So good mr. Julien! Support, cheers from Lisbon ;-)

smooth

Ukrainian artist iO is the next to make his mark on One Records with ‘Mir’, including two intricate and sophisticated, rolling dance floor tracks of the highest quality. On remix duty, the profoundly talented Cab Drivers showcase their unique production style, as they too are warmly welcomed to the label. 

Part of the game for a number of years now, iO’s successful releases can be found on imprints such as Rejected, Leftroom, Highway Records and his own Mulen Records which he started in 2012 and released his stunning debut album with in 2013. Aside from his skills in the studio, iO’s talents as a DJ also see him play regularly at the likes of Arma17 (Moscow), Studio 80 (Amsterdam) and Boom Boom Room (Kiev), also appearing at events such as ADE, WMC, Exit and Kazantip. 

Hugely respected Berlin residents Cab Drivers aka ZKY & Daniel Paul are well known for their distinctive productions and live showcases. Their well established record label Cabinet Records holds an extensive catalogue of quality music and places them even further within the real elite of electronic music.

https://soundcloud.com/mulenrecords
https://soundcloud.com/one-records



iO - Mir (One Records) 
Released: 29/06/15 
Distribution: Juno 
Cat no: ONE033 


Premiere: iO - Mir (One Records)

Eugen Grieg & Mohaa-Resonant Path (jE jE Music Recordings)

QV007 Thomas Wood - A2 - Soul Thing

JOHN DIMAS - RUN TIME EP

Artist : John Dimas

Cat# : TT006

Genre : House / Techno

Release Date : June 2016

Format : Vinyl Only

Tracklist :

A1 - John Dimas - Airwaves

A2 - John Dimas - Cloud City

B1 - John Dimas - Purple Park

B2 - John Dimas - Run Time

John Dimas - A2 Cloud City (Snippet)

Noha & Alex Tea - Spice Jam

Cosmo (Original Mix)
from Akyra

email: daniloakyra@gmail.com

Cosmo (Original Mix) [FREE DOWNLOAD]

4:20 (Original Mix) [FREE DOWNLOAD]

Show love : labelsphere.bandcamp.com/releases
Mastering by Kolkoz

You can follow us on Facebook and Youtube.
If you like the work, show support!

Facebook: bit.ly/lsp01fb
Youtube: bit.ly/LSPHERE01

Demos and bookings: labelspherecontact@gmail.com

Irv.in - Air

Moody - It's 2 Late 4 U And Me (Akyra Edit)

FREE DOWNLOAD AVAILABLE NOW

Download

Moody - It's 2 Late 4 U And Me (Akyra Edit)

Full stream of Diego Krause's "Lost Tribe," taken from his forthcoming EP on Unison Wax, out June 21.

More: https://www.orbmag.com/music/premiere

@unison-wax
@diegokrause

Bring The Noise

Orb Premieres

Premiere: Diego Krause - Lost Tribe

Support this artist : 
absidesmusic.bandcamp.com/

@absides

Premiere : A/B Sides - Bqd (A/B SIDES014)

Premiere : James Cox - Liquidity (INTER002)

Listen to it on YouTube : youtu.be/eWazUmyCJnI

Label: HouseOnWax
Artist: Devv
Format: Vinyl
EP Title: HOW012
Support it: bit.ly/37dsD3i

Devv :
https://soundcloud.com/devvmusic
fb.me/devvmusic

HouseOnWax :
https://soundcloud.com/kanja_records
fb.me/HouseOnWaxLabel

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House Six :
https://soundcloud.com/house-six
https://fb.me/HouseSix.yt
https://instagr.am/housesix_
https://spoti.fi/3pHAj7J
housesixyt@gmail.com

Listen To Youtube

PREMIERE: Devv - Eternity

Release info: www.deejay.de/Rinaldo_Makaj_DRUZ…A010_Vinyl__949770

Four years after its foundation, the Berlin-based label Druzhba is celebrating its anniversary 10th release with four original tracks by the melody master @rinaldomakaj (RORA, Elephant Moon).

A2 Rinaldo Makaj - Locked Groove (druzhba010)

Franco Cinelli finaly returns to the label with a long awaited E.P.
The Argentinian maestro has been releasing music on Bass culture since almost a decade so it’s great pleasure to welcome him back home!

Franco Cinelli -Get Back (BCR064 - B1)

Paris, early ‘90s. The city was a schizophrenic beast—half-glamour, half-decay—where raves exploded like molotov cocktails in abandoned warehouses and smoke-filled basements. It was beautiful chaos. Somewhere in the thick of it was Julien Veniel, better known as D’Julz, spinning records with the focus of a surgeon and the cool detachment of someone who had seen it all.
Then came New York, 1993. A city that didn’t sleep but didn’t really dream either, at least not back then. Veniel—young, hungry, and too talented to ignore—found himself in the depths of sweaty dancefloors, perfecting his craft like a prizefighter working the heavy bag. The kicks were tighter, the grooves deeper, and his sound—dub-infused, stripped-down, relentless—started to carve its way into the foundations of house and techno.
But Paris called him back. By 1997, he was behind the decks at the Rex Club, launching Bass Culture, a night that would quietly and ruthlessly become one of the most enduring parties in dance music. You could feel it in the air, heavy with smoke and sweat: something was happening. And week after week, D’Julz delivered. The music wasn’t just played; it was installed into your brain, a groove so potent it hijacked your nervous system.
The production side came next. 20:20 Vision, Ovum ,Circus Company. Robsoul. ,Rekids. Big labels, underground credibility. Tracks and remixes that hit like slow-burning dynamite—deceptively simple, brutally effective. DJs hoarded his records like they were holding nuclear launch codes.
Then there was Circoloco—DC10 . Ibiza’s sacred asylum for the beautifully deranged. D’Julz became a fixture for 7 years, a reliable madman behind the decks, controlling both the main room and the red terrace like a general marching his troops to the brink of delirium. His sets were measured doses of euphoria and dread, dubby basslines colliding with pulsing techno rhythms, all delivered with a sly grin and the calm of someone who knew.
By 2009, Bass Culture Records was born. A label as lean and unforgiving as its founder—no fluff, no filler, just raw, stripped-back house and techno that knew where it came from and where it was going. Over 70 releases later, it’s clear: D’Julz doesn’t miss.
Now, decades into this strange and relentless trip, D’Julz is still at it. The tour schedule is insane—Bali, Berlin, New York, and back again. Clubs and cities blend together, but the mission never changes: find the groove, ride it hard, and don’t let up until the lights come on.
D’Julz doesn’t care about trends. He doesn’t care about fame. He’s a purist, a craftsman, a man obsessed with the sound—the deep, pulsing, unstoppable sound. Three decades in and he’s still there, calm and unflinching, dropping records that hit like a gunshot in the dark.
If you want to understand D’Julz, don’t bother asking questions. Just listen. The truth is buried somewhere in the basslines.

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D'Julz

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