind of 'never enough' each time I listen to it) that I have decided to offer it for FREE as my CHRISTMAS GIFT to ALL my Soundcloud and Bandcamp followers. 

100 Downloads available here on Soundcloud !

after that you can still download it for free via my Bandcamp page, where also hi-quality .WAV file download is available:

https://enricomantini.bandcamp.com

Here some technical hints about this track: 

This tune is basically an idea I was working on my MPC. 
I made it exclusively using the MPC1000, then passing it through Bellari RP583 compressor and recording straight into the Akai 4000DS tape machine. 

The groove is house, the sound is warm as expected. 

Hope You ALL enjoy it ! 

LONG LIVE THE DEEP.

Get Some More

Get Some More (FREE X-Mas 2018 DOWNLOAD)

MUZI 001

Deejay: http://bit.ly/muzi001deejay
Juno: http://bit.ly/muzi001juno
Decks: http://bit.ly/muzi001decks

All rights reserved. Artwork by Nicolas Vanderstricht.

A1. Viktor Udvari - For Our Love
A2. Mrsch - Pas Cu Pas
B1. Lebawski - Clouds of Thyme (Kled Baken remix)
B2. Barbosa - Quinoa (Ray Mono remix)

- social links
facebook.com/muzicartel
instagram.com/muzicartel

A1. Viktor Udvari - For Our Love

Negentropy kicks off the summer with it’s fourth release. This time courtesy of the unstoppable french groove wizard, Sweely. Fusing Jazz and Minimal House elements, Sweely will have you throwing shapes wherever the needle drops. Three tracks of high energy deep house funk, club ready and bound to do damage. Handle with caution and play it loud!

B1 Sweely - One Or Another

Support this artist : 
absidesmusic.bandcamp.com/

@absides

Premiere : A/B Sides - Bqd (A/B SIDES014)

A1. Politics Of Dancing - Oté (Snippet)

Part Of “HouseOnWax013”
Catalog: HOW013
Release Date: 30.06.20
Buy Link: https://www.deejay.de/Jacobo_Saavedra_feat_Toni_Moreno_No_Woman_No_Man_HOW013_Vinyl__949864

Artist: Jacobo Saavedra
SoundCloud | https://soundcloud.com/jacobosaavedradj
Resident Advisor | https://www.residentadvisor.net/dj/jacobosaavedra

Label: HouseOnWax
SoundCloud | https://soundcloud.com/kanja_records
Deejay | https://www.deejay.de/HouseOnWax__L31855

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Berlin House Music
SoundCloud | https://soundcloud.com/berlinhousemusic
YouTube | https://www.youtube.com/c/berlinhousemusic 
Facebook | https://www.facebook.com/berlinhousemusic
Instagram | https://www.instagram.com/berlinhousemusic
Website | http://berlinhousemusic.com
Submit Your Music | http://berlinhousemusic.com/submission

PREMIERE: Jacobo Saavedra - Amanda [HouseOnWax]

Paris, early ‘90s. The city was a schizophrenic beast—half-glamour, half-decay—where raves exploded like molotov cocktails in abandoned warehouses and smoke-filled basements. It was beautiful chaos. Somewhere in the thick of it was Julien Veniel, better known as D’Julz, spinning records with the focus of a surgeon and the cool detachment of someone who had seen it all.
Then came New York, 1993. A city that didn’t sleep but didn’t really dream either, at least not back then. Veniel—young, hungry, and too talented to ignore—found himself in the depths of sweaty dancefloors, perfecting his craft like a prizefighter working the heavy bag. The kicks were tighter, the grooves deeper, and his sound—dub-infused, stripped-down, relentless—started to carve its way into the foundations of house and techno.
But Paris called him back. By 1997, he was behind the decks at the Rex Club, launching Bass Culture, a night that would quietly and ruthlessly become one of the most enduring parties in dance music. You could feel it in the air, heavy with smoke and sweat: something was happening. And week after week, D’Julz delivered. The music wasn’t just played; it was installed into your brain, a groove so potent it hijacked your nervous system.
The production side came next. 20:20 Vision, Ovum ,Circus Company. Robsoul. ,Rekids. Big labels, underground credibility. Tracks and remixes that hit like slow-burning dynamite—deceptively simple, brutally effective. DJs hoarded his records like they were holding nuclear launch codes.
Then there was Circoloco—DC10 . Ibiza’s sacred asylum for the beautifully deranged. D’Julz became a fixture for 7 years, a reliable madman behind the decks, controlling both the main room and the red terrace like a general marching his troops to the brink of delirium. His sets were measured doses of euphoria and dread, dubby basslines colliding with pulsing techno rhythms, all delivered with a sly grin and the calm of someone who knew.
By 2009, Bass Culture Records was born. A label as lean and unforgiving as its founder—no fluff, no filler, just raw, stripped-back house and techno that knew where it came from and where it was going. Over 70 releases later, it’s clear: D’Julz doesn’t miss.
Now, decades into this strange and relentless trip, D’Julz is still at it. The tour schedule is insane—Bali, Berlin, New York, and back again. Clubs and cities blend together, but the mission never changes: find the groove, ride it hard, and don’t let up until the lights come on.
D’Julz doesn’t care about trends. He doesn’t care about fame. He’s a purist, a craftsman, a man obsessed with the sound—the deep, pulsing, unstoppable sound. Three decades in and he’s still there, calm and unflinching, dropping records that hit like a gunshot in the dark.
If you want to understand D’Julz, don’t bother asking questions. Just listen. The truth is buried somewhere in the basslines.

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D'Julz

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